SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gilbert West Esq"/1) | (@(roleclean,performerclean) "Gilbert West Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 400 matches on Event Comments, 245 matches on Performance Comments, 195 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Peep behind the Curtain

Entertainment: I: (for the last time) A Comic Paraphrase or Shakespeare's Seven Ages-King

Monologue: End: By Particular Desire, Linco's Travels. with his particular remarks on London (a favourite Interlude not performed these 2 years) Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What D'ye Call It

Performance Comment: Jonas Dock-Weston; Sir Roger-Parsons; Squire Thomas-Moody; Sir Humphrey-Hartry; Justice Statute-Jacobs; Peter Nettle-Massink; Stave-Waldron; Joyce-Mrs Hopkins; Aunt-Mrs Love; Dorcas-Mrs Davies; Kitty Carrot-Miss Pope; The Original Song Twas When the Seas were Roaring[, as Set by Mr Jackson of Exeter, to be sung-Mrs Wrighten; [To conclude with a Country Dance-. [Advertised as not acted in 10 years. Actually not at dl since 21 March 1748.]Advertised as not acted in 10 years. Actually not at dl since 21 March 1748.]

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Dance: End: Hornpipe-Walker

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Event Comment: Paid Mr Wright's note to Herring and Chas., #14 15s. 10d.; Mr G. Garrick's 2 notes for Mr Weston #24 3s. 6d.; Mr J. French 2nd Nov. last, #13; Mr J. Aickin per order #5 1s.; Mr Rollett, on note #10 10s.; Chorus 2 nights (this incl.) #5 1s. (Treasurer's Book). Receipts: #140 11s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Event Comment: [Pasticcio: an opera, cantata, or other composition made up of various pieces from different authors or sources. See H. Walpole to Mann, 1 Nov. 1752, Our Operas begin tomorrow with a pasticcio full of most of my favourite songs." Grove's Dictionary, II, 688: "A species of lyric drama composed of airs, duets and other movements selected from different sources and so grouped as to provide a mixed audience with the greatest possible number of favourite airs in succession." See favorable notice 20 March in the Public Advertiser. The Westminster Magazine remarked of Oratorio season at cg: "They have not possessed so uninterrupted a flow of success, but we remember that they have experienced more barren seasons. The instrumental band is superior to that at the other house, and the vocal not at all inferior. At this house they have produced selections of musical pieces, by the most capital masters, arranged so as to form entire entertainments. In general these are very agreeable." See 20 March.] Charges: #35

Performances

Mainpiece Title: A Pasticio With Concertos

Music: I: Concerto on violin-Barthelmon; II: a Serenata Beauty and Virtue-; translated from Metastasio and composed by Dr Arne; II: Concerto on Organ-Mr Arne; III: (Never Performed) The Thunder Ode written on the Hurricanes of the West Indies, by Mr Arne, Principal singers-Miss Catley, Mrs Mattocks, Miss Venables, Sg Ristorini, Mrs Barthelemon, Mr Reinhold; The concertos-Barthelemon, Spandau, Mr Arne

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Miss in Her Teens

Performance Comment: As17721103, but Fribble-Moody (with song), first time; Flash-Weston, first time; Puff-Ackman; Jasper-W. Palmer.

Entertainment: II: by Desire, will introduce the Song in Love-a-la-Mode-Moody

Dance: End: Comic Dance, as17730325

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17720919

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Dance: I: The Mountaineers, as17730930

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Comus