SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George Colman ynger"/1) | (@(roleclean,performerclean) "George Colman ynger")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5310 matches on Author, 686 matches on Event Comments, 661 matches on Performance Comments, 194 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Berkley, Bride, Pritchard, Saunders, and Keisher. Tickets for Lawley, Lathbury, George will be taken

Performances

Mainpiece Title: The Twin Rivals

Related Works
Related Work: The Twin-Rivals Author(s): George Farquhar

Afterpiece Title: The King and Miller of Mansfield

Song: II: Lowe

Music: IV: Concerto on German Flute-Burk Thumoth

Event Comment: Written by George Duke of Buckingham. Mainpiece: Not acted these 5 years [see 29 March 1742]. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the play. Also the Additional reinforcement of Mr Bayes's new Rais'd Troops

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Orpheus and Eurydice

Event Comment: ctually no play. Death of George II closed theatres three weeks.] Mainpiece: Not acted in 2 years. [See 28 April 1759. There was no income this night, but the play list had to be met. The house carried a profitable balance of #318 16s. 5d. The payroll plus other expenses came to #284 12s. 9d., leaving a thin balance of #34 3s. 8d. (Account Book). Other bills included #14 17s. to Luppino for making dancing dresses; Robertson 10s. for attendance four nights in The Rape; Miss Ibbott #5 5s. for performing the part of Queen Elizabeth in the Earl of Essex; Marenesi and wife advanced weekly #2 2s. till the Theatre opened again (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Related Works
Related Work: The Recruiting Officer Author(s): George Farquhar

Afterpiece Title: Harlequin Skeleton

Dance: As17601015; III: A Comic Dance not perform'd these 5 years call'd The Colliers-Sg Marenesi, Mlle Capdevlle

Event Comment: By command of their Majesties. Did not go to see Garrick play Archer that I might avoid the abhorred sight of George and his family (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: A Peep behind the Curtain

Dance: IV: The Lilliputian Camp, as17671202

Event Comment: Benefit for Baddeley. Miss Sherry made her first appearance upon this Stage in Lady Macbeth, a Sensible Speaker pretty good voice Short Clumsy Figure met with Applause--The Farce very well receiv'd (Hopkins Diary). Afterpiece: A Farce by George Downing. Paid 6 day's salary at #82 19s. 9d., #497 18s. 6d.; Mrs Abington on Cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #135 1s. 6d. Charges: #68 12s. Profits to Baddeley: #66 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humours of the Turf

Related Works
Related Work: The Humours of the Turf Author(s): George Downing

Dance: End: The Sailors Revels, as17711008

Event Comment: Paid salary list #630 1s. 6d. (Treasurer's Book). Tuesday Next, not acted these 2 years. George Barnwell, to which will be added, first time these 6 years, The Jubilee, in honor of Shakespeare. Receipts: #247 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: The Padlock

Dance: IV: The Irish Fair, as17751003

Event Comment: Benefit for Dignum. Afterpiece [1st time; F 2]: Written by George Saville Carey. Morning Herald, 15 May: Tickets to be had of Dignum, No. 23, North-street, Red Lion-square. Receipts: #525 15s. (67.15; 22.19; 5.10; tickets: 429.11) (charge: #173 6s. 10d.)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Dupes of Fancy or Every Man his Hobby

Related Works
Related Work: The Dupes of Fancy; or, Every Man his Hobby Author(s): George Saville Carey

Song: End II: The Race Horse-Dignum; End: Cheerily Merrily or The Sailor's Life at Sea-Dignum; In course afterpiece: Sally in our Alley, The Poor Recruit-Dignum

Performances

Mainpiece Title: Alexanders Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Event Comment: Mainpiece [1st time; HIST. D 5, by George Watson. Prologue and Address by the author (European Magazine, Apr. 1795, pp. 267, 268)]: With new Dresses and Decorations. Morning Chronicle, 11 May 1795: This Day is published England Preserved (2s.). Receipts: #209 0s. 6d. (199.13.0; 9.7.6)

Performances

Mainpiece Title: England Preservd

Related Works
Related Work: England Preserv'd Author(s): George Watson

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

Event Comment: 3rd piece [1st time; MF 2, by George Brewer]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. Morning Herald; 6 July 1796: This Day is published Bannian Day (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. [On this evening the following performers appeared both at dl and at the hay: Suett, Caulfield, Trueman, R. Palmer, Burton, Miss Leak, Miss Heard

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Liar

Afterpiece Title: Bannian Day

Related Works
Related Work: Bannian Day Author(s): George Brewer
Event Comment: 2nd piece [1st time; M. ENT 1, but printed in 2, by George Nugent Reynolds]: With new and appropriate Scenery by Phillips, &c. The new Music by Reeve. Books of the Songs and Chorusses to be had in the Theatre. [This piece is based on the attempt of the French navy to make a landing in Bantry Bay on 24 Dec. 1796.] Receipts: #293 5s. 6d. (284.5.6; 9.0.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Related Works
Related Work: Bantry Bay Author(s): George Nugent Reynolds

Afterpiece Title: The Ghost

Event Comment: 3rd piece [1st time; MF 2, by George Moultrie. Larpent MS 1199; not published; synopsis of plot in Morning Herald, 18 Mar. Prologue by John Taylor (Poems, I, 97)]: The Music composed by Attwood. Books of the Songs to be had at the Theatre. Receipts: #250 14s. (243.16; 6.18)

Performances

Mainpiece Title: The Ghost

Afterpiece Title: Hes Much to Blame

Afterpiece Title: A Devil of a Lover

Related Works
Related Work: A Devil of a Lover Author(s): George Moultrie
Event Comment: Mainpiece [1st time; MD 3, by George Moultrie]: The Overture and Musick by Dr Arnold. Books of the Songs, &c. to be had at the Theatre. Morning Herald, 25 Aug. 1798: This Day is published False and True (2s.)

Performances

Mainpiece Title: False And True

Related Works
Related Work: False and True Author(s): George Moultrie

Afterpiece Title: Two Strings to Your Bow

Song: In: Chorusses-Linton, Aylmer, Brown, Dibble, Kenrick, Little, Caulfield Jun., Walker, Willoughby, Ms Edward, Ms Menage, Ms Hale, Ms Gawdry, Ms Butler, Ms Masters, Ms Norton, Ms Benson, Ms Leserve

Event Comment: Mainpiece [1st time; C 5, by Mariana Starke. Prologue by George Colman, elder. Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c

Performances

Mainpiece Title: The Sword Of Peace Or A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay Sylvester Daggerwood

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00, and begin at 7:00 [same throughout season]. [Address by George Colman, ynger (London Chronicle, 21 June).

Performances

Mainpiece Title: The Married Man

Afterpiece Title: Half an Hour after Supper

Afterpiece Title: The Minor

Entertainment: Monologue. Before: Occasional Address-Bensley

Event Comment: Benefit for Mrs Bannister. 2nd piece [1st time; SAT 1, author unknown. Larpent MS 877; not published. Author of Prologue unknown]. [Monologue by George Colman, ynger (European Magazine, Aug. 1790, p. 151.] Gazetteer, 7 Aug.: Tickets to be had of Mrs Bannister, No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Taste and Feeling A Dramatic Caricature

Afterpiece Title: The Liar

Entertainment: Monologue. End I 3rd piece: Liberty; or, Two Sides of the Water-Bannister Jun

Event Comment: Benefit for Bannister. [Address by George Colman, ynger (European Magazine, Sept. 1791, p. 227).] Oracle, 19 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #236 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

Event Comment: 1st piece [1st time; PREL 1, by George Colman, ynger. Larpent MS 951; synopsis of plot in Diary, 16 June. This piece is stated to have been published in 1792]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. In 1st piece "Parsons was highly entertaining in affecting to speak in an under tone scarcely audible, that the feebleness of his voice might correspond with the smallness of the House, compared with the enormous [new] Theatre over the way; and his broken, unintelligible mode of announcing the Performance to the Audience as a specimen, was truly whimsical" (Morning Herald, 16 June)

Performances

Mainpiece Title: Poor Old Hay market Or Two Sides Of The Gutter

Related Works
Related Work: Poor Old Haymarket; or, Two Sides of the Gutter!!! Author(s): George Colman, the younger

Afterpiece Title: The Young Quaker

Afterpiece Title: The Son in Law

Event Comment: Benefit for Mrs Bannister, being her Last Appearance on the Stage. [Address by George Colman, ynger (Thespian Magazine, Oct. 1792, p. 102.

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At Kings False Colours

Afterpiece Title: The Prisoner

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit or Rambles in Dorsetshire

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro