Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2855 results for: Keyword - Giffard</i> great Service-I have had great Success in all,
We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

1801
18 August 1704 @ Drury Lane Theatre

Event Comment: Not Acted there these Five Years. Written by the late Great Poet, Mr Dryden

Performances

Mainpiece Title: Sir Martin Marall

Dance: As17031007

1802
19 September 1704 @ Drury Lane Theatre

Event Comment: Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Song:

Dance:

1803
27 November 1704 @ Drury Lane Theatre

Event Comment: Note, That the Theatre in Dorset-Garden being now repair'd from the Damage done by the late great Winds, the same will be ready by the latter end of this Week to Act in, or for Entertainments of Musick and Danceing

Performances

Mainpiece Title: The Plain Dealer

Music: Several Italian sonatas on the violin-Gasperini

Dance: Spanish Dance, Punchanello-Cherrier; Other Dances-Mrs Lucas, Mrs Bicknell

1804
16 December 1706 @ Queen's Theatre

Event Comment: [By Mary de la Riviere Manley.] Never Acted before. And by Reason of the Extraordinary Charge for Habits, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. Preface: Almyna was admirably Acted, and advantagiously dress'd: The first was owing to Mr Betterton's unwearied care...the second to Mr Swiny...for venturing...to make so great an Expence...both justly condemn'd for playing it at so ill-fated a Time, viz. The immediate Week before Christmas between Devotion and Camilla

Performances

Mainpiece Title: Almyna Or The Arabian Vow

Performance Comment: Actors' names only listed, but edition of 1707 lists: Caliph Almanzor-Betterton; Abdalla-Wilks; Grand Vizier-Keen; Alhador-Bowman; Morat-Corey; Almyna-Mrs Barry; Zoradia-Mrs Bracegirdle; Prologue-Cibber; Epilogue-Betterton.
Cast
Role: Abdalla Actor: Wilks
Role: Alhador Actor: Bowman

1805
01 February 1707 @ Drury Lane Theatre

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

1806
09 February 1708 @ Drury Lane Theatre

Event Comment: [By Charles Goring.] Never Acted before. Preface: I am sensible...that Irene appear'd to the greatest Disadvantage on the Stage, strip'd of Her Ornaments of Musick by a Superior Order; and in many of Her Characters suffering very much in the Action

Performances

Mainpiece Title: Irene Or The Fair Greek

1807
07 April 1709 @ Drury Lane Theatre

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. The Boxes to be open'd to the Pit, and No Person to be admitted but by printed Tickets at half a Guinea each. Note, That the Tickets deliver'd out for the Moor of Venice, and Great Mogul, will be taken at this Play. [Receipts: possibly #154 6s. 7 1!2d., according to Baggs.] For a comment on this occasion, see Tatler, 12 April. Whincop (pp. 175-76) states: But Mr Betterton being new past Seventy Years of Age, and lame with the Gout, seemed but to burlesque the Part of youthful Valentine

Performances

Mainpiece Title: Love For Love

1808
28 May 1709 @ Drury Lane Theatre

Event Comment: Benefit Mrs Pix's Executor. At the Desire of several Ladies of Quality. Written by the Author of a Comedy call'd, The Gamester. [A similar announcement in Post Boy, 26-28 May, adds: "the greatest part of which said Comedy (The Busy Body), and also that of the Gamester, was wrote by the said Mrs Pix."

Performances

Mainpiece Title: The Busie Body

1809
20 June 1709 @ Greenwich

Event Comment: Written by the famous Mr Lee, Author of Alexander the Great

Performances

Mainpiece Title: Mithridates King Of Pontus

1810
30 July 1709 @ Hampstead

Event Comment: At the Great Room at Hampstead Wells. At 5 p.m. Tickets half a crown

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; the Vocal Part-Mr Reading, Mr Teano, others; and the Symphonys on the Violins-Mr Dean, Mr Manshipp; Solo which he never did in Publick before, likewise a Trumpet Tune of his own-Mr Dean; with several full Pieces of Musick with a Trumpet and Hautboys, without-

1811
06 September 1709 @ Drury Lane Theatre

Event Comment: Post Boy, 13-15 Sept.: On Tuesday, the 7th [sic] instant, in Drury-Lane, when the Players were just going to act, but were, by Order from their Superiors, stopp'd from farther Proceeding; so that they were, to their great Mortification, forced to dismiss their publick Auditors. [See also Female Tatler, 12 Sept.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: . Advertised but probably not acted; The announced cast: Kite-Pack; Ballance-Keene; Plume-Powell; Brazen-Bickerstaffe; Worthy-Booth; Pearmain-Norris; Appletree-Carnaby; Bullock-Leigh; Silvia-Mrs Moor; Melinda-Mrs Bradshaw; Rose-Mrs Bicknell.
Cast
Role: Ballance Actor: Keene

1812
15 September 1709 @ Queen's Theatre

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello Moor Of Venice

1813
13 April 1710 @ Queen's Theatre

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. To which will be added Three Designsv, Representing the Three Principal Actions of the Play, in Imitation of so many great Pieces of History Painting, where all the real Persons concern'd in those Actions will be plac'd at proper distances, in different Postures peculiar to the Passion of each Character. In his Apology (I, 117-18) Cibber said that Betterton...when being suddenly seiz'd by the Gout,...submitted, by extraordinary Applications, to have his Foot so far reliev'd that he might be able to walk on the Stage in a Slipper, rather than wholly disappoint his Audience. He was observ'd that Day to have exerted a more than ordinary Spirit, and met with suitable Applause

Performances

Mainpiece Title: The Maids Tragedy

Related Works
Related Work: The Maid's Tragedy Altered Author(s): Edmund Waller

1814
11 May 1710 @ Drury Lane Theatre

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Walking Statue

Afterpiece Title: A Bickerstaffs Burying

Dance: Six Entertainments of Dances-. The Particulars of which are express'd in the Great Bills

Performance Comment: The Particulars of which are express'd in the Great Bills.

1815
05 August 1710 @ Greenwich

Event Comment: Benefit Penkethman, Note, The Subscribers are desir'd not to bring their Tickets this Day, his Friends having promis'd to make this a Jubilee Day to him, and fill the House at the full Price, Mr Penkethman being at a greater Charge than ordinary. For the Entertainment of Madam la Signiora Fount, Signiora, Espagnola, Native d'Barcellone di cale Quallificatta, who will, in a particular Manner, hounour Mr Penkethman...by appearing in her own Country Habit. The Boxes opened to the Pit at 2s. 6d. At five o'clock, by reason of thelength of the Entertainments, and that the Gentry may return to London before 'tis Dark

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

1816
07 September 1710 @ Greenwich

Event Comment: At the desire of several Perons of Quality will be perform'd that great and celebrated Scene in Julius Caesar at the table between Brutus and Cassius , Written by the Immortal Shakespeare. And altho' Mr Penkethman is at an extraordinary Charge in providing these Entertainments, to oblige his Friends he lets them in at Common Prices [as 7 Aug.]. Note, The Subscribers' Tickets have free Admittance

Performances

Mainpiece Title: Julius Caesar one Scene

Afterpiece Title: Sir Courtly Nice

Entertainment: Rope/Dancing after the French, Italian, and Bohemian Manner-; also a Stiff Rope, Vaulting the Slack Rope beyond Imagination-little Girl of 4 Years of Age

1817
09 May 1711 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; particularly, several select Entertainments of the following (English Operas) Operas viz. The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-

Performance Comment: The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-.

1818
09 January 1712 @ Queen's Theatre

Event Comment: Admission by ticket only at half a guinea. First Gallery 5s. Upper Gallery 2s. At 6 p.m. Letter by Peter Wentworth, 11 Jan.: Wednesday was the Opera and there he [Prince Eugene] brought a great crowd, so much that Operas are to be perform'd thrice a week whilst he stays here (Wentworth Papers, p. 246)

Performances

Mainpiece Title: Antiochus

1819
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris the famous Scene only

1820
26 October 1714 @ King's Theatre

Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a Guinea. At 5:30 p.m. Notices as 23 Oct. It having been the Common Practice of several Persons to come into the Opera and stay a whole Act, and sometimes longer, without paying, to the great Prejudice of the Opera, therefore it is humbly desired for the future, that no Person will take it ill that tney are not admitted without Tickets. [The King present.

Performances

Mainpiece Title: Arminius

1821
13 May 1715 @ Lincoln's Inn Fields

Event Comment: Benefit Wood. At the particular Desire of several Persons of Quality. Weekly Pocket, 14 May: There has been a great Disturbance at...Lincoln's-Inn-Fields this Week, by the Means of some Gentlemen, who were in the Interest of the other House, and made Use of Catcalls to interrupt and ridicule their Theatrical Entertainments; but the Disturbers of the Peace were soon silenc'd. Receipts: #125 16s. 6d

Performances

Mainpiece Title: Tamerlane

Song: Trumpet Song-the little boy; the Instrumental part-Mr Grenoust; Vocal Part-Mr Rawlins

Music: Violin solo-Matthew Dubourg

Dance: delaGarde, Bovil, Mrs Bullock; Harlequin and a Countryman-; Swedish Dal Karl and His Wife, as17150509

1822
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Dance:

1823
03 December 1715 @ Lincoln's Inn Fields

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

1824
21 February 1716 @ King's Theatre

Event Comment: As 16 Feb., but admission as 4 Feb. At 6 p.m. No Person whatever to stand upon the Stage, by reason of the great many Scenes and Machines which are to be moved in this Opera

Performances

Mainpiece Title: Amadis

1825
03 March 1716 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. The Pit and Boxes at half a guinea. Stage Boxes 15s. Gallery 4s. The King and a great Number of the Nobility present

Performances

Mainpiece Title: Amadis