SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 833 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Whitfield. Public Advertiser, 2 May: Tickets to be had of Whitfield at his house in Leicester Court, Castle-street, Leicester-fields. Afterpiece: Taken from Beaumont [recte Massinger] and Fletcher's Play of the same Name. [F 2(?); Town and Country Magazine, May 1783, p. 23 5: synopsis of plot. And see DL, 19 Oct. 1749.] Receipts: #197 9s. 6d. (102/5/6; tickets: 95/4/0) (charge: #105)

Performances

Mainpiece Title: The Mysterious Husband

Performance Comment: As17830128, but omitted: Prologue, Epilogue [and thereafter] .
Related Works
Related Work: The Mysterious Husband Author(s): Richard Cumberland

Afterpiece Title: The Spanish Curate

Performance Comment: Diego, the Sexton-Quick; Bartolus-Fearon; Leandro-Whitfield; Millanes-Booth; Arsino-Davies; Lopez, the Curate-Wilson; Egla-Mrs Morton; Amaranta-Mrs Whitfield .
Cast
Role: Leandro Actor: Whitfield

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

Event Comment: Creditors of Mr Taylor are requested to meet the Trustees this Day, at One o'clock, at the Bedford Arms, Covent Garden. The Proprietor having, upon a certain Ground, granted the use of the House for the Benefit of the Performers, during the Remainder of the Season, there will be an Opera on Thursday next. [It was cancelled.] Several Persons of Fashion having generously raised a new Subscription for the Relief of the Performers, they take this opportunity of returning them their most cordial thanks. The Price of the new Subscription is Five Guineas each Subscriber, for 12 Benefit Nights, the Money to be paid into the hands of Mr Drummond, Banker, at Charing-Cross. [On 27 May a concert was held at the Pantheon for the benefit of the singers and dancers who had lately belonged to the King's Theatre, in which they all participated.]

Performances

Mainpiece Title:

Event Comment: Benefit for Brandon, box-book and house-keeper. Receipts: #319 17s. (80/4; tickets: 239/13) (charge: #105)

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Lord Sands Actor: Jones
Role: Anne Bullen Actor: Miss Cleland

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Humours of Newmarket by Harris, Ratchford, Byrne, Miss Byrne, Miss Matthews

Song: End of Act II of mainpiece Tally bo!, as17830516; End of Act IV Kate of Aberdeen by Master Bartheiemon

Event Comment: [In mainpiece the playbill assigns Diana to Mrs Martyr, but "News of Mrs Martyr's husband's death having reached her the day before, an apology was made for her not playing Diana; Miss Wheeler, however, from the other house proved a very agreeable substitute" (.European Magazine, Oct. 1783, p. 310). In afterpiece the playbill assigns Lucy to Mrs Wilson, but on the Kemble playbill a MS annotation substitutes Mrs Davenett.] Receipts: #134 19s. 6d. (133/9/0; 1/10/6)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Retaliation

Event Comment: Paid Window and House Tax 1/2 Yr. to Michaelmas #38 9s. 1d. Receipts: #184 9s. 6d. (146/14/0; 28/8/6; 1/2/0; tickets not come in: 8/5/0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: FORTUNATUS

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

Afterpiece Title: Wit's Last Stake

Performance Comment: Linger-Ryder; Savell [Saville]-Bland; Cavet [Caveat]-Aberdein; Itam [Item]-Brown; Boy-Middleton; Martin Sly-Smith; Mrs Watch [Mrs Watchly]-Mrs Reid; Mira [Myra]-Miss Bouton; Lucata [Lucetta]-Mrs Lefevre .
Cast
Role: Saville] Actor: Bland

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

Performance Comment: Comus-Henderson (1st appearance in that character); Spirit-Thompson; Brothers-Chalmers, Helme; Bacchanals-Reinhold, Davies, Brett; Sabrina and Pastoral Nymph-Miss Field (of DL); The Lady (with Sweet Echo, accompanied on the hautboy by W. Parke)-Mrs Bannister; Principal Bacchant and Euphrosyne-Mrs Martyr .

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Too Civil by Half

Dance: As17840311athi

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Blandford Actor: Fearon

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Blandford Actor: Fearon

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Barnaby Brittle

Event Comment: Benefit for Reinhold. Public Advertiser, 23 Apr.: Tickets to be had of Reinhold at his house, No. 90, Charlotte-street, Rathbone Place. Tickets delivered for The Castle of Andalusia will be admitted. Receipts: #309 (173/0; tickets: 430 in boxes, 140 in pit, 75 in gallery, totalling #136/0) (charge: #105)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

Performance Comment: the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy .
Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Cast
Role: Mr Shandy Actor: Hull

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Whitfield; Kitchen-Thompson; Frankly-Davies; Cross-Fearon; Charlotte-Mrs Whitfield; Sally-A Very Young Lady, the same that performed it in the Haymarket [on 18 June 1783] (1st appearance on this stage [Miss Logan]); Landlady-Mrs Davenett; Lettice-Mrs Morton; Mrs Cross-Mrs Webb .
Cast
Role: Landlady Actor: Mrs Davenett

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Event Comment: A Serious Opera, in 2 acts (never performed before [by Pietro Metastasio]); the Music entirely new by Anfossi. With new Scenes and Decorations, designed and painted by Novosielski. Public Advertiser, 10 May: The Event of Saturday night may teach the Managers, if they are not incapable of being taught, how it has happened that their House has for these six Weeks past been almost empty, and now at last was again full. For these six weeks past the Town has been disgusted with bad Music, ill sung; with that wretched Apology for a first rate singer, Rauzzini, and that barbarous dullness which he thinks Music, his Regina di Golconda. On Saturday Night there was the direct Reverse of all this wretched Infamy . . . There have been few finer Operas, and none since Farinelli's time so exquisitely sung

Performances

Mainpiece Title: Issipile

Related Works
Related Work: Issipile Author(s): Antonio Andrei
Related Work: Issipile Author(s): Pietro Sandoni

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

Event Comment: Benefit for Harris, ballet master and principal dancer. Public Advertiser, 15 May: Tickets to be had of Harris at his house, No. 43, Wells-street, Cavendish-Square. Receipts: #179 4s. 6d. (42/14/6; tickets: 136/10/0) (charge: #105)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Performance Comment: Principal Characters by Henderson, Wroughton, Hull, Fearon, Thompson, Cubitt, Lewis; Mrs Bates, Miss Younge. [Partial cast suggested by Genest, VI, 360: Alcanor-Henderson; Barzilla-Wroughton; Halak-Hull; Sameas-Fearon [which Genest misprints "Farren"]; Herodian-Lewis; Augusta-Mrs Bates [so also Morning Post, 10 Mar.]; Glaphyra-Miss Younge. Text adds: Serapion, Affghar; Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi. Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi.
Related Works
Related Work: The Arab Author(s): Richard Cumberland

Afterpiece Title: Rosina

Dance: As17841116

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

Performance Comment: The Principal Characters, for that Night, will be reversed. Apollo-Mrs Kennedy; Midas-Mrs Webb; Mysis (with a new song)-Mr Johnstone; Juno-Mr Wewitzer; Nysa-Mr Quick; Daphne-Mr Edwin (the 1st, and positively the Only Time of their appearing in those characters). The Rest of the Piece as usual [see17841213.] imitations. End of Act II of mainpiece, as17850312athi .see17841213.] imitations. End of Act II of mainpiece, as17850312athi .

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone (1st appearance in that character); Ramirez-Davies; Sanguino-Darley; Spado-Quick; Pedrillo-Edwin; Scipio-Booth; Philippo-Brett; Rapino-Cubitt; Calvetto-Thompson; Vasques-Stevens; Don Juan-Fearon; Alphonso-Mrs Kennedy; Victoria-Miss Wheeler (1st appearance in that character); Catalina-Mrs Wilson; Lorenza-Mrs Martyr .
Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: Rosina

Dance: As17841001

Performances

Mainpiece Title: Artaserse

Related Works
Related Work: Artaserse Author(s): Ferdinando Bertoni

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina-Mrs Morton; The Lady-Mrs Bates; Principal Bacchant and Euphrasyne (with Sweet Echo, accompanied on the oboe by W. Parke)-Mrs Martyr; Pastoral Nymph (with Noon-tide Air)-Mrs Pinto, formerly Miss Brent (1st appearance on this stage these 10 years [recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .

Song: As17850405