SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 866 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Harley; Buckingham-Macready; Stanley-Hull; Tressel-Toms; Prince Edward-Master Curties; Duke of York-Miss Standen; Catesby-Claremont; Lieutenant-Haymes; Norfolk-Richardson; Ratcliffe-Thompson; Lord Mayor-Powel; Oxford-Farley; Terrel-Davenport; Blunt-Cross; Forrest-Rees; Servant-Abbot; Yeoman-Ledger; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Pope.
Cast
Role: Duke of York Actor: Miss Standen

Afterpiece Title: The Farm House

Event Comment: At the Request of many Friends to Worth and Genius, and in Commemoration of the late Mr Storace [who died 19 Mar.], Benefit for his Widow and Orphan. Receipts: #657 12s. (352.18.6; 32.4.0; 2.2.0; tickets: 270.6.0; odd money: 0.1.6) (charge: #244 13s. 9d.)

Performances

Mainpiece Title: Mahmoud

Cast
Role: Desra Actor: Mrs Bland

Afterpiece Title: A Dramatic Cento

Performance Comment: Selected from the following Pieces, composed by the late Mr Storace. Overture, Five times by the taper-Sga Storace, Miss Granger, Master Welsh, Suett (The Iron Chest); Little Taffine-Mrs Bland (The Three and the Deuce); Of plighted Faith-Palmer, Kelly, Mrs Crouch (The Siege of Belgrade); The Silver Waters-Sedgwick (The Pirates); Go not my Love-Miss Leak (The Three and the Deuce); Listen listen-Dignum, Sedgwick, Miss DeCamp, Chorus (The Iron Chest).
Cast
Role: Little Taffine Actor: Mrs Bland

Afterpiece Title: The Sultan

Performance Comment: As17960425, but Ismene (for that night only; with With lowly Suit and Lullaby)-Sga Storace; Roxalana-Miss Wallis (of cg); Elmira-_.

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: The Farm House

Dance: In: The Savoyard-Jackson, Mlle St.Amand; End II afterpiece: The Lamplighter [composed by Aldridge]-Jackson, Mrs Ratchford

Performance Comment: Amand; End II afterpiece: The Lamplighter [composed by Aldridge]-Jackson, Mrs Ratchford.

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: The Magick Banner or Two Wives in a House

Event Comment: Servants admitted to keep Places as usual, and Ladies and Gentlemen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place Keepers of the Theatre. One Shilling is to be paid at the time of taking them, and no Place Keeper or Box Keeper is to demand, or to receive, any further Gratuity on any pretence whatever. Every Place Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon. at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #125 17s. (124.11; 1.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Farm House

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Afterpiece Title: The Farm House

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.
Cast
Role: Ferdinand Actor: Clarke

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Event Comment: No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Receipts: #270 18s. (267.8; 3.10)

Performances

Mainpiece Title: King Henry The Fourth First Part

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Claremont; Francis-Knight; Sir Walter Blount-Toms; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Clarke; Sheriff-Abbot; Peto-Street; Gadshill-Wilde; Prince John of Lancaster-Curties; Messenger-Dyke; Carriers-Munden, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Northumberland Actor: Davenport
Role: Westmorland Actor: Clarke

Afterpiece Title: The Farm House

Event Comment: Benefit for R. Palmer and Russell. Morning Chronicle, 16 Apr.: Tickets to be had of R. Palmer, No. 12, King's Row, Pimlico; of Russell, No. 8, Broad-court, Bow-street. Receipts: #507 15s. 6d. (111.13.0; 69.19.6; odd and after-money: 11.6.0; tickets: 314.17.0) (charge: #219 12s. 5d.)

Performances

Mainpiece Title: As You Like It

Cast
Role: Jaques de Boys Actor: Holland
Role: Orlando Actor: Barrymore

Afterpiece Title: Wits Last Stake

Afterpiece Title: The Deserter

Performance Comment: Henry-Kelly; Russet-Sedgwick; Simkin-Russell; Skirmish-Bannister Jun.; Flint-Webb; Serjeant-Trueman; Louisa-Mrs Crouch; Jenny-Mrs Bland.
Cast
Role: Jenny Actor: Mrs Bland.

Song: V: a song, as17990214

Entertainment: Monologue End: The Picture of a Play House; or, Bucks have at ye all-R. Palmer; Vaudeville II 3rd piece: Military Manoeuvres-; The Dead March-; the Ceremony Shooting a Deserter-

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Farm House

Dance: In III: Hornpipe in Fetters-Platt

Entertainment: Monologue As17990916

Event Comment: 3rd piece [1st time; P 2, by John Fawcett. Text 1st published by Duncombe and Moon, c. 1825]: With entire new Scenes, Dresses, and Decorations. The Overture and most of the Musick composed by Dr Arnold. The Selections from eminent Masters, and the whole adapted by him to the Action of the Drama. The Scenery, comprehending a display of Views in the Island of Jamaicav, designed and painted [on playbill of 1 July: from Views taken on the Spot, and documents of undoubted authority] by S. Whitmore. The Machinery by Ronaldson, Sylvester, &c. The Dresses [on playbill of 1 July: made for the purpose by Persons acquainted with the spot where the Scene of Action lyes] by Gay, Mrs Egan, &c. A Prospectus of the Action with the Songs annexed, Price Six-pence, to be had at the Theatre [and reprinted in Dramatic Censor, III, 21-29]

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Obi or Three Fingerd Jack

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom Or The Defeated Widow

Performance Comment: Possibly by Mrs Aphra Behn or ThomasBetterton. Edition of 1677: Prologue-Mrs Currar; Sir Oliver Santloe-A. Leigh; Peter Santloe-Bowman; Sanders-Gilloe; Noble-Crosby; Hadland-Williams; Sir Gregory Lovemuch-Persivall; Gazer-Norris; Noddy-John Lee; Sam-Richards; Lady Santloe-Mrs Norris; Clarina-Mrs Gibbs; Widow Laudwell-Mrs Osborne; Eugenia-Mrs LeGrand; Mrs Hadland-Mrs Currar.
Cast
Role: Sanders Actor: Gilloe
Role: Hadland Actor: Williams
Role: Eugenia Actor: Mrs LeGrand
Role: Mrs Hadland Actor: Mrs Currar.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1696, suggests that it was first presented not later than June 1696. The cast also has a large number of relatively new players, suggesting a performance in the early summer, when the young actors had more opportunities to act. Several Songs, with the names of the singers, were published separately: Hark you, madam, can't I move you, set by John Eccles, and sung by Bowman and Mrs Bracegirdle; Shou'd I not lead a happy life, set by John Eccles and sung by Reading and M. Lee; From Aberdeen to Edinburgh, set by Ackeroyd and sung by Mrs Hudson; all in Deliciae Musicae, The Second Book of the Second Volume, 1696. Preface, Edition of 1696: I am almost asham'd to mention the extraordinary Success of a Play which I myself must condemn....Let me leave this ungrateful Subject to acknowledge my obligations to Mr John Eccles, who not only set my three Dialogues to most charming Notes, but honour'd the Words to Admiration. Downes, Roscius Anglicanus, p. 44: Love's a Jest, a Comedy, done by Mr Mateox; succeeded well, being well Acted, and got the Company Reputation and Money

Performances

Mainpiece Title: Loves A Jest

Performances

Mainpiece Title: Loves A Jest

Event Comment: Benefit Pennington and Simpson. 5s., 3s., 2s

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Macklin; Archer-Townly; Aimwell-Simpson; Gibbet-Pennington; Foigard-Sams; Bonniface-Vaughan; Sir Chas-Jarvis; Sullen-Jones; Mrs Sullen-Mrs Macklin; Dorinda-Miss Taylor; Lady Bountiful-Mrs Simpson; Cherry-Miss Minors.
Cast
Role: Foigard Actor: Sams

Afterpiece Title: The Mock Doctor

Cast
Role: Leander Actor: Newman
Event Comment: Nusquam hodie effugies, veniam quocumque vocaris. Rare Words. I wonder where he stole 'em. Swift. To begin at 7 p.m. Boxes 3s. Pit 2s. Gallery 1s. [A contest was in the making. This night Macklin advertised at his Great Room in Hart St.; At the request of most of the Wits, Witlings, Scorners, Laughers, Jokers, Sneers, and other Choice Spirits of this Metropolis...will come on before the Inquisitor General, the Trial of the egregius Sam. Smatter, alias Woud'be, alias Mimic, alias Buffon, alias Critt, alias Wit, alias Beau, alias fine Gentleman, and vulgarly call'd Esquire, for a public cheat and Imposter. The whole public are summoned to be on the Jury. Common Sense their Forman. Nusquam hodie effugies, veniam quocumque vagaris. Rare words, I wonder where he stole 'em. Swift. Out of Mr--'s Portmanteau; the particulars of which Sam Smatter can inform any person of who shall ask him that favour."

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

Event Comment: By Permission. Benefit for Fearon and Kennedy. Mainpiece: A new Comedy. Afterpiece: A farce altered from Cibber['s comedy of same title]

Performances

Mainpiece Title: The Fair Orphan

Afterpiece Title: The Rival Fools

Entertainment: II: Dissertation on Hobby Horses-Wilson

Song: Scotch Song-Aitkin, first appearance on that stage

Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Performance Comment: The principal characters by: Mattocks, DuBellamy, Reinhold, Lee Lewes, Wilson, Mas. Harrison, Mahon, Wewitzer, L'Estrange, Baker, Quick, Mrs Pitt, Miss Barsanti, Miss Dayes, and Mrs Mattocks. Capt. Grenade-Mattocks; Lieutenant Pendant-Lee Lewes; Gale-Quick; Forecastle-Wilson; Parthenope-Mrs Mattocks; Doris-Miss Barsanti; Margery-Mrs Pitt (Genest, V, 518); Larpent MS 404 confirms these names and adds the following parts: Carlos-; Tom Traverse-; Sam Snivel-; Zephyr-; Libs-; Boreas-(Winds); Flos-(a Fairy); Tadpole-(a Witch); Spirit of a Druid-; Cornelia-.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Thelyphthora or More Wives than One

Performance Comment: [Principal Characters by Quick, Whitfield, Robson, Egan, Wilson, Mrs Webb, Mrs Pitt, Mrs Lewis, Mrs Whitfield, Miss Ambrose, Mrs White Public Advertiser: Mrs Willems], Mrs Davenett, Miss Stuart, Mrs Wilson. [Cast from MS annotation on BM playbill (cg, Vol. II), and London Chronicle, 9 Mar.: Old Export-Quick; Frank Fertile-Whitfield; Young Export-Robson; Irish Sam-Egan; Sir Peter Polygam-Wilson; Lady Polygam-Mrs Webb; Mrs Export-Mrs Pitt; Women of the Town-Mrs Lewis, Mrs Whitfield, Miss Ambrose, Mrs White, Mrs Davenett, Miss Stuart; Lydia Polygam-Mrs Wilson; Prologue-Lee Lewes.

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Principal Characters by Macklin, Lewis, Wilson, Aickin, Clarke, Wewitzer, Booth, L'Estrange, Thompson, J. Wilson, Miss Platt, Miss Satchell, Mrs Wilson, Mrs Davenett, Miss Younge; Cast from London Chronicle, 11 May 1781, and adjusted from playbill of 19 Oct. 1782: Sir Pertinax Macsycophant-Macklin; Egerton-Lewis; Lord Lumbercourt-Wilson; Sidney-Aickin; Melville-Clarke; Counsellor Plausible-Wewitzer; Serjeant Eitherside-Booth; Tomlins-L'Estrange; John-Thompson; Sam-J. Wilson; Lady Macsycophant-Miss Platt; Constantia-Miss Satchell; Betty Hint-Mrs Wilson; Nanny-Mrs Davenett; Lady Rodolpha Lumbercourt-Miss Younge; Prologue-Macklin; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

Performances

Mainpiece Title: The Artifice

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Barnaby Brittle