SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grosvenor Square"/1) | (@(roleclean,performerclean) "Grosvenor Square")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 265 matches on Event Comments, 6 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Beard. Part of Pit will be rail'd into Boxes, where servants may keep Places and on the Stage. Tickets to be had of Beard at his House in New North St., Red Lion Square, and of Hobson at the stage door. Rec'd front Cash #67 12s., plus #132 13s. in tickets. Total #200 5s. Paid Hobson for 2 suits of cloaths #21; Salary list #203 7s.; Norton for 1 chorus 5s. (Treasurer's Book). Receipts: #205 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

Dance: III: L'Entree de Flore-Mlle Auretti

Event Comment: Benefit for Miss Bellamy. Ladies send servants by 3 o'clock. Tickets of Miss Bellamy at her house in King St., James's Square, and at stage door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Beard. No part of pit will be rail'd into the Boxes. Servants allow'd to keep Places on the stage. Tickets and Places to be had of Beard at his House in North St., Red-Lion Square, and at the Sta ge Door. Tickets deliver'd out for the 21st of March will be taken. Last time of performing the mainpiece this season. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: Devisse, Mad Auretti, Mathews, Mad Camargo, the Little Swiss

Song: A Cantata set by Dr Boyce-Beard

Entertainment: End Cantata: the Parody of Shakespeare's Stages of Life-Garrick

Event Comment: Benefit for Mad Auretti. Pit and Boxes laid together. Tickets of Mad Auretti at second House on the left hand, the Corner of Panton Street, Leicester Square, and of Hobson at the Stage Door. Tickets deliver'd out for 23 March will be taken. Receipts: #230 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Dance: I: New Dance-Devisse, Mad Auretti; III: a Provincial Dance-Devisse, Mad Auretti; V: Louvre, Minuet-Devisse, Mad Auretti

Music: II: Concerto on German Flute-Mr L'Cler

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Benefit for a family in Distress (Cross). Tickets to be had at the Sword-Blade Coffee House, Birchin Lane, Lombard St.; Prince of Orange Coffee House in the Haymarket; Joe's Coffee House, Mitre Court, Fleet St.; Smyrna Coffee House, Pall Mall; the Swan Tavern, Grafton St.; Warwick-St. Coffee House near Golden Square; the Feather's Tavern, opposite St Clement's Church in the Strand; and of Mr Varney at the stage door. Receipts: #212 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

Event Comment: Benefit for Beard. Afterpiece: By Particular Desire. Tickets at Beard's lodgings at Mrs Coleman's in East St., Red Lyon Square, and at the Stage Door. Part of Pit laid into Boxes. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Devil to Pay

Song: I: Rise Glory, in the Opera Rosamond, by Arne-Beard; II: A Song-Miss Thomas; III: (By desire) a Ballad-Beard; IV: A Pastoral Dialogue by Arne-Miss Thomas, Beard

Event Comment: Benefit for Mr Beard. Afterpiece: By Desire. Tickets of Beard at Mrs Coleman's in East St., near Red Lyon Square, and at the Stage Door. Receipts: #300 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Miss in Her Teens

Song: II: A New Cantata-Beard; III: Hooly and Fairly by Desire-Beard; V: Rule Britannia-Beard, chorus; Britons Strike Home sung in Character-Beard, accompanied with a chorus

Music: IV: A Piece upon the Harp-Parry

Dance: ll concluding with% Hornpipe-Mathews

Event Comment: Benefit for ye Middlesex Hospital. Part of Pit laid into Boxes. Tickets to be had at Mr John Horne's, Treasurer of the Hospital, in Market St., near Newport Market; At Tom's Coffee House, Cornhill; The White Hart Tavern, Holborn; The Bedford Coffee House, Covent Garden; Berkeley Square Coffee House; at the Hospital, and of Varney at the Theatre, where places may be taken. Receipts: #280 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Author

Song: I: Miss Young

Event Comment: To be Lett. Elegantly Furnish'd, the House of the Late Colley Cibber, Esq: in Berkley Square, the Corner of Bruton Street (Public Advertiser). Receipts: #106 3s. Gave Porters of the several Inns, #3 14s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: Orpheus and Eurydice

Event Comment: As 11 Aug., but: Mr Trufler's daughter continues to make the Rich Seed and Plomb cakes, so much admired by the Nobility and Gentry. They are made in a square Form, and will cut out in as large Slices as those of four Times the price. they are always kept ready made, and will be sent to any Part of the Town when bespoke, at Half a Crown each. [The piece was not advertised for 15. Aug. in the Public Advertiser.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: For the Benefit and Increase of a Fund for Decayed Musicians and their families. Pit and Boxes put together at half a guinea each. N.B. The Society's Collector being dead, and the places of abode of several of the subscribers being unknown to his successor, those Ladies and Gentlemen who have not yet received their tickets are humbly requested to send for them to Mr Jesse Horwood at his house in King Street, Golden Square, who is empowered by the Society to deliver them and receive the Subscription. Tickets to subscribers will admit one person to any part of the House

Performances

Mainpiece Title: Israel In Babylon; Or, The Force Of Truth

Event Comment: Towards raising a Sum of Money for building a Wing to the Middlesex Hospital. Pit and Boxes at Half a Guinea. Gallery 5s. Upper Gallery 3s. 6d. To begin at 6:30 p.m. After the Opera will be an Assembly, with Coffee, Tea, Orgeat, and Lemonade. At Mr Almack's Great Room in King St., St James, to which every Gentleman or Lady who shall produce a Ticket that will be annexed to the Box Tickets for the Opera, will be admitted without any additional Expense. Box Tickets for this Night will admit only one Person into any part of the House, as the Tickets for the Assembly are annexed thereto. Mr Almack's room will be opened at Nine o'clock, and Ladies are desired to order their Chairs to wait in King Street, and the Coaches in St James's Square

Performances

Mainpiece Title: Ezio

Dance: Between the acts:

Event Comment: Benefit for Dispensary for Infant Poor in Soho Square. Ladies send servants to secure their places by 5 o'clock. Charges #85 10s. Profit to Dispensary #36 11s. 6d., plus #128 9s. from tickets (Box 365; Pit 248) (Account Book). Receipts: #121 1s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Padlock

Song: II: (By particular Desire) The Soldier Tir'd of War's Alarms from Arataxerxes,-Miss Catley

Dance: IV: The Merry Sailors, as17721012

Event Comment: Benefit for the Dispensary for the Infant Poor, Soho Square. Paid Housekeeper's Bill #6 1s. 1d. Receipts: #180 16s. 6d. Charges: #84. Profit to Dispensary: #96 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Mayor of Garratt

Song: (By Particular Desire) O! What a Charming Thing's a Battle!-Mr Bannister

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Event Comment: Benefit for Sga Ricci. Public Advertiser, 13 Mar.: Tickets to be had of Sga Ricci at her House, No. 9, Warwick-street, Golden-square. Receipts: #183 1s. 6d. (95.0.0; 22.17.6; 0.0.0; tickets: 65.4.0) (charge: #105)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Bon Ton

Dance: End II: a Grand New Ballet (composed by Ricci), The Chaconne-Ricci (1st appearance on the English stage), Sga Crespi, Sga Ricci; End V: The Savage Hunters, as17761024

Event Comment: Benefit for Aldridge. Public Advertiser, 14 Apr.: Tickets to be had of Aldridge, No. 2, Great Maddox-street, Hanover-square. Receipts: #189 9s. (123.4; tickets: 66.5) (charge: #64 10s.)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Dance: End II: New Comic Dance-Master Jackson, Miss Parish (A pupil of Aldridge; 1st appearanae on the stage); End III: a new characteristic Irish Dance, The Humours of Leixlip; or, A Jaunt to the Salmon-Leap, in which an Irish Jigg,-Aldridge, Miss Besford; End IV: a new Comic Dance, The Coopers-Langrish, Master Jackson, Miss Nicols (Scholar to Aldridge; 1st appearance also); End: a new pantomimical Naval Dance, All in the Downs ; or, Farewell to Deal,-Aldridge, Jackson, Besford, Miss Besford, Miss Valois

Event Comment: Benefit for Mons and Mme Vallouy. Public Advertiser, 3 May: Tickets to be had of Vallouy at his house, No. 2, Berkley-square

Performances

Mainpiece Title: Il Geloso In Cimento

Dance: End I: new Comic Dance, Le Culte d'Amour(composed by Vallouy)-Vallouy, Mlle DeCamp, Vallouy@le@cadet; End II: Serious Ballet-Simonet, Mlle Baccelli; , in which the Minuet de la Cour-Mons and Mme Vallouy; End Opera: Les Amans Heureux, as17770104

Event Comment: Benefit for Dumay, Harris & Holloway. Public Advertiser, 16 May: Tickets to be had of Dumay at Sandhill, behind the Foundling Hospital; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden; of Holloway, Great Maddox-street, Hanover-square. Receipts: #263 15s. (69.2; tickets: 194.13) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Frolicks

Dance: End III: Minuet de la Cour, Allemande-Mr and Mrs Holloway; End IV: The Shepherd's Wedding, as17770215; End: a Minuet-Dumay, Sga Tinte; Afterpiece: Rural Dance, as17770121

Event Comment: Benefit for Green and Ansell, box-keepers. Public Advertiser, 7 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #329 17s. (48.15; tickets: 281.2) (charge: #105)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: As17770515

Event Comment: Benefit for the Dispensary for the Infant Poor, in Soho-Square. Receipts: #212 0s. 6d. (112.18.0; 22.9.6; 1.3.0; tickets: 75.10.0) (charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Deserter

Dance: As17771111

Song: In afterpiece: by Desire, Oh what a charming thing's a battle-Bannister