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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2482 results for: Keyword - Greek, Roman and modern French, Italian Societies@of@liberal@investigation
We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1876
02 April 1709 @ Queen's Theatre

Event Comment: At the Desire of several Persons of Quality. With an entire set of new Scenes, Painted by two famous Italian Painters (lately arriv'd from Venice) and all the other Decorations that were represented in the Opera of Clotilda. Admission as 5 Jan., but no benches railed into the boxes

Performances

Mainpiece Title: Pyrrhus And Demetrius

1877
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.
Cast
Role: and played the thorough Actor: bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible

1878
21 June 1710 @ Greenwich

Performances

Mainpiece Title: The Fatal Marriage

Performance Comment: Villeroy-Thurmond; Baldwin-Shepard; Bryan-Husband; Carlos-Cory; Frederick-Thurmond Jr; Fernando-Jubilee Dicky [Norris]; Fabion-Bullock Jr; Jaqueline-Leigh; Sampson-Spiller; Bellford-Elrington; Isabella-Mrs Kent; Julia-Mrs Spiller; Victoria-Mrs Shepard; Nurse-Mrs Pollet; With the Mimick Epilogue [Written and spoke by Mr Cibber (at queen's) Burlesquing the Italian Operas-a little Boy.
Cast
Role: Bryan Actor: Husband
Role: Fernando Actor: Jubilee Dicky
Role: Burlesquing the Italian Operas Actor: a little Boy.

1879
16 December 1710 @ Queen's Theatre

Event Comment: With the Addition of a New Cascade Scenev after the Italian Manner. Receipts: #124 1s. 3d

Performances

Mainpiece Title: Pyrrhus And Demetrius

1880
30 December 1710 @ Drury Lane Theatre

Event Comment: [By Susanna Centlivre.] Never before Acted. Being the second Part of the Busie Body. With new Dresses and several new Scenes; particularly an intire Sett of a pleasant Woodv, painted by Mr Boul, after the Italian Manner

Performances

Mainpiece Title: Marplot

1881
12 May 1711 @ Queen's Theatre

Event Comment: Benefit the Baroness. At the Desire of several Ladies of Quality. With a new Cantata after the Italian Manner. Admission as 7 April

Performances

Mainpiece Title: Pyrrhus And Demetrius

1882
19 July 1712 @ Greenwich

Performances

Mainpiece Title: The Loves Of Baldo And Media

Performance Comment: Leveridge, Mrs Lindsey after the Italian Manner; With a new Prologue set to Musick-Leveridge, Mrs Lindsey.

Music: Between the Acts: Concertos-

Dance: Four Scaramouches-; Dutch Skipper-; Miller and his Wife-

1883
12 November 1712 @ Queen's Theatre

Event Comment: Being a choice Collection of Musick composed by Scarlatti, Bononcini, Albinoni, Caesarini, Gasperini, and several other the most celebrated Italian Masters. Boxes 8s. Pit 5s. Gallery 2s. 6d. Boxes on the Stage half a guinea. At 6 p.m

Performances

Mainpiece Title: The Triumph Of Love

1884
10 December 1712 @ Queen's Theatre

Event Comment: [By Niccola Haym. Apparently never printed.] Colman's Opera Register: A new Pastorall Opera called Dorinda. The musick of this is taken out of Severall Italian operas by Nico Haym. In this Sigra Margarita had no part. The other Singers the same as in the former [The Faithful Shepherd], the Same Scene & Habits also & the same prices. It was performed 4 times on the opera days successively

Performances

Mainpiece Title: Dorinda

1885
12 March 1715 @ Drury Lane Theatre

Event Comment: Afterpiece: [By Colley Cibber. Music by Dr Pepusch.] A New Musical Masque...in two several Interludes, compos'd after the Italian manner and perform'd all in English. N.B. A Printed Book of the Masque will be given each Person that pays in the Pit or Boxes

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Venus and Adonis

Music: A select Band of the best Masters of Instrumental Musick

1886
20 October 1715 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Afterpiece: a Masque, Compos'd Musick after the Italian Manner, and perform'd all in English

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Venus and Adonis

1887
05 November 1715 @ Drury Lane Theatre

Event Comment: [Afterpiece: By Colley Cibber.] Never perform'd before. Compos'd to Musick after the Italian Manner and performed all in English. The Habits being all New

Performances

Mainpiece Title: The False Friend

Afterpiece Title: Myrtillo

Dance: Dancing Proper to the Masque-Dupre, Boval, Dupre Jr, Miss Santlow, Mrs Bicknell, Miss Younger

1888
04 April 1716 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Wycherley. Afterpiece: An Italian Farce

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Whimsical Death of Harlequin

Performance Comment: Scaramouch-Sorin; Harlequin-Baxter lately arriv'd from Paris, who have variety of Entertainments of that Kind, and make but a short stay in England.
Cast
Role: Harlequin Actor: Baxter lately arriv'd from Paris, who have variety of Entertainments of that Kind, and make but a short stay in England.

1889
11 April 1716 @ Drury Lane Theatre

Event Comment: Afterpiece: A New Italian Piece by Mons Sorin and Mr Baxter. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

1890
17 April 1716 @ Drury Lane Theatre

Event Comment: Benefit Mrs del'Epine. Afterpiece: [Words by Barton Booth. Music by Pepusch.] A New Masque, Set to Musick after the Italian Manner, and perform'd all in English. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Death of Dido; Dido and Aeneas

1891
22 April 1717 @ Lincoln's Inn Fields

Event Comment: Afterpiece: An Italian Night Scene. Receipts: #39 16s. 6d

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Dance: As17170321

1892
03 January 1718 @ Lincoln's Inn Fields

Event Comment: Benefit J. and Ch. Rich. Mainpiece: Written by Shakespear. Afterpiece: A New Dramatick Entertainment of Vocal and Instrumental Musick after the Italian Manner, in Grotesque Characters. At the Desire of several Ladies of Quality. Receipts: #56 7s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The School of Folly

Dance: Dances for the afterpiece composed by DuPre-DuPre, Boval, Cook, Pelling, Cook Jr, Newhouse, Mlle Gautier, Mrs Schoolding, Mlle Corail, Miss Schoolding Jr

1893
14 March 1719 @ King's Theatre

Event Comment: Mainpiece: Perform'd after the Italian Manner. Afterpiece: Written by the famous Monsieur Regnard, the best Writer of Comedy after Moliere

Performances

Mainpiece Title: Scaramouch Pedant Scrupuleux; Ou, L'escolier

Afterpiece Title: Les Folies Amoureuses

Song:

Dance:

Entertainment: Tumbling-

1894
14 March 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: 1. Concerto with Trumpets composed, performed-Grano; 2. A new Italian Concerto by Albinoni-; 3. Singing-Mrs Barbier; 4. Concerto by Carbonelli-; Second Entertainment: Concerto with Two Hautboys and Two Flutes by Dieupart-; 2. Concerto on Bass Viol composed and performed by-Pippo; 3. Singing-Mrs Barbier; 4. Eighth Concerto of Corelli-; Third Entertainment: 1. Concerto by Carbonelli-; 2. Solo on Arch Lute composed, performed-Viebar; 3. Singing-Mrs Barbier; 4. A New Concerto on Little Flute by Woodcocke-John Baston; Solo-Carbonelli; 6. Concerto on Two Trumpets-Grano

Performance Comment: Concerto with Trumpets composed, performed-Grano; 2. A new Italian Concerto by Albinoni-; 3. Singing-Mrs Barbier; 4. Concerto by Carbonelli-; Second Entertainment: Concerto with Two Hautboys and Two Flutes by Dieupart-; 2. Concerto on Bass Viol composed and performed by-Pippo; 3. Singing-Mrs Barbier; 4. Eighth Concerto of Corelli-; Third Entertainment: 1. Concerto by Carbonelli-; 2. Solo on Arch Lute composed, performed-Viebar; 3. Singing-Mrs Barbier; 4. A New Concerto on Little Flute by Woodcocke-John Baston; Solo-Carbonelli; 6. Concerto on Two Trumpets-Grano.
Cast
Role: Concerto on Bass Viol composed and performed by Actor: Pippo

1895
02 April 1723 @ King's Theatre

Event Comment: Daily Journal, 15 April: Paris April 2. The Company belonging to the Italian Opera at London are to come and Act here during the Month of July, and to oblige the Publick with 12 several Representations at the Theatre of the Palace Royal: In Consideration of which 35000 Livres will be given to the five Principal Actors and their Charges defray's

Performances

Mainpiece Title: Erminia

1896
06 April 1723 @ King's Theatre

Event Comment: Original Weekly Journal, 6 April: We are told that the Italian Singers at our Opera, to the Number of five, of whom two are Eunuchs, have obtain Permission from the King of France...to go over thither in July next, for the Theatre, and a Gratuity of 35,000 Livres

Performances

Mainpiece Title: Erminia

1897
02 March 1724 @ Lincoln's Inn Fields

Event Comment: Benefit Nivelon Jr. Afterpiece: A new Dramatick Entertainment of Dancing after the Italian Manner. Receipts: money #51 18s.; tickets #20 12s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Robbers; or, Harlequin Trapp'd by Colombine

Related Works
Related Work: Cartuoche; or, The French Robbers Author(s): Louis Legrand

Dance: The Scating Dance-

1898
24 March 1726 @ Haymarket Theatre

Event Comment: By the Company of Italian Comedians just arriv'd. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: La Fille Allamode; Ou, La Parisien Duppe

Afterpiece Title: L'Ombre D'Arlequin

Dance: Mr Poitiers, others

1899
11 May 1726 @ Haymarket Theatre

Event Comment: Being one of the best Comedies in the Italian Theatre

Performances

Mainpiece Title: Timon Misantrope

Entertainment: The Company

1900
21 September 1726 @ King's Theatre

Event Comment: DDaily Journal, 21 Sept.: A Company of Italian Comedians recently arrived here from beyond Sea, and being patronized by the Dukes of Montague and Richmond, 'tis said, that Leave will be given them to perform in the Opera-House in the Hay-Market

Performances