Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2482 results for: Keyword - Greek, Roman and modern French, Italian Societies@of@liberal@investigation
We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1851
16 February 1667 @ no theater listed

Event Comment: For a concert of Italian music and a discussion of music at Lord Bruncker's, see Pepys, Diary, 16 Feb

Performances

1852
21 August 1667 @ Charing Cross

Event Comment: Evelyn, Diary: Saw the famous Italian puppet play, for twas no other

Performances

Mainpiece Title: Puppetry

1853
15 November 1667 @ Whitehall or St. James's

Event Comment: The Bulstrode Papers (I, 8). This afternoone at 3, after diner, the Dutch Ambassdrs had their audience of their Matyes in the Banqueting house in the usual, manner, where appeared more than ordinary glory of Lds and Ladyes, this happening to be the Queen's birthday, which will be celebrated with a consert of musicke by his Matys Italian troope, in the Queene's apartmt. [See also Pepys, this day, for a discussion of music.

Performances

Mainpiece Title: Concert

1854
28 September 1668 @ Whitehall or St. James's

Event Comment: Pepys, Diary: So I to White Hall, and there all the evening on the Queen's side; and it being a most summer-like day, and a fine warm evening, the Italians come in a barge under the leads, before the Queen's drawing-room; and so the Queen and ladies went out, and heard them, for almost an hour; and it was indeed very good together; but yet there was but one voice that alone did appear considerable, and that was Seignor Joanni [Giovanni Baptista Draghi?]

Performances

Mainpiece Title: Concert

1855
03 February 1671 @ no theater listed

Event Comment: On this day Jeffreys Boys gave Punchinello 1s. See I. K. Fletcher, "Italian Comedians in England in the Seventeenth Century," Theatre Notebook, VIII (1954), 87, for Anthony Devoto, presumably the puppet player whom Boys saw

Performances

1856
21 April 1673 @ no theater listed

Event Comment: A troupe of foreign comedians under Tiberio Fiorelli had arrived by this date, for on this day the Customs Commissioners were ordered to admit their clothes, scenes, and other equipment. See CSP, Treasury Books, 1672-1675, p. 119 (in Nicoll, Restoration Drama, p. 119; Boswell, Restoration Court Stage, p. 118). E. Cholmeley to Lady Harley, April 1673: Pray tell Sir Edward that I now want him to go to the new play 'for the Italian comedian Scarramouch is come, which are things I know hee delights in not a little' (HMC, 14th Report, Appendix, Part II [1894], p. 337)

Performances

1857
29 May 1673 @ Whitehall or St. James's

Event Comment: Evelyn, Diary: I saw the Italian Comedie act at the Court this afternoone

Performances

1858
05 January 1674 @ no theater listed

Performances

Mainpiece Title: An Opera

Performance Comment: Evelyn, Diary: I saw an Italian Opera in musique, the first that had been in England of this kind.

1859
29 September 1675 @ Whitehall or St. James's

Event Comment: Evelyn, Diary: [I] saw the Italian Scaramucchio act before the King at White-hall; People giving monye to come in, which was very Scandalous, & never so before at Court Diversions: having seene him act before in Italy many years past, I was not averse from seeing the most excellent of that kind of folly

Performances

1860
23 September 1680 @ John Evelyn's home

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

1861
April 1683 @ no theater listed

Event Comment: Charles II had begun negotiations for bringing Italian players to England again. See the correspondence in HMC, 7th Report, Appendix, pp. 285, 286, 331; and L. C. 5@144, p. 407, in Boswell, Restoration Court Stage, p. 61. See also HMC, 7th Report, p. 288 (1 May 168O) and Boswell, Restoration Court Stage, p. 125

Performances

1862
August 1683 @ Windsor Castle

Event Comment: For the King's intention of securing Italian comedians to perform at Windsor, see mid-April 1683, and Nicoll, Restoration Drama, p. 239

Performances

1863
05 January 1687 @ Whitehall or St. James's

Event Comment: Evelyn, Diary: I was to heare the Musique of the Italians in the new chapel, now first of all opened at White-hall publiquely for the Popish Service

Performances

Mainpiece Title: Concert

1864
19 April 1687 @ no theater listed

Event Comment: For additional comment upon the Italian singer called Ciface, see Evelyn, Diary, 19 April 1687

Performances

1865
24 August 1692 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Gentleman's Journal p. 26, August 1692 (licensed 24 Aug. 1692): The first of the three Songs which I send you is set by Mr Purcell the Italian way; had you heard it sung by Mrs Ayliff you would have owned that there is no pleasure like that which good Notes, when so divinely sung, can create. [The song, Ah me! Ah me! to many, many deaths, the words by John Crowne and the music by Henry Purcell, is in Crowne's Regulus. See Early June 1692.

Performances

1866
10 January 1693 @ Bedford Gate, Charles Street

Event Comment: London Gazette, No. 2834, 3-5 Jan. 1692@3: The Italian lady (that is lately come over that is so famous for her singing) [though it] has been reported that she will sing no more in the consort at York-buildings; this is to give notice, that next Tuesday, being the 10th instant, she will sing at the Consort in York Buildings, and so continue during this season

Performances

Mainpiece Title: Concert

1867
30 May 1698 @ Pepys's residence

Event Comment: Evelyn, Diary: I dined at Mr Pepys 's, where I heard that rare Voice, Mr Pate, who was lately come from Italy, reputed the most excellent singer, ever England had: he sang indeede many rare Italian Recitatives, &c.: & severall compositions of the late Mr Pursal, esteemed the best composer of any Englishman hitherto

Performances

Mainpiece Title: Concert

1868
09 July 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, No 496, 7-9 July 1698: This day is acted Oroonoko, at the King's Playhouse, for the particular Entertainment of some Persons of the highest Quality, with the Italian Shades, as they were perform'd with great Applause, before their Excellencies the Russian and Morocco Ambassadors, in the Reign of King Charles II. And an Entertainment after the manner of the Carnaval at Rome. With several Grotesque Dances

Performances

Mainpiece Title: Oroonoko

1869
17 February 1699 @ York Buildings

Event Comment: Post Man, 16 Feb. 1698@9: A Consort of Vocal and Instrumental Musick, after the Italian Manner, for the benefit of Mr Finger

Performances

Mainpiece Title: Concert

1870
24 August 1702 @ Bartholomew Fair

Performances

Mainpiece Title: Rope Dancing

Entertainment: they being the greatest Performers of Men, Women and Children that can be found beyond the Seas, so that the World cannot parallize them for Dancing on the Low/Rope, Vaulting on the High/Rope, Walking on the Slack and Sloping Ropes-the Famous Company of Rope-Dancers out-doing all others to that Degree, that it has highly recommended them, both in Bartholomew Fair and May Fair last, to all the best persons of Quality in England. And by all are owned to be the only amazing Wonders of the World, in every thing they do: 'tis there you will see the Italian Scaramouch dancing on the Rope, wiph a Wheel-barrow before him, with two Children and a Dog in it, and with a Duck on his Head; who sings to the Company and causes much Laughter

Performance Comment: And by all are owned to be the only amazing Wonders of the World, in every thing they do: 'tis there you will see the Italian Scaramouch dancing on the Rope, wiph a Wheel-barrow before him, with two Children and a Dog in it, and with a Duck on his Head; who sings to the Company and causes much Laughter. who sings to the Company and causes much Laughter.
Cast
Role: wiph a Wheel Actor: barrow before him, with two Children and a Dog in it, and with a Duck on his Head

1871
05 February 1704 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Performances

Mainpiece Title: The Chances

Dance: As17040124

Song: As17040129

1872
15 November 1707 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. All Sung after the Italian manner. [in Post Boy, 13-15 Nov., a notice states: "Whereas the Names of Mrs Margarita del'Epine and Mrs Tofts, are mention'd in the Bills for the Opera of Camilla, as if they were to perform the parts of Prenesto and Camilla...That the Publick may not be impos'd upon, This is to give Notice, that the same is done without their Consent; and that they do not intend to perform; there being no Articles of Agreement between them and the Managers...who have of late declin'd coming to any with them."

Performances

Mainpiece Title: Camilla

Dance: Between the Acts:

1873
12 February 1708 @ Drury Lane Theatre

Event Comment: Afterpiece [by Richard Estcourt]: Mr Bayes's Practice of an Interlude, call'd, Prunella, done from the Italian. Benefit Estcourt. And at the Request of many of the Nobility (who have taken Tickets) 2 Benches of the Pit will be Rail'd in, for more Conveniency. And to prevent any Disappointment, by coming late, 'tis desire'd that their Servants may be sent by 2 a Clock with the Tickets to keep Places

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Prunella

1874
26 March 1708 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.
Cast
Role: and at the Theatre, Actor: two young Gentlemen that never Play'd in Publick
Role: Several Pieces for Trumpets Flutes and Hautboys Actor:
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

1875
02 March 1709 @ Queen's Theatre

Event Comment: [Words from the Italian of G. B. Neri. Music by Francesco Conti and others.] A new Opera. By Subscription. The Boxes to be open'd to the Pit, and no Person to admitted but by the Subscribers' Tickets. Stage Boxes 15s. First Gallery 5s. Upper Gallery 2s. At 6 p.m

Performances

Mainpiece Title: Clotilda

Performance Comment: Edition of 1709 lists: Fernando-Valentino Urbani; Alphonso-Cavaliero Nicolino Grimaldi; Sancho-Ramondon; Roderigo-Lawrence; Clotilda-Mrs del'Epine; Isabella-Mrs Tofts; Leonora-Mrs Lindsey.
Cast
Role: Fernando Actor: Valentino Urbani