SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 833 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #298 6s. (48/12; 11/13; 0/10; tickets: 237/11) (charge: #108 18s. 5d.)

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Confederacy

Afterpiece Title: The Deserter

Event Comment: The Subscription being at an end for this Season [see 14 June] those Subscribers who wish to retain the use of their Boxes for the following Nights may have them kept by sending their Commands on Tuesdays and Saturdays in the Forenoon to P. MacMahon, No. 77, next door to the Opera House, Haymarket, where Orders (in Writing) for the ensuing Season will be received

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely New Divertissement (1st time; composed by Simonet) by Lepicq, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Mme Bithmer, Duquesney, Miss Harvey, Frederic, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850614

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel
Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

Event Comment: "A most ridiculous circumstance happened in the last act [of mainpiece]--nothing less than a total silence on the Stage, where all the Dramatis Personae stood in a rank, waiting for the next speech, which however was not heard, for, after a considerable time, the curtain was let down . . . Lewis came forward and acquainted the House that the part sent to Aickin was incomplete, and that he (who was to finish the Play) had never been furnished with the last speech. As we understood rehearsals were necessary to getting up Plays, we cannot reconcile this blunder to our apprehension" (General Advertiser, 6 Mar.). Receipts: #157 16s. (152/10; 5/6)

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: Love in a Camp

Dance: End of Act IV of mainpiece a new dance, The Drunken Sailor Reclaim'd, by Byrn, Ratchford, Mrs Goodwin, Miss Besford

Event Comment: Benefit for Vestris. Tickets, 10s. 6d. each, to be had of Vestris, No. 8, Great Suffolk-street, Charing-cross. 2nd ballet: With a great Variety of magnificent Scenery and Decorations executed by Gaetano Marinari. [Synopsis of action in Morning Post, 23 Mar.] "Vestris and Baccelli, tho' incomparable in some parts of the art, are far inferior as actors to Lepicq and Rossi... One evident amendment of the Ballet may be compression and curtailment. As it was, the curtain did not drop till twelve o'clock" (Public Advertiser, 25 Mar.)

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

Performance Comment: , and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi .
Event Comment: [As afterpiece the playbill announces The Humourist, but it "could not be played, owing to Mrs Hopkins's indisposition, an event of which the house had been timely informed, and consequently had no reason to be displeased. The Englishman in Paris was the proposed substitute, but the audience being clamorous, it could not be represented" (Morning Herald, 3 Apr.).] Paid Miss Farren in lieu of a benefit #150. Receipts: #200 16s. 6d. (177/9/0; 21/17/6; 1/10/0)

Performances

Mainpiece Title: Percy

Performances

Mainpiece Title: Fontainbleau

Cast
Role: Lackland Actor: Lewis

Afterpiece Title: Midas

Song: End of Act I of mainpiece Diana's Chase (composed by Dr Arne); End of Act II How sweet the love that meets return, both by Mrs Kennedy

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Nunnery

Dance: As17860502

Event Comment: Benefit for Pope. Mainpiece: Not acted these 3 years [acted 22 Jan. 1784. Epilogue by John Wolcot (European Magazine, May 1786, p. 369)]. Afterpiece: With Additional Songs, &c., as 28 Apr. Morning Herald, 18 Apr.: Tickets to be had of Pope at his house, Half-Moon Street, Piccadilly. "There is a mellow richness in [Pope's] voice superior to any other performer on the stage" (Candid Strictures, p. 47). Receipts: #255 16s. 6d. (156/13/0; 2/14/6; tickets: 96/9/0) (charge: #105)

Performances

Mainpiece Title: Zenobi A

Performance Comment: Rhadamistus-Pope (1st appearance in that character); Pharasmanes-Aickin; Megistus-Hull; Zopiron-Davies; Tigranes-Fearon; Teribazus-Farren (1st appearance in that character); Zelmira-Mrs Inchbald; Zenobia-Mrs Pope (1st appearance in that character, and only time of performing this season). An Occasional Epilogue spoken by Mrs Pope .

Afterpiece Title: The April Fool

Dance: End of Epilogue, as17860504

Performances

Mainpiece Title: Virginia

Performance Comment: Announced, but not performed. "On Saturday night the opera was that King's scene of confusion and distress that no serious opera, with all its cantabile faintings, rapes, battles and murders ever produced. On the drawing up of the curtain it was not a Roman legion in marshal array that caught the eye. No, it was a corps of the sons of the feather and fashionâ??British bucksâ??British beaus . . . Off! Off! was the cry from every part of the house. To this admonishing shout they were all Atlases ... By no efforts could the opera be put in train. The manager and his friends exerted themselves in vain to appease the fury ... This scene of tumult and disorder continued for upwards of three hours and a half, when the audience retreated, some discontented, and others more pleased than ever they were at a regular entertainment" (Morning Herald, 15 May) .
Event Comment: Benefit for Fosbrook, Box-Book and House-Keeper. Mainpiece: Not acted these 8 years. Receipts: #320 14s. (30/14; 9/4; 1/15; tickets: 279/1) (charge: #106 17s. 3d.)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Virgin Unmask'd

Dance: End of Act IV of mainpiece The Lucky Return, as17860420

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: "Friday night, about 20 minutes before eight o'clock, on the conclusion of the third act, a very serious alarm took place at Drury Lane Theatre. A fire broke out at an oil-shop, the corner of Little Brydges-street. The flames appearing through the windows at the back of the upper gallery, the alarm of fire spread through many parts of the house. [The audience was dismissed, those in the boxes] passing over the stage into Russel-street...Some of the box and pit company continued for a time on the stage with the performers, some of whom were dressed in character, others half dressed, and the appearance [was] truly motley" (Public Advertiser, 5 Feb.). Receipts: #133 12s. (129.10; "An Alarm of Fire prevented the 2nd Acct."; 3.12; tickets not come in: 0.10)

Performances

Mainpiece Title: Rule A Wife And Have A Wife [1st 3 Acts Only]

Event Comment: Paid House and Window Tax one half Yr. #56 13s. 8d. Receipts: #113 16s. 6d. (62.9.0; 48.2.6; 3.5.0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The First Floor

Cast
Role: Landlord Actor: Chaplin

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Aickin; Buckingham-Farren (Their 1st appearance in those characters); Cranmer-Hull; Gardiner-Edwin; Cromwell-Davies; Lord Sands-Booth; Surrey-Macready; Lord Chamberlain-Cubitt; Norfolk-Fearon; Suffolk-Gardner; Cardinal Wolsey-Pope (1st appearance in that character); Anne Bullen-Mrs Inchbald; Queen Catherine-Mrs Pope.
Cast
Role: Lord Sands Actor: Booth

Afterpiece Title: Rosina

Song: III: song-Mrs Kennedy

Event Comment: The oratorio conductors do not receive the applause Stanley used to receive "owing to their being concealed by the boys, who are placed on high benches between the audience and the conductor, whose respects, though duly paid, have been scarely visible to the greater part of the house" (Public Advertiser, 28 Mar.)

Performances

Mainpiece Title: Judas Maccabaeus; Redemption 0

Song: End II: an Italian Air-Mme Mara

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Who's the Dupe

Cast
Role: Sandford Actor: R. Palmer
Event Comment: Benefit for Farren. Mainpiece: Written by Richard Cumberland, Esq. Not acted these 10 years [acted 15 Jan. 1778]. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his House in Great Queen-street, Lincoln's-inn-fields. Receipts: #303 7s. (90.8.6; 5.14.6; tickets: 207.4.0)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: The Poor Soldier

Dance: End: Leap Year-[see17861006]

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Dance: End: Leap Year, as17870425; II afterpiece: a Mock Minuet-Ryder, Mrs Pope

Song: II: a Glee-King, Darley, Mrs Martyr, Mrs Kennedy

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: Artaxerxes

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #302 1s. (29.1; 11.6; 1.0; tickets: 260.14) (charge: #105 2s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Humourist

Cast
Role: Aldobrand Actor: Suett

Dance: End: A Highland Reel, as17860928, but _Mills, Ferrere

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Performance Comment: Principal Characters by Morelli, Morigi, Balelli, Calvesi, Fineschi (1st appearance); Sga Sestini, Sga Storace. Cast from libretto (D. Stuart, 1787: Taddeo-Morelli; Acmet-Morigi; Gafforio-Balelli; Teodoro-Calvesi; Sandrino-Fineschi; Belisa-Sga Sestini; Lisetta-Sga Storace.
Cast
Role: Sandrino Actor: Fineschi

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Cast
Role: Sandrino Actor: Fineschi

Dance: As17871208

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Dance: As17880301

Song: In afterpiece: Sweet Echo-Mrs Billington; accompanied on the hautboy-W. Parke

Entertainment: Monologue. End: an Occasional Epilogue-Mrs Pope