SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grand Master"/1) | (@(roleclean,performerclean) "Grand Master")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2328 matches on Performance Title, 1576 matches on Performance Comments, 651 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: advertised as "with the tragic adventures of the Knight of the Woeful Countenance, and the Comic humours of his merry Squire Sancho Panca. An Entertainment intirely adapted to the taste of all Ladies, Gentlemen, Bucks, Bloods, and Choice Spirits; but more expecially those who are fond of Liberpy and Roast Beef. In which will be introduced a group of odd, but diverting characters, being the work of a great master in the Creative Faculty. To render the dish more agreeable to every palate, it will be garnished with singing and dancing-; particularly a song on the late Victories obtained by our Fleets and Armies, and a Welcome to Southwark Fair. With a Hornpipe-a British Genius; whose valour was conducive to the reduction of Quebec. The whole to conclude with the View of a magnificent Monument erected to the Memory of the late General Wolfe. And a Monody- to be spoken on the death of that brave and much lamented Hero.".
Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Event Comment: Benefit for Leviez, Ballet Master

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Chaplet

Dance: End I: The Fingalian Dance, as17610416 II: The Venetian Gondolier-Sg Tioli, Miss Baker; III: A Comic Dance, as17610307 End: by Desire a Minuet-Leviez, a Young Lady, his Scholar

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Edgar and Emmeline

Performance Comment: O'Brien, King, Master Kennedy, Miss Rogers, Mrs Yates.

Dance: I: A New Dutch Comic Dance-Vincent (his first appearance on the English stage), Miss Baker; III: The Camp Alarm'd-Vincent

Song: III: A Cantata-Miss Young

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: By Command of Their Majesties. John Rich, Master & Patentee of Covent Garden Theatre died (Winston MS 9)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Arcadia

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Event Comment: Both pieces By Command of Their Majesties. Sga Manesiere lived with Mr Fisher, Ballet Master at cg, who marryed her in her last illness. N.B. She had some Property. This Lady was a pattern of neatness and exterior modesty (Hopkins MS Notes)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Thomasand Sally

Dance: WWooden Shoe Dance-Sg Maranesi, Miss Wilford, Miss Valois; and a New Comic Pantomime Ballet, call'd The French Country Gentleman or the Female Metamorphoses-Sodi, Sga Manesiere (Being her first appearance on the English stage), Miss Wilford

Performances

Mainpiece Title: The Sacrifice; Or, The Death Of Abel

Performance Comment: Principal singers: Tenducci, Aynscombe, Champness, Master Johnson, Miss Thomas and Miss Brent.

Music: CConcerto on Violin-Pinto; Concerto on Hautboy-Simpson

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17620127 *uö›dl The Farmer's Return from London. As17620320 but Children, Master Pope, Miss Cape, Miss Heath.
Event Comment: Benefit for Leviez, ballet master. Full Prices. Afterpiece: By Desire. The Farmer, for last time this season

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Musical Lady

Dance: II: The Tambourine Dance-Vincent; III: The Italian Gardiners, as17611010; IV: Hornpipe-Vincent; The Camp Alarm'd, as17610926. End: The Farmer's Return from London. As17620320

Event Comment: Afterpiece: A pastoral never performed on any Stage, Words set to the music of eminent masters. Books of the Pastoral to be sold at the Theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 20-22.

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Spring

Dance: IV: (By Desire) Hearts of Oak, as17620925

Event Comment: Benefit for Burton and Master Burton. Tickets deliver'd by Stevens and Fox will be taken

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Event Comment: Books of the Farce to be had at the Theatre. Mr Powell's first appearance in Jaffier. Got much applause (Hopkins). Mr Powell's first appearance in Jaffier--he performed the first part of it with feeling, but in the fourth act he was wild, and wanted power--But was much applauded (Hopkins Diary--MacMillan). Tomorrow, The Midsummer Night's Dream, Written by Shakespear; with Alterations; Interspersed with Airs, Compos'd by the most eminent English Masters. Receipts: #235 7s. (MacMillan)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Love at First Sight

Event Comment: A serious Opera...the Musick composed by several eminent Masters. All new Dances; and New Scenes, Dresses, and Decorations. Pit and Boxes laid together 10s. 6d. Gallery 5s. and no Person admitted without Tickets, which will be deliver'd at the door. By His Majesty's Command, no Person to be admitted behind the Scenes. To begin 6:30 p.m. [Giardini the new Impresario; Spilsbury-treasurer.

Performances

Mainpiece Title: Cleonice

Dance: Director of the Dances Sg Pietro Sodi

Event Comment: Mas. Love was hiss'd for playing out of tune upon the Organ (Hopkins). This night Master Love was hissed for playing out of tune upon the organ (Hopkins Diary-MacMillan). Receipts: #179 9s. 6d. (MacMillan)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Rites of Hecate

Event Comment: A new Opera. Music by different masters

Performances

Mainpiece Title: Berenice

Dance: Between the acts

Event Comment: Benefit Miss Mozart of Twelve and Master Mozart of Eight Years Prodigies of Nature. Tickets a Half a Guinea each, to be had of Mr Mozart at Mr Williamson's in Thrift St., Soho. A Box Ticket shall admit two into the Gallery. To begin at 6 p.m., which will not hinder the Nobility and Gentry from meeting in other Assemblies the same evening

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Grimaldi (Ballet Master) and Aldridge

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Fortunatus

Dance: II: Hearts of Oak, as17650420

Event Comment: Benefit for Mrs Simson, Mrs Cross, Tassoni, Master Rogier

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Country Wife

Dance: II: A New Dance-Tassoni, Miss Tetley; IV: A Double Hornpipe-Walker, Miss Tetley; End: A New Comic Dance-Tassoni, Miss Baker

Event Comment: At the Little Theatre in James Street near the Haymarket. Doors to be opened at 5:00. To begin exactly at 6:00. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. to the public. After several of our Lords and Masters, the Men, have with various success made wry faces for the amusement of the town; permit a woman to attempt the arduous task of laughing the men out of their follies; declaring, however, that while she attempts the ridicule of vices peculiar to the other sex, she will by no means spare the slightest foible of her own (Public Advertiser). The Theatre is fitted up in an elegant manner, and constant fires are kept to make the house agreeably warm (Gazetteer & New Daily Advertiser). [This Lecture continued to 6 March.

Performances

Mainpiece Title: Lecture On Heads

Event Comment: MMrs Fitzhenry hissed a little. Mr Dodd being ill, Master Burton played Fribble in the pantomime (Hopkins Diary)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Hermit

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit