Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Event Comment: Tickets to be had of Lee at the Golden Ball in Bow St., Covent Garden. N.B. On Account of the Horses, &c. there will be no building on the stage. Receipts: Benefit for Lee. #117 9s. plus income from tickets, #91 9s. (boxes 82; pit 345; gallery 192) (Account Book)

Event Comment: 2nd piece [1st time; PREL 1, by George Colman, ynger. In 1796 the 1st scene was acted as Sylvester Daggerwood]. Morning Chronicle, 3 July 1795: This Day is published New Hay at the Old Market (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre

Event Comment: Books of New Hay at the Old Market are now published, and may be had at the Theatre

Event Comment: New Scenes, Dresses and Decorations for the dances. [No after money.] The New Grand Ballet, call'd the Turkish Pirate, and the Comic Entertainment of Dancing, the Laundress's Visiting Day were perform'd last Monday at Drury Lane, with uncommon applause. The Scenery was well contriv'd, the habits very elegant, and the dance in a taste particularly agreeable. The comic entertainment is a fine piece of low humour, the various characters were well represented and afforded a great deal of Mirth; Sig Salomon especially, in the character of the woman's taylor, show'd a great deal of a good comedian as well as an excellent dancer, and the whole was greatly approv'd of.--London Courant; or New Advertiser, 31 Dec

Event Comment: At Mr Phillips New Theatre at the Bowling Green. To begin at seven o'clock. Benefit for Phillips and Mrs Phillips (Daily Advertiser), but benefit for Morgan and Mrs Morgan (Hogan)

Event Comment: [Afterpiece by George Farquhar. Advertised as "the last new Farce," it probably had its premiere in Jan.

Event Comment: Benefit Neale and Mrs Vincent. At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Hughes. Receipts: money #28 15s. 6d.; tickets #85 16s. Tickets at Neale's, a Silk Dyer, in David Street, near Grosvenor Square

Event Comment: At Mr Pinkethman's New Theatre at Richmond. The First Time of Acting. At 6 p.m

Event Comment: Mainpiece: At the Desire of several Persons of Quality. Benefit the Author. With the Addition of some new Scenes (never acted before)

Event Comment: Benefit Carnaby and Birkhead. The Stage Coach by Way of Prologue (at the Desire of several Persons of Quality)

Event Comment: Benefit a Young Gentleman reduced to Prison by the Extravagancies of his Guardian. With Stage, Scenes, and Cloaths proper to the Play. At 5 p.m

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Qualit(. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. [Two Rows of Pit and part of Stage formed into Side-Boxes. Tickets at Lally's House in Southampton-Row, Bloomsbury.

Event Comment: Tickets deliver'd out by a Gentleman who has wrote for the Stage, for the 27th Instant, will be taken this night

Event Comment: Benefit Mr DeVoto, Painter. Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. At the particular Desire of several Gentlemen and Ladies we were obliged to change the play of the Orphan to Love Makes a Man. Tickets delivered out for the Orphan will be admitted tonight. [On 25 Jan. Devoto had announced The Orphan with the part of Monimia to be attempted by Mr. Devoto's Daughter, being the first Time of Her appearing on any Stage.

Event Comment: Benefit for Mrs Woffington. Mainpiece: Not acted these 30 years. Afterpiece: Not acted these 5 years. For the better accommodation of the ladies, the stage will be enclosed and formed into Front and Side Boxes, where servants will be allowed to keep Places. Ladies are desired to send Servants by 3 o'clock. Charges: #60

Event Comment: Mainpiece: The Overture, Chorusses and new Musick by Dr Arnold. The Scenery by Rooker. Afterpiece: The Musick by Storace. Books of the Songs to be had at the Theatre

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Event Comment: Mainpiece [1st time; MD 3, by George Colman ynger]: With new Musick, Scenery, Dresses, and Decorations. The Musick with a new Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs, Chorusses, &c., to be had at the Theatre