Event Comment: [Mainpiece in place of The German Hotel, advertised on playbill of 20 Dec.] Receipts: #225 11s. (211.8; 14.3)

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Event Comment: Lover's Vows. In Consequence of the Approbation which the above Play has received from the Town, various Translations, or pretended Translations of the work from which it was taken, have been offered for publication to some eminent Booksellers, who honourably declining such purchase, have given Information to the Manager of the attempted Imposition. The Public are therefore respectfully acquainted that the Play, as now performing at this Theatre, was rewritten from a literal Translation, sold to the Proprietor by an Agent of the German Author, and has been adapted to the English Stage by considerable Alterations in Plot & Incidents. The Piece will not be published till the 20th Night of its representation, when it will be submitted to the Reader, with the Name of Mrs Inchbald prefixed to the Publication. Receipts: #432 18s. 6d. (426.4.6; 6.14.0)

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)