SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New York "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New York ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: A new Comic Opera; the music entirely by Paisiello [performed at the Pantheon, 14 May 1791, as La Molinarella]. Bianchi and Martini [i.e. Martin y Soler] are both engaged as composers to this Theatre, and will each preside at the harpsichord the three first nights of every new Opera of their composition. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [see 30 Apr. 1795]. The Nobility are intreated to give directions to their servants to set down and take up at the Theatre, with horses' heads towards Pall Mall. On account of abuses practised in the names of the Subscribers it is become necessary to require the production of the Subscription Tickets both at the doors and the Boxes, At the Chair-door in Market-lane Subscribers only will be admitted. "The Pantomime is too much in the gaudy stile of Italy, and even in this respect the ballet-master is not well seconded by the machinist; the decorations were unfinished, and the scenes clumsily shifted...We were sorry to find that the new and superb room, which the proprietor was encouraged to build, and Which was opened in its unfinished state last year, is now entirely shut up, through the cabal of some few of the subscribers who refuse a miserable guinea for its illumination. The inconvenience of getting away from the Theatre will consequently be severely felt by the Beau Monde" (Morning Chronicle, 8 Dec.)

Performances

Mainpiece Title: Lamore Contrastato Or La Molinarella

Dance: End I: a Divertisement-Mme Hilligsberg, others; End II: [a grand Heroic Pantomime Ballet composed by Onorati Giustino I Imperatore dei Romani [; or, Il Trionfo dell' Amore e dell' Amicizia-D'Egville, Gentili, Aumer, Mme Ferlotti [Rinaldi], Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama Or Three Hours Hearts Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950228

Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Performance Comment: Characters by Aickin, Palmer, C. Kemble, Bannister, Suett, Caulfield, Wathen, R. Palmer, Palmer Jun., Waldron Jun., Davies, Trueman, Abbot, Burton, Lyons, Ledger, Mrs Kemble, Mrs Harlowe, Miss DeCamp, Mrs Hopkins; Cast from Larpent MS: Count de Valdesoto-Aickin; Pedro de Rascafria-Palmer; Henrique-C. Kemble; Basco de Robeldondo-Bannister; NicolasSassenigo-Suett; Tayo-Caulfield; Roca-Wathen; Cerbero-R. Palmer; Lopez-Palmer Jun.; Martin-Waldron Jun.; President of the Inquisition-Davies; Ignacio-Trueman; Gomez-Abbot; Citizens-Burton, Lyons, Ledger (these not listed in MS); Celestina-Mrs Kemble; Mariguita-Mrs Harlowe; Cattania-Miss DeCamp; Benedicta-Mrs Hopkins; Prologue-R. Palmer; Epilogue-Miss DeCamp.
Cast
Role: Roca Actor: Wathen
Role: President of the Inquisition Actor: Davies
Event Comment: The Afterpiece a New Pantomime with New Music, Habits, Scenes, Machines and Decorations. Full Prices. [This note continued on all subsequent bills for Elopement this season. It will not be further mentioned here.

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17671023, but George Barnwell-Cautherly.
Cast
Role: George Barnwell Actor: Cautherly.
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Elopement

Event Comment: A new short Introductory Piece before a play [The Meeting of the Company]. This new Prelude call'd The Meeting of the Company or Bayes' Art of Acting by D. G. Esq--it is full of fine Satyr & an Excellent Lesson to all performers, it was receiv'd with very great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in the wording. The salaries this season were #94 7s. 8d. per day; #566 6s. per week. Kemble's note as to total receipts is short by 8 pence.] Prices: Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Unfavorable review of Meeting of the Company in The Westminster Magazine (Sept., p. 472). The actor Aickin referred to this season is J. Aickin. Francis Aickin left dl before the beginning of this season. He was dismissed by Garrick in May. See Booden, Private Correspondence of David Garrick, I, 651-55.] Paid Renters #8; Advanced Mr Watson (box office keeper) #10; Ditto to Mr Mortimer (box office keeper) #15 (Treasurer's Book). [The funds to the box office keepers was operating cash which was returned 29 May 1775. Payment to Renters was same for each acting night until the eighty-eighth night (9 Jan. 1775) when it dropped to #4 nightly, since half of the stock holders (the Old Renters) were paid up by that time. The remaining 100 nights of the season plus 11 Oratorio nights yielded #448 to the Renters. No further mention of this item of expense will be made this season.] Total to Renters #1,152. Receipts: #212 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Performance Comment: Tinsel-Dodd; Sir George-J. Aickin; Vellum-Parsons; Fantom-Packer; Butler-Baddeley; Gardener-Weston; Coachman-Moody; Lady Trueman-Mrs Hopkins; Abingail-Miss Pope.
Cast
Role: Sir George Actor: J. Aickin

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Dodd; Sir Patrick-Moody; Bates-Baddeley; Newphew-Cautherly; Thomas-Weston; Widow (With an Epilogue Song)-Mrs Greville.
Cast
Role: Newphew Actor: Cautherly

Dance: I: The Irish Fair-Atkins, Mrs Sutton

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffic-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Mrs Bulkley.
Cast
Role: Sir George Airy Actor: Wroughton

Afterpiece Title: The Mirror or Harlequin Every where

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the Hon. Francis North. Epilogue by George Colman, the younger (see text)]. Morning Chronicle, 20 Mar. 1794: This Day is published THE BOX-LOBBY CHALLENGE (1s. 6d.)

Performances

Mainpiece Title: The Box lobby Challenge

Performance Comment: Characters by Bannister Jun., Aickin, Suett, Baddeley, Benson, Bland, Caulfield, Waldron Jun., Maddocks, Cooke, Lyons, Comerford, Barrymore//Mrs Harlowe, Mrs Goodall, Mrs Hopkins, Miss De Camp, Mrs Gibbs. [Cast from text Q. Debrett [1794]): Jack Crotchet-Bannister Jun.; Sir Toby Grampus-Aickin; Squire Robert-Suett; Old Crotchet-Baddeley; Joe-Benson; Fulsome-Bland; George Waterland-Caulfield; Hair-dresser-Waldron Jun.; Jones-Maddocks; Waiter-Cooke; Captain Waterland-Barrymore//Diana Grampus-Mrs Harlowe; Laetitia Rayner-Mrs Goodall; Theodosia-Mrs Hopkins; Lindamira-Miss De Camp; Lady Jane Danvers-Mrs Gibbs. Lyons, Comerford are unassigned.] Prologue spoken by Barrymore. Epilogue spoken by Mrs Goodall. [These were spoken, as here assigned, at the 1st 9 performances only (see17940315]. Prologue spoken by Barrymore. Epilogue spoken by Mrs Goodall. [These were spoken, as here assigned, at the 1st 9 performances only (see17940315].
Cast
Role: George Waterland Actor: Caulfield
Role: Theodosia Actor: Mrs Hopkins

Afterpiece Title: THE QUAKER

Cast
Role: The Baron Actor: Aickin
Role: Theodore Actor: Barrymore
Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis Or The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Event Comment: Mainpiece: [By Christopher Bullock.] A New Farce. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Perjuror

Afterpiece Title: Womans Revenge

Afterpiece Title: The Jealous Doctor

Song: Mrs Barbier; particularly Around Her See Cupids Flying-Mrs Barbier

Dance: As17171022; French Peasant-Moreau, Mrs Bullock

Event Comment: [By Charles Molloy.] A New Comedy

Performances

Mainpiece Title: The Coquet

Event Comment: Not Acted these 15 Years. Written by Mr Congreve. All the Characters being new drest

Performances

Mainpiece Title: The Double Dealer

Dance: delaGarde's@Two@Children , who never perform'd on any Stage before

Event Comment: Mainpiece: [By Charles Molloy.] Never Acted before. Afterpiece: [By John Leigh.] A new Farce...being the Sequel to Country Wake. [The Prince present.

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Principal Part-Peg Fryer it being the first time of her Appearing on any Stage since the Reign of King Charles II; [The edition of 1720 adds: Bellayr-Ryan; Fluellin-Griffin; MacMorris-H. Bullock; Culverin-Spiller; Meagre-C. Bullock; Loadham-Harper; Sharp-Egleton; Jaspar-Boheme; Widow Rich-Mrs Vandervelt [Peg Fryer?]; Benedict-Mrs Bullock; Charlotte-Miss Stone; Jane-Mrs Robertson; Prologue-; Epilogue-.

Afterpiece Title: Hobs Wedding

Performance Comment: Edition of 1720 lists: Sir ThomasTesty-Bullock Sr; Woodvill-Egleton; Truelove-Diggs; Old Hob-Harper; Young Hob-Spiller; Saywell-Coker; Lady Testy-Mrs Giffard; Lucia-Miss Stone; Mary-Mrs Bullock Jr; Betty-Mrs Robertson; Hob's Mother-Mrs Elsam.
Cast
Role: Hob's Mother Actor: Mrs Elsam.

Dance: Bashful Maid, Irish Trot-Mrs Fryer

Event Comment: Not Acted these Fifteen Years. At the Desire of several Ladies of Quality. All the Characters being new dress'd. Benefit John Rich. Receipts: money #79 11s. 6d.; tickets #21 7s

Performances

Mainpiece Title: Injurd Love Or The Ladies Satisfaction

Song: Singing in Italian and English-Mrs Bower, who never appear'd on the Stage before

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Performance Comment: The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson .
Event Comment: Afterpiece: With Alterations and Additions. Not acted these 7 years. [See 23 May 1763.] With New Music, Dresses, Scenes, and Decorations. The First Scene painted by the Late Mr Lambert, the last by Servandoni (playbill). [See 6 Nov. for specification of Scenes.] Receipts: #240 4s. 6d

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Bensley, first time; Bajazet-Smith; Axalla-Perry; Dervise-Hull; Moneses-Wroughton; Omar-Morris; Stratocles-Gardner; Hali-Davis; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Mrs Bellamy; With the Usual Prologue-Wroughton; and the Original Song To Thee O Gentle Sleep!-Mrs Baker.

Afterpiece Title: The Rape of Proserpine With The Birth and Adventures of Harlequin

Performance Comment: Pluto-Reinhold; Mercury-Baker; Proserpine-Mrs Baker; Ceres-Mrs Thompson; Harlequin-Lewes; Colombine-Mrs Dyer; Yeoman-Morris; Clown-Miles; Other characters-C. Smith, Mrs Pitt, Barnshaw, Banks, Reyner, Holtom; The Dances-Fishar, Sga Manesiere, Arnauld, Miss Valois, Dumay, Hussey, Petro, Merrifield, the Miss Twists, Miss Madan, Miss Garman.
Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Public Advertiser, 30 Jan. In 1796 this was acted at CG altered by the author in 4 acts]: With new Dresses, &c. Public Advertiser, 10 Feb. 1783: This Day at Noon will be published The Mysterious Husband (18d.). [Afterpiece in place of Barnaby Brittle, announced on playbill of 27 Jan.] Receipts: #275 9s. (269/14/6; 5/14/6)

Performances

Mainpiece Title: The Mysterious Husband

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Aickin, Fearon, Yates; Miss Satchell, Miss Platt, Miss Younge. [Cast from text (C. Dilly, 1783), and Larpent MS 615: Lord Davenant-Henderson; Charles Davenant-Lewis; Captain Dormer-Wroughton; Sir Harry Harlow-Aickin; Paget-Fearon; Sir Edmund Travers-Yates; Servant-Helme; Marianne-Miss Satchell; Waiting Woman-Miss Platt; Lady Davenant-Miss Younge.] Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 11 performances only (see17830510).] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 11 performances only (see17830510).] hathi.

Afterpiece Title: Cross Purposes

Cast
Role: George Bevil Actor: Whitfield

Dance: As17820927

Event Comment: Mainpiece [1st time; CO 3, by William Jackson. MS: Larpent 638; not published; synopsis of plot in London Magazine, Dec. 1783, pp. 553-54]: With entire new Music composed by Jackson. Receipts: #146 1s. 6d. (121/6/0; 23/11/6; 0/1/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: The Metamorphosis

Performance Comment: Principal Characters by Dodd, Suett, Williames, Chapman, Packer, Barrymore; Miss George, Mrs Wrightcn, Mrs Hopkins, Miss Phillips. [Cast from Songs (T. Evans, 1783): Toupee-Dodd; Sir Charles Freeman-Suett; Neville-Williames; Simon-Chapman; Mr Marlow-Packer; Freeman-Barrymore; Charlotte-Miss George; Mary-Mrs Wrighten; Mrs Neville-Mrs Hopkins; Julia-Miss Phillips.] hathi. hathi.
Cast
Role: Charlotte Actor: Miss George

Afterpiece Title: The Apprentice

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Patriot

Performance Comment: Principal Characters by Wilkinson, Parker, Cross, Hunter, Miller, Powell, Shatford, Smith; Miss Watson Sen., Miss Forde, Miss Watson Jun., Miss Frederick, Miss Hemet. Cast not known. New Prologue [spoken by T. Davis] and Epilogue [spoken by Miss Hemet] .

Afterpiece Title: The Reprisal or The Tars of Old England

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.

Afterpiece Title: The Spanish Rivals

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Performance Comment: Principal Characters by King, Parsons, Bensley, Moody, Baddeley, Wrighten, Palmer; Miss Pope, Miss Tidswell, Miss Farren. [Cast from text (C. Dilly, 1785): Jack Hustings-King; Dumps-Parsons; Ruefull-Bensley; Major O'Flaherty-Moody; Sir Jeffery Latimer-Baddeley; David-Wrighten; Blushenly-Palmer; Mrs Phoebe Latimer-Miss Pope; Penelope-Miss Tidswell; Lady Paragon-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17840310785).] hathi. Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17840310785).] hathi.

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: Benefit for Marchesi. A new Serious Opera [composed by Cimarosa; 1st performed at Vicenza, 1784]. Under the direction of Mazzinghi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square. There will be no Opera on Saturday on account of Whitsun Eve. Receipts not listed

Performances

Mainpiece Title: Lolimpiade

Dance: End I: Les Offrandes a l'Amour, as17880417; End Singing: L'Amour et Psiche-[see17880129]

Song: End Opera: Marchesi will return thanks to the Audience in a piece of Music of his own composing, piece of Music-Marchesi

Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bernard; Sir Jasper Wilding-Thompson; Young Wilding-Davies; Beaufort-Macready; Quildrive-C. Powell; Dapper-Rock; Old Philpot-Quick; Corinna-Miss Brangin; Maria-Miss Richards (from the Theatre Royal, Margate; 1st appearance on this stage). 1st appearance on this stage).

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Performance Comment: Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre]).at this theatre]).
Event Comment: 3rd piece [1st time; M. ENT 1, James Byrne. Larpent MS 872; not published]: With new and selected Music and Songs; Scenes and Decorations. Books of the Songs to be had at the Theatre. Receipts: #150 2s. (141.3; 8.19)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Dramatist

Cast
Role: The Hunchback Actor: Quick
Related Works
Related Work: The Female Dramatist Author(s): George Colman, the younger

Afterpiece Title: Nootka Sound or Britain Prepard

Performance Comment: Principal Vocal and Speaking Characters by Bannister, Ryder, Blanchard, Davies, Bernard, Darley, Rock, Reeve, Powel, Mrs Mountain, Mrs Martyr; Pantomimic Part and Dances by Byrne, Boyce, Cranfield, Farley, Evatt, Egan, Ratchford, Delpini, Mrs Watts, Mrs Ratchford, Miss Rowson, Miss Francis, the Miss Simonets; Cast from Larpent MS: Captain Briton-Bannister; Drunken Taylor-Ryder; Foremast, Cartouch-Blanchard; Lieutenant-Davies; Pipes, Capstern-Bernard; O'Shaughnessy-Rock; Export-Powel; Decoy Recruit-Noble; Dapperwit-C. Powell; Sir John Breehold-Thompson; Landlady-Mrs Mountain; Eliza-Mrs Martyr; unassigned-Darley, Reeve.
Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard or The Flight of Harlequin

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Dance: see17920111