SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: While we were at Rehearsal, Mr Aprice, came to Mr Garrick, full of complaints of Mr Foote's taking him off in the Author & a long & high Argument ensu'd, nor was it settled, but a farther meeting appointed at eight that Night at the Rose, where Foote join'd 'em--a great deal of abuse between him & Aprice; I don't know ye particulars, but it was order'd to remain at the bottom for Tuesday, but, as I hear, it is to be done no more (Cross)

Performances

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Mrs Abegg. At the Great Room, Dean St. Soho. Announced for 27 March but postponed because of indisposition of Mrs Abegg

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Mrs Cibber. Mainpiece: By Particular Desire. Not acted these 3 years. [See 8 April 1756.] The great Demand Mrs Cibber has had for places, has oblig'd her to lay the whole Pit into the Boxes; and the Stage form'd into an Amphitheatre, where servants will be admitted to keep places. Tickets deliver'd for Barbarossa 9 March will be taken. Receipts: #300 (Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Apprentice

Dance: TThe Italian Peasants Dance, as17571004

Event Comment: There are Places inclosed for the Ladies to sit, and it is humbly hoped that the Gentlemen will not be offended, as it is impossible to accommodate everyone with Seats. To begin at Six. Public Advertiser, 12 and 13 June: Sga Seratina and Mr Reinhold distinguished themselves beyond expectation and the Company was pleas'd to say that Sga Seratina was in no way inferior to the famous Spiletta. Performed before a very genteel and numerous audience with great applause. It will continue to be performed Tuesdays, Thursdays, and Saturdays

Performances

Mainpiece Title: La Serva Padrona

Event Comment: PPublic Advertiser: The Uncommon Applause of the new Entertainment...has excited the curiosity of a great many of the Nobility and Gentry that had never seen Marybone before. Sga Seratina and Mr Reinhold have distinguished themselves surprisingly; and though this Entertainment is performed in the English Language, clearly proves, that it is in the Power of an Englishman, to excel even the Italians in that kind of performance; Sga Seratina (though an Italian) expresses the English Dialect with all the Graces, and proper Expressions, which that kind of performance requires. [Books of the performance to be had at the Bar 6d. each.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: At Yates@Shuter Booth. Great care will be taken to provide a proper Guard, to keep the Passages to and from the hall clear, that the Nobility and Gentry may pass without interruption. Noon to 10 p.m

Performances

Mainpiece Title: The Woman Turn'd Bully; Or, The Lover's Triumph: With The Comical Humours Of squire Noodle And His Man doodle

Afterpiece Title: A Grand Representation of the Taking of Louisburg and Cape Breton by Admiral Boscawen and General Amherst

Event Comment: Concert to begin at seven, the entertainment at eight, and end at nine. By particular Desire of a great many of the Nobility and Gentry. The Musical Entertainment will be performed in the Ballroom being elegantly fitted up for the purpose. Price 2s. 6d

Performances

Mainpiece Title: La Serva Padrona

Event Comment: MMr Fleetwood first appear'd--he did Romeo & was receiv'd with great & deserv'd Applause--he is son to our Late Patentee (Cross). Receipts: #200 (Cross); #210 19s. (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Performances

Mainpiece Title: Antony And Cleopatra

Event Comment: LLa Serva Padrona; or, The Servant Mistress announced but cancelled. [This entertainment was advertised as to be given by particular desire, with the addition of a new act, and a new character, as it was performed originally at the Theatre Royal in Naples. Set to music by Pergolesi. With Dancing. The Scenes and Cloaths entirely new. Boxes 5s. Pit 3s. Gallery 2s. The house to be illuminated with wax candles. The whole to be under the direction of Sg Storace and Mr Oswald. Sga Seratina being recovered from her late indisposition to perform this night. Notice, however, on the proposed day of performance appeared in the Public Advertiser: "La Serva Padrona is stopp'd by a particular order of the Lord Chamberlain, but as a great many of the Nobility and Quality are very desirous to see this entertainment, it will be soon presented at another theatre." See 29 March.

Performances

Event Comment: Benefit Signora Frasi. At the Great Room, Dean St. A Musical Entertainment by Handel. To begin at half after six

Performances

Mainpiece Title: L'allegro, Il Penseroso Ed Il Moderato

Music: A Concerto on the Organ-Stanley

Event Comment: By Particular Desire. The Burletta, with the Addition of a new Act and a new Character, as originally performed at the Theatre Royal in Naples. At the Great Room in Marybone Gardens properly and elegantly fitted up for that purpose. 7:30 p.m. Admittance 3s. N.B. Mr Trotter's dauthter continues to make the rich seed and plumb cake, so much admired by the Nobility and Gentry at 2s. 6d. each, and likewise makes almond cheesecakes in a small size at 2s. per dozen. Six or eight make a Dish, and are hot every day one o'clock

Performances

Mainpiece Title: La Serva Padrona

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. Farce for last time this season. Tickets of Miss Pritchard in Great Queen St., lif; and at stage door. Receipts: #260 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Guardian

Event Comment: A Tragedy written by Mr Murphy went off with great applause (Cross). Scenes, Habits, and Decorations entirely New. No Gentlemen can possibly be admitted behind the Scenes or into the Orchestra. Full prices. Receipts: #170 (Cross); #158 3s. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: At Shuter's Great Theatrical Tiled Booth on the Bowling Green the Town will be entertained during the Short Time of Southwark Fair. [Time and prices as 3 Sept.

Performances

Mainpiece Title: The French Flogg'd

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

Event Comment: At the Great Music Room, Dean St., Soho. Set to Music by Handel. 6:30 p.m. Pit 10s. 6d. Gallery 5s

Performances

Mainpiece Title: Judas Maccabaeus

Music: Instrumental: First violin-Passerini

Event Comment: At the Great Music Room, Dean St., Soho. To begin at Half an Hour after Six

Performances

Mainpiece Title: Charlottenburg Festegiante

Performance Comment: Vocal Parts-Signora Passerini, Signora Frederick, Signora Tenducci, Signora Magalli (who never sung in public before except at the Opera).

Music: Instrumental parts: First Violin-Passerini;, with viols and the others by the best performers. Between the First and Second Part: a Concerto on the Organ-Sga Frederick

Event Comment: Benefit for Signora Mattei. The Poetry of the Cantata sets forth the glories of the British nation both in war and peace, shewing that Great Britain, in the present, as well as in former ages, doth vie with ancient Rome in its highest grandeur

Performances

Mainpiece Title: La Clemenza Di Tito

Afterpiece Title: La Gran Brettagna Emula Della Antica Roma

Performance Comment: Astrea-Sga Mattei; Jupiter-Cornacchini; Mercury-Magalli.
Cast
Role: Mercury Actor: Magalli.
Event Comment: We are well informed that Mr Shuter intends to entertain the Town, at his Great Tiled Booth on the Bowling Green, Southwark, during the Time of the Fair, which begins on Thursday next, with a New Entertainment of Wit and Humour. Many wagers are depending among the Theatrical Geniuses upon the Merit and Execution of this Piece: and the Odds are it is the best that ever appeared in this Way. The knowing Ones say, those who take the Odds will be fairly taken in: for Mr Shuter will start in fine Order, to win this Plate, in such a handsome manner as shall give entire Satisfaction to all the Spectators. A sufficient number of Theatrical Racers are already entered, and two remarkable Spanish Courcers will enter at the Post, so that excellent Sport may be depended upon (Public Advertiser)

Performances

Mainpiece Title: Advertisement

Event Comment: LLucia-a $Miss Bride, a figure dancer surprisingly perfect (Winston MS 9). Great expectations from her [Miss Bride] (Hopkins MS Notes)

Performances

Mainpiece Title: Cato

Afterpiece Title: High Life Below Stairs