SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Grigsby\'s Shadwell\'s Janeway\'s and Sam\'s Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsby\'s Shadwell\'s Janeway\'s and Sam\'s Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 866 matches on Author, 211 matches on Performance Title, 145 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Cibber (Cross). And the Stage (for the better Accommodation of the Ladies) will be form'd into Front and Side Boxes, where Servants will be allow'd to keep Places, as well as in the Boxes and the Pit. Ladies are desired to send Servants to keep Places by 3 o'clock. Tickets to be had of Mrs Cibber, at her house in Thrift St, Soho, and of Hobson, at the Stage Door of the Theatre, where Places may be taken. Tomorrow The Foundling (being the 13th Night). Receipts: #250 (Cross); house charges, #60 (Powel); cash, #81 17s.; tickets, #187 5s. 6d. (Clay MS). This charge was also set down that the principle [sic] treasurer should not know to the contrary, because it was told him that Mrs Cibber paid for her benefit, and if he had imagin'd otherwise, he perhaps would have insisted upon the same terms for his wife (Mrs Pr-h-d). I must therefore subtract it with Mr G-k's Benefit, it standing in their Books exactly in the same manner as his (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Macklin. Afterpiece: A Farce in 2 Acts taken [by Macklin] from Le Legataire Universel of Mons Regnard. Tickets of Macklin at his house in Bow Street, and of Hobson at the Stage Door. Stage will be form'd into front and side boxes. Receipts: #200 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Will and No Will or A New Case for the Lawyers

Dance: End: Savoyards, as17471215

Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Macbeth

Cast
Role: dances Actor: , and other decorations.

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, Anne and Janeton Auretti

Event Comment: Benefit for Blakes. Tickets and places of Blakes at his house in Cranbourne Alley, Leicester Fields, and of Hobson at the stage door. Les Messieurs & Dames peuvent laisser Diner leurs Domestiques car a quatre Heur sera assez a bonne heur de les Envoyer pour Gardez les places dans les loges. M. Fanfaron (General Advertiser). [The General Advertiser this day also included the first announcement of Mrs Macklin's benefit to be held on 22 April, at which would be perform'd the Lover's Melancholy, "Not acted these Hundred years," together with a new farce (never acted) called The Club of Fortune Hunters. The notice ran again several times, followed by the letters to the author of the General Advertiser noted on 19 and 23 April.] Receipts: #111 (Cross); house charges, #63 (Powel); cash, #58 6s.; tickets, #52 15s. (Clay MS)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Double Disappointment

Dance: II: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Pastoral Dance, as17480326 Sailor's Rendezvous, as17471117

Song: SSailor's Rendezvous, as17471117

Event Comment: Benefit for Pritchard (Treasurer). Tickets delivered for the London Merchant will be taken. On April 12 that play was advertised for this evening--the part of George Barnwell to be performed (by particular desire) by Mrs Pritchard, Millwood by Mrs Furnival, and Lucy by Mrs Clive. Tickets to be had of Pritchard at his House in Duke's late Earl's Court, Bow St., Covent Garden; and of Hobson at the stage door. Tomorrow Lover's Melancholy, and a New Farce call'd The Club of Fortune Hunters for the Benefit of Mrs Macklin. Receipts: #180 (Cross); house charges, #63 (Powel); cash #85 6s. 6d.; tickets, #81 9s. (Clay MS)

Performances

Mainpiece Title: Macbeth

Cast
Role: dances Actor: , and other decorations.

Afterpiece Title: Miss in Her Teens

Dance: V: Savoyards, as17471215

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Mrs Sealand Actor: Mrs Cross
Role: Sealand Actor: Berry

Afterpiece Title: Lethe

Performances

Mainpiece Title: Susanna An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.
Event Comment: Benefit for Mlle Anne Auretti. Five rows of the Pit will be laid into the boxes, &c. [as on 7 March]. Tickets to be had at Mlle Auretti's at the second House on the left hand, the corner of Panton St., Leicester Fields, and of Hobson at the stage door. Receipts: #180 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Lying Valet

Dance: I: L'Entree de Flore, as17481027; II: Scotch Dance, as17490118; III: A Harlequin Dance-Matthews, Anne Auretti; V: Louvre and Minuet-Cooke, Anne Auretti

Event Comment: Benefit for Blakes. Tickets at his house in Cranbourne Alley, Leicester Fields, and of Hobson at the stage door. Being positively the last time of [Barry's] performing Macbeth this season. Receipts. #140 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Lethe

Dance: II: Hornpipe-the Little Swiss (not 5 years old) scholar to Mathews; End of Play: The Savoyards, as17480920

Event Comment: Benefit for Leviez, Ballet Master. Tickets deliver'd for Romeo and Juliet will be taken. Mr Leviez is oblig'd to change the play on account of Mrs Cibber's illness. Romeo advertis'd but Mrs Cibber's illness chang'd it (Cross). Tickets to be had of Leviez at his house in Great Queen St., and of Hobson at the Stage Door. Receipts: #180 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens Ye Scene of Peace

Performance Comment: As17490410 but Fribble-Garrick; rest omitted; To conclude with the Last Grand Scene of The Triumph of Peace-; (see17490221) in which will be a Grand Dance-Cooke, Anne Auretti, Mathews, Mrs Addison.

Dance: III: Hornpipe-the Little Swiss; IV: Scotch Dance, as17490118; V: Savoyards, as17480920

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Paris Actor: Anderson

Afterpiece Title: Perseus and Andromeda

Dance: III: (By desire) the Two Pierots, as17500108, but-LaLauze, Dennison his apprentice, being his 1st appearance on the stage; IV: Grand Scots Dance-Cooke, Miss Hillyard; End of Play: Louvre, Minuet-Master Settree, a Young Lady who never appeared before, both scholars of Mr Lalauze

Event Comment: Both ye Houses play'd on ye same day, Romeo & Juliet, Mr Barry & Mrs Cibber at Covent Garden against Mr Garrick & Miss Bellamy at Drury Lane--Miss Bellamy never appear'd upon this stage before, & was greatly receiv'd--both houses too added a Scene of Juliet's funeral (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Mainpiece: Reviv'd not acted in 10 years. Afterpiece: Written by Mr Dryden. The Music composed by Dr Boyce. Proper Dances, Chorusses, &c....The Word of the Masque will be deliver'd gratis at the doors (General Advertiser). Play not much lik'd and ye Masque greatly dislik'd (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Secular Masque

Dance: New Running Footman's Dance, as17501020

Event Comment: Wednesday the Eunuch of Terence was acted by the scholars at the Charter House, to a very polite Audience with Great Applause (General Advertiser). [The London Daily Advertiser and Literary Gazette for 30 May noted: "Publish'd, Epilogue to the Eunuchus of Terence, acted lately by the Charter House Scholars, with great applause, spoken in his own cloaths, by the scholar who acted the part of Thais."

Performances

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Queen Mab

Song: II: A Song (composed by Mr Handel)-Master Vernon

Event Comment: Benefit for Stede, Cushing, Redman and Bennet. Mainpiece: Not acted these seven years. [See 21 April 1748.

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pilgrim-Ryan; Alphonso-Arthur; Seberto-Gibson; Old Pilgrim-Riccard; Curio-Anderson; Governor-Usher; Roderigo-Sparks; Jaques-Dunstall; Lopez-Bransby; Porter-Barrington; Stuttering Servt-Bennet; Alonzo-Holtham; Mad Englishman-Macklin; Mad Scholar-Dyer; Master of Mad House-Marten; Mad Priest-Bencraft; Mad Taylor-Cushing; Mad Welshman-Collins; Alinda-Mrs Vincent; Juletta-Mrs Ridout; Drunken Servt-Paddick; Vertigo-Redman.
Cast
Role: Curio Actor: Anderson

Afterpiece Title: The Contrivances

Dance: II: Two Pierrots, as17520415 III: Grand Comic Ballet, as17511216; V: Drunken Peasant-Phillips; with Clown-Bennet

Song: IV: If Love's a Sweet Passion-Mrs Chambers

Performances

Mainpiece Title: Macbeth

Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Palmer

Afterpiece Title: The Chinese Festival

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Performance Comment: Lear-Barry; Edgar-Ryan; Gloster-Ridout; Kent-Sparks; Bastard-Smith; Cornwall-Anderson; Albany-White; Burgundy-Bennet; Gentleman Usher-Shuter; Goneril-Mrs Stephens; Regan-Mrs Elmy; Cordelia-Mrs Bellamy.
Cast
Role: Cornwall Actor: Anderson

Afterpiece Title: The Virgin Unmaskd

Dance: JJovial Coopers, as17571107

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Performances

Mainpiece Title: Concert

Performance Comment: Part I: Overture by Dubourg-; Songs Del Cara amabil Volto-Sga Calori; Why does the God of Israel Sleep , by Handel in the Oratorio Sampson-Passagli; Wise Men's Flattery by Handel in the Oratorio Belshazzar-Sga Frasi; Concerto on the Violincello-Pasqualino; Songs Parto da te ben mio by Bertoni-Potenza; Nel Pensar al grnad Cimento-Sga Mattei , Perez; Part II: Concerto on the Bassoon-Miller; Songs He Shall Feed His Flock-Sga Frasi , by Handel in the Messiah; Vero non e che Sia-Sga Calori; He was Despised by Handel in the Messiah-Passagli; Concerto on the Hautboy-Simpson; Songs Mea vita mio bene by Cocchi-Potenza; Questo core amato bene by Abos-Sga Mattei; Part III: Concerto on the violin by Dubourg-; Songs Ye Sacred Priests by Handel in Jephtha-Sga Frasi; Siete barhere amata Stello by Galluppi-Potenza; Deghi che io son fedele by Aurasecchio-Sga Mattei; Coronation Anthem, God save the King by Handel-.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

Event Comment: Pit and Boxes to be put together; and no persons to be admitted without Tickets, which will be deliver'd this day, at the office, at Half-a-Guinea each. Gallery 5s. Upper Gallery 3s. 6d. Galleries will be open'd at Four, Pit & Boxes at Five, and to begin at half an four after Six o'clock. Tickets delivered out for 25 Jan. will be take. Subscribers tickets may be had of Richard Dawson, at his house near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them, and receive the subscriptions. N.B. Tickets deliver'd to subscribers to this charity will admit one person into any part of the House. Benefit for Increase of a Fund establish'd for the support of Decay'd Musicians, or their Families. [The governors report that they have expended from June 1757 to June 1758 #541 8s. 6d. from this fund.

Performances

Mainpiece Title: Alfred The Great

Event Comment: By Command of His Majesty. At fifteen Minutes past six, His Majesty went D-L-House, attended by several great Officers of State, to see the Rehearsal, but about ten o'clock a message was sent, signifying his Majesty's pleasure to have the new dramatic novel of Polly Honeycombe added to it; upon which fresh Bills were printed and pasted up...In consequence of a strict order from the managers not a single person was admitted into tne House before the doors were opened; nevertheless the Pit was filled in the space of four minutes (Gazetteer & London Daily Advertiser, 13 Dec.)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Polly Honeycombe

Dance: II: The Mad Doctor, as17601014; End: The Itahian Gardiners, as17601203

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Young Bevil Actor: Holland, 1st time
Role: Sealand Actor: Havard
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: The Register Office

Performance Comment: Actors only: Irishman-Moody; Frenchman-Blakes; Scotchman-Foote; Capt Le Brush-King; Gulwell-Packer; Harwood-Austin; Frankly-Baddeley; Williams-Ackman; Lord Brilliant-Castle; Trickit-Fox; Maria-Miss Reed; Prologue-. Lady Wrinkle and Mrs Snarewell-not permitted to be played ($Genest, IV, 612).