SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs James will be taken. For ye Benefit of Mrs James, tho' her name was not put up, who is going to leave the Stage, and retire as said to a Nunnery. Mr Macklin's Oratory open'd at his house in ye Piazza (Cross). Public Advertiser 22 Nov.: At Macklin's Great Room in Hart St. Covent Garden this day...will be opened The British Inquisition. This Inquisition is upon the plan of the ancient Greek, Roman and modern French, Italian Societies@of@liberal@investigation...&c. First lecture to be on Hamlet. [See Mackliniana (2 Vols. Folger Shakespeare Library) MS notes by Isaac Reed, from the Public Advertiser, 22 Nov. Macklin's lecture series was repeated on 23, 28 Nov., 2, 5, 7, 9, 11, 13, 16, 18, 20, 23, 26, 28 Dec.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chaplet

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Performance Comment: ; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile .

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Performance Comment: Caius Marcius Coriolanus-Kemble; Attius Tullus Aufidius-Wroughton; Menenius Agrippa-Baddeley; Cominius-Aickin; Sicinius Velutus-Barrymore; Junius Brutus-Whitfield; Volusius-Benson; Young Marcius-Master Chatterley; Roman Officer-Caulfield; Volscian Officer-Alfred; Citizens-Suett, Maddocks, Fawcett, Jones; Volumnia-Mrs Siddons; Virgilia-Mrs Powell; Valeria-Mrs Ward; Gentlewoman-Miss Tidswell.
Cast
Role: Roman Officer Actor: Caulfield

Afterpiece Title: The Devil to Pay

Cast
Role: Baron of Oakland Actor: Baddeley
Role: Don Ferdinand Actor: Barrymore
Event Comment: Mainpiece [altered by John Philip Kemble; see text (J. Christie, 1789)]. In Act II an Ovation, or Entry of Coriolanus into Rome. In Act V a Procession of Roman Matrons to the Volscian Camp. [These were included in all subsequent performances.] Afterpiece: Regattav, as 13 Sept. 1788. Receipts: #196 13s. 6d. (170.14.0; 24.11.6; 1.8.0)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Performance Comment: Caius Marcius Coriolanus-Kemble; Menenius-Baddeley; Cominius-Aickin; Tribunes-Barrymore, Whitfield; Citizens-Suett, Burton, Fawcett, Jones; Officers-Phillimore, Benson; Volusius-Williames; Tullus Aufidius-Wroughton; Virgilia-Mrs Farmer; Valeria-Mrs Ward; The Roman Matron [i.e. Volumnia]-Mrs Siddons; Edition of 1789 (J. Christie) adds: Young Marcius-Master Grimaldi; Gentlewoman-Miss Tidswell.

Afterpiece Title: The Waterman

Cast
Role: Wilhelmina Actor: Miss Romanzini.
Event Comment: Benefit Mechel, Mlle Mechel (the French Boy and Girl). Afterpiece: a new Pantomime Entertainment. [Tickets at Mechel's in Newport Street.] Receipts: money #70 8s. 6d.; seals #71 14s. (Account Book); #150 (Rylands MS.). [The two dancers were charged #60 for their benefit. This is the last entry in the incomplete Account Book.

Performances

Mainpiece Title: The Double Gallant

Cast
Role: Rhubarb Actor: Anderson

Afterpiece Title: Harlequin Barber

Performance Comment: Harlequin-Master Ferg; Colombine-Mlle Mechel; Petit Maitre-Miss Woffington; Drawer-Little French Boy; Servant to Colombine-Miss Bellamy, who never appeared on any stage before; Pierot-Mechel Jr.

Dance: I: Concerto-Mlle Mechel; II: Minuet, French Rigadoon-Mechel the Father, who never appeared in any theatre in England, Mlle Mechel the Daughter; Minuet-Mechel the Son, Miss Polly Woffington, the first time of her appearing on the stage; IV: The Metamorphoses of the Windmills-Mechel, Mlle Mechel, Miss Woffington, Master Ferg, a little French Boy; lately come from France. End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy

Performance Comment: End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy.
Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Cast
Role: Lord Norland Actor: Farren

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Performance Comment: English Characters : Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mme Rossi; French Characters : General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters : Indian Chief-Follett; Female Savage-Mr Rock.
Cast
Role: Monsieur L'Ingrate Actor: Holland

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: Benefit Salle. By Command of his Royal Highness. Receipts: money #122 18s,; tickets #42 11s

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Italian Jealousy; or, French Gallantry; With the Tavern Bilkers

Performance Comment: Harlequin-Lun; Scaramouch-Grimaesse [Daily Journal or Pelling: Daily Courant]; Punch-Newhouse [Daily Journal or Pelling: Diary Courtant]; Noble Venetian-Legare; Lady-Mrs Legare; French Marquis-Salle; Masqueraders-DuPre, Moreau, Newhouse, Pelling, DuPre Jr, DelaGarde, Mrs Bullock, Miss LaTour, Mrs Ogden.
Cast
Role: French Marquis Actor: Salle

Dance: HHighlander and Mistress-Salle, Mrs Legare; French Sailor-Salle, Mrs Legare

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Fair Lunatick; Or, The Generous Sailor

Afterpiece Title: Modern Madness; or, A Touch of the Times

Performance Comment: Keeper-Bridges; Clack-Smith; Master Clack-Master Cross; Mrs Clack-Mrs Daniel; Madam Taste-Mrs Cross; Solomon Overzeal-Clough; Modern Poet-Cross.
Cast
Role: Modern Poet Actor: Cross.

Afterpiece Title: The Jubilee Ball, a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley

Event Comment: Benefit for Mrs Kemble. 1st piece: Never [previously] acted here. 2nd piece [1st time; INT i, by Henry Siddons. Prologue by John Taylor (see text)]. Gazetteer, 28 Aug. 1790: This Day is published Modern Breakfast (1s.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Modern Breakfast; or, All Asleep at Noon

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

Event Comment: [In lieu of 1st two pieces the playbill announces Macbeth, but "Holman was disabled by illness; Macbeth was allotted to Harley...who was also indisposed." The Farmer and The Merry Mourners [i.e. Modern Antiques] were acted, but "Quick, in hurrying to the theatre, fell, and materially bruised his knee. Waldron played Quick's character. Mrs Watts...took the part which belongs to Mrs Harlowe" (London Chronicle, 7 Jan.).] Receipts: #132 19s. (132.4; 0.15)

Performances

Mainpiece Title: The Farmer

Afterpiece Title: Modern Antiques

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Roman Father

Performance Comment: Roman Father-Holland; Tullus Hostilius-Burton; Valerius-Packer; Horatius-Yates; Publius Horatius-Powell; Valeria-Mrs Hopkins; Citizens-Ackman, Fox; Horatia-Mrs Yates.
Cast
Role: Roman Father Actor: Holland

Afterpiece Title: Fortunatus

Entertainment: I: King will By Desire repeat a Comic Paraphrase on the Seven Ages of Shakespeare-King; V: (The Last time this season) King will present the Audience with Bucks Have at Ye All, as17650330

Dance: II: The Medley, as17641120; III: A New Dance-Grimaldi, Miss Baker; IV: Hearts of Oak-Aldridge, Miss Baker

Event Comment: At the desire of several Perons of Quality will be perform'd that great and celebrated Scene in Julius Caesar at the table between Brutus and Cassius , Written by the Immortal Shakespeare. And altho' Mr Penkethman is at an extraordinary Charge in providing these Entertainments, to oblige his Friends he lets them in at Common Prices [as 7 Aug.]. Note, The Subscribers' Tickets have free Admittance

Performances

Mainpiece Title: Julius Caesar (one Scene)

Afterpiece Title: Sir Courtly Nice

Entertainment: Rope/Dancing after the French, Italian, and Bohemian Manner-; also a Stiff Rope, Vaulting the Slack Rope beyond Imagination-little Girl of 4 Years of Age

Performances

Mainpiece Title: Il Dilletante

Music: Musical imitations of the French, Italian, and German Style of singing will be introduc'd-Reinhold

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Performance Comment: Parts-Holland, Powell, Yates, Bransby, Packer, Baddeley, Mrs Yates, Miss Plym, Mrs W. Barry. [See Neville's comments below.]See Neville's comments below.]

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates

Performances

Mainpiece Title: Concert

Music: The Vocal consisting of several Favourite Italian Songs-; Four English Ballads-a Gentlewoman who never appear'd on any Stage before; accompanied-; with Instruments Concerto-wise, after an entire New Manner. The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-

Performance Comment: The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-.
Event Comment: By Their Majesties' Command. Mainpiece: Written by the late N. Rowe, Esq; Poet-Laureat. [Their Majesties and the rest of the Royal Family present.]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Colombine Courtezan

Dance: I: French Peasants by Poitier, Mlle Roland, &c. III: Minuet (in Modern Habits) by Denoyer and Miss Anderson. V: Revellers, as17351103 End Afterpiece: As17351104

Performance Comment: III: Minuet (in Modern Habits) by Denoyer and Miss Anderson. V: Revellers, as17351103 End Afterpiece: As17351104.
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: Admission as 10 March. N.B. The Noble and Honorable Subscribers to the French Comedians, are humbly intreated to pardon the Omission of sending them Tickets on Thursday last, it having proceeded merely from a Mistake, which shall be prevented for the future, and each one shall have a perpetual Ticket sent to him on Tuesday next

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

Event Comment: Mainpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chrononhotonthologos

Performance Comment: Cast not listed, but see17340222 Prologue and Epilogue, proper to the Tragedy .

Music: A new Overture, and an entire new Sett of Act Tunes, by Seedo. A new Overture for the Afterpiece

Dance: Irish Trot by a Youth but Nine Years old. Hussar by Nivelon and Miss Robinson. Revellers, as17340220

Performance Comment: Hussar by Nivelon and Miss Robinson. Revellers, as17340220.

Song: Afterpiece: Songs (in the Italian Stile) by Charke

Performances

Mainpiece Title: The Relapse

Performance Comment: Loveless-Giffard; Worthy-Delane; Foppington-Bowman Jr; Young Fashion-Hardin; Sir Tunbelly-Hulett; Lory-Penkethman; Sir John-Jenkins; Syringe-Rosco; Coupler-Lyon; Shoemaker-Ray; Amanda-Mrs Giffard; Berinthia-Mrs Roberts; Hoyden-Mrs Hamilton; Nurse-Mrs Wetherilt .
Cast
Role: Amanda Actor: Mrs Giffard

Afterpiece Title: The Contrivances

Dance: I: Pierrots by Vallois and Delagarde. III: A new Moors' Dance by Haughton, Vallois, Tench, Mrs Bullock, Mrs Woodward. V: Last new Scot's Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Miss Norman

Song: II: Song with French Horns by Mrs Jones. IV: Singing in Italian by Mrs Chambers

Performance Comment: IV: Singing in Italian by Mrs Chambers .
Event Comment: Benefit Mrs Haughton and the Widow of Joseph Giffard, Apothecary. At the particular Desire of several Persons of Distinction. Any Gentleman, or Lady, who design to serve the Widow of Mr Joseph Giffard, Apothecary, who is left with Five Children are desired to take their Tickets at Pidgeon's Coffee-House

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Mock Doctor

Dance: III: La Follette c'est Ravize by Tench and Mrs Woodward. V: Scotch Dance by Mrs Bullock

Song: II: A Song with French Horns by Miss Jones. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .

Performances

Mainpiece Title: The Modern Husband

Performance Comment: Edition of 1731 lists: Lord Richly-Cibber; Bellamant-Wilks; Captain Bellamant-Cibber Jr; Gaywit-Mills Jr; Modern-Bridgwater; Lord Lazy-Boman; Colonel Courtly-Hallam Jr; Woodall-Harper; Captain Merit-Paget; Captian Bravemore-Watson; John-Berry; Porter-Mullart; Lady Charlotte Gaywit-Mrs Cibber; Mrs Bellamant-Mrs Horton; Mrs Modern-Mrs Heron; Emilia-Mrs Butler; Lately-Mrs Charke; Prologue-Wilks; Epilogue-Mrs Heron.
Cast
Role: Modern Actor: Bridgwater
Role: Mrs Modern Actor: Mrs Heron
Event Comment: Benefit for Mrs Pritchard. By desire of Several Ladies of Quality. Part of the Pit and Boxes will be laid together, and servants will be admitted to keep Places on the Stage. N.B. The building on the stage is rais'd on a new plan, much more convenient than any ever yet erected, the Area of the being kept entirely clear, and the Building enclos'd so as to form distinct Boxes, like those in the Front of the House. Tickets and Places to be had of Mrs Pritchard, next the Chapel in Great Queen St., Lincoln's Inn Fields, and of Mr Hobson at the stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Roman Father

Performance Comment: Publius-Sowdon; Valerius-Lee; Hostilius-Burton; Roman Father-Garrick; Valeria-Mrs Ward; Horataa-Mrs Pritchard.
Cast
Role: Roman Father Actor: Garrick

Dance: Devisse, Mad Auretti

Event Comment: For the Entertainment of the Grand Master, Grand Officers, Brothers, and Sisters of the Community of Modern Free Masons. Benefit Walker

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Contrivances

Entertainment: AA Song in Honour of Modern Masonry (in the Character of Robin Hood)-Mrs Jones; The Punch's Song-Hemskirk, Miss Jones; Scots Dance-Mrs Bullock

Music: The whole to conclude with the celebrated Water@Musick by Handel-; accompanied with Kettle@Drums-; Trumpets-; French@Horns-; the Preamble-Nelson

Event Comment: The Duke's Company. Langbaine, English Dramatick Poets, p. 509: [It] was alter'd (as I have heard by Mr Carthwright) by Mr Betterton. Downes, p. 30: [Done] by the same Author [Betterton]...and all the other Parts Exactly perform'd, it lasted Successively 8 Days, and very frequently Acted afterwards. Pepys, Diary: To the Duke of York's playhouse, and there, in the side balcony, over against the musick, did hear, but not see, a new play, the first day acted, The Roman Virgin, and old play, and but ordinary, I thought; but the trouble of my eyes with the light of the candles did almost kill me

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performance Comment: [Altered from John Webster, Appius and Virginia, probably by ThomasBetterton.] Downes (Roscius Anglicanus, p. 30): Virginius-Betterton; Appius-Harris; Virginia-Mrs Betterton. [An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.