SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 833 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: TTiled Booth, Bowling Green. A Concert, etc. Benefit Mrs Bambridge. Particular care is taken that the Parts will be performed by comedians from both Houses

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: Mainpiece Containing the Distresses and Death of King Henry the Sixth; the Artful Acquisition of the Crown by King Richard; The Cruel Murder of Prince Edward and his Brother in the Tower; the Landing of the Earl of Richmond, and the death of King Richard in the Memorable battle of Bosworth Fieldv; being the last that was fought between the Houses of York and Lancaster. Receipts: #160 19s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Bridgwater; Richmond-Havard; Buckingham-Cashell; Tressel-Chapman; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Stanley-Davies; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieutenant-Arthur; Oxford-Bencraft; Lady Anne-Mrs Horton; Queen Elizabeth-Mrs Pritchard.
Cast
Role: Ratcliff Actor: Anderson

Afterpiece Title: The Virgin Unmasked

Event Comment: At the Late Wells, at the bottom of Lemon St., Goodman's Fields, a Concert, etc. The House is alter'd in a more Theatrical Manner, is made warm, and Front Boxes made at the upper end of the Pit. We shall perform every Night. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Lying Valet

Dance: II: Peasant Dance-Master Morgan, Miss Baker; III: Scotch Dance-Mr Miles, Mrs Miles; IV: Tambourine-Master Morgan, Miss Baker; V: Drunken Peasant-Miles

Event Comment: Altered from Dryden by Colley Cibber....a Man who was in the Upper Gallery...threw an apple from thence, with an intent, as is suppos'd to hit some person who was looking through the Curtain, but struck a Lady of Quality in the face, who sat in the stage box; upon which the manager order'd the Constable attending the House to make inquiry after the person who did it, and he was immediately apprehended, on the information of several people who sat near him, and was, by the Lady's desire carried before a Justice, who would have committed him for the assault; but on his begging Pardon, and promising never to offend in the like manner, she was pleas'd to forgive him, and he was discharg'd.--As it was a Publick Affront some Gentlemen would have had him brought on the stage to make a Public acknowledgment of his folly;--and tis hop'd that will be the punishment hereafter, for those who offend in the like manner.--General Advertiser, 3 Nov

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: The Double Disappointment

Song: III: Lowe

Event Comment: Attendance will be given this and every Day from Ten in the Morning 'till Three in the Afternoon, at the Opera House in the Haymarket, in order to take in Subscriptions for the Second Subscription to Operas; and whereas the number of Representations for the first Subscription has not been compleated; This is to give notice to the Subscribers, that by sending to the Office, they will have the Money for the deficient Number of Representations returned them; or if they please to go on with the Second Subscription, the Deficiency of the first which ends this Night will be made up to them in the Price of the Tickets for the Second Subscription

Performances

Mainpiece Title: Annibale In Capua

Dance:

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition (General Advertiser). [The House this night carried on its books a profitable balance of #2416 6s. 8d.] Receipts: #100 9s

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Player Actor: Anderson

Dance: As17461231

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Rosco
Role: Mrs Sealand Actor: Mrs James
Role: Isabella Actor: Mrs Bland

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit Mrs Clive. Mainpiece written by Beaumont and Fletcher, never acted there. Servants allow'd to keep places on the stage which will be form'd into front and side boxes, and so commodiously enclos'd as to prevent the Ladies from taking cold. Ladies send servants by three. Tickets of Mrs Clive at her House in Great Queen Street, Lincoln's Inn Fields, and of Hobson at the stage door

Performances

Mainpiece Title: The Wild Goose Chase

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Miss in Her Teens

Dance: As17461124, but Drunken Peasant-Miles

Song: Brett

Event Comment: At the particular Desire of several Persons of Quality. Benefit Mrs Giffard. Tickets to be had of her at her house, No 11 in Craven Buildings, Drury Lane, and of Hobson at the stage door where places may be taken

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Dragon of Wantley

Dance: Salomon, Sga Padouana, Muilment, Salomon's Son, the Mechels

Event Comment: Benefit Macklin. Mainpiece: By Particular Desire. The Farce never before acted. Tickets to be had of Macklin at his House in Bow St; and of Hobson at the stage door where places may be taken for the Boxes.--General Advertiser. [Afterpiece by Charles Macklin.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Suspicious Husband Criticized; or, The Plague of Envy

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. Benefit John Hippisley. [Receipts: #72 17s. 6d. plus #93 1s. from tickets without Stage (Account Books, Egerton 2268)]. Receipts: #165 18s. 6d. We hear Mr Hippisley is so far recover'd from his late illness, that, tho' considerably alter'd in his physiognomy, and lower'd in spirits, he persuades himself a crowded house on Thursday next, at the Stratagem for his benefit, will create a smile on his countenance, raise his spirits, and make him appear as much a Scrub as ever

Performances

Mainpiece Title: The Stratagem

Cast
Role: Sir Charles Actor: Anderson

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit Reinhold and Mrs Furnival (General Advertiser). This day agreement was signed between Lacy and Garrick as new partners in the patent for Drury Lane theatre. The total present liabilities of the theatre, including the mortgage to Green and Amber, the mortgage to Hutchinson Meure, with the arrears due to actors and tradesmen, were calculated at about #12,000. It was besides burdened with an annuity to Calthorpe of #300, and another of #500 to Fleetwood. Of this #12,000 Garrick, helped by his friends found eight. Each party was to draw #500 a year as manager, and Garrick was to received besides #500 a year salary for his acting; but was restrained from playing at any other house, except on terms of dividing profits with his fellow manager.--Fitzgerald, Life of Garrick, p. 112

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Cast
Role: Gayless Actor: Anderson

Performances

Mainpiece Title: Diversions Of The Morning

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens

Dance: IV: Dance-Cooke

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry the Sixthv; the Artful Acquistion of the Crown by King Richardv; the Cruel Murder of Prince Edwardv and his Brother in the Tower; the Landing of the Earl of Richmondv, and the death of King Richard in the Memorable Battle of Bosworth Fieldv; being the last that was faught between the Houses of York and Lancasterv. [A customary elaboration of the title, appearing at subsequent performances this season, but not repeated here.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard III-Ryan; King Henry-Bridgwater; Richmond-Giffard; Buckingham-Bridges; Tressel-Ridout; Stanley-Rosco; Blunt-Kennedy; Catesby-Gibson; Tyrrel-Stoppelaer; Lord Mayor-Dunstall; Ratcliff-Anderson; Lieutenant-Storer; Oxford-Bencraft; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Duchess of York-Mrs James; Lady Anne-Mrs Hale; Queen Elizabeth-Mrs Horton.
Cast
Role: Ratcliff Actor: Anderson

Afterpiece Title: The Royal Chace

Cast
Role: Pan Actor: Vandersluys
Event Comment: (great snow [show?] for ye Agreat snow [show?] for ye Author) (Cross). Benefit for the Author (General Advertiser). There was a new comedy last Saturday, which suceeds, call'd The Foundling. I like the old Conscious Lovers better, and that not much. The story is the same, only the Bevil of the New piece is in more hurry, and consequently more natural. It is extremely well acted by Garrick and Barry, Mrs Cibber and Mrs Woffington [Walpole to Sir Horace Mann, Walpole Letters (ed Cunningham, II, 105).] Receipts: #160 (Cross); house charges #63 (Powel); cash #119 5s. 6d.; tickets #32 (Clay MS)

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Foundling

Event Comment: PPowel: Lent being now beginning, the House leaves off playing Wednesdays and Fridays

Performances

Mainpiece Title: Ash Wednesday

Event Comment: Monday next Venice Preserved, for the Benefit of Mrs Cibber. N.B.: As many inconveniencies have arisen, from receiving Box Tickets in the Galleries, no Tickets will be admitted but in the Boxes, Pit and upon the Stage (General Advertiser). [The inconveniencies would seem to be connected with an overflow into the galleries of gentlemen with an animus towards The Foundling. Garrick was making an early managerial effort to control the house and render it quiet.] Receipts: #160 (Cross); #169 2s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Dance: Cooke, Anne Auretti