Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
14527 results for: Keyword - George C. D. Odell</i>, <i>Annals of the New <span class=
We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

12751
14 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; F 2 (?), author unknown. Public Advertiser, 16 Apr. has synopsis of plot; assigns Toby Todman-R. Palmer; Billy Dibley-$Bannister Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #323 11s. [107.6.0; 10.2.6; 0.13.6; tickets: 205.9.0) (charge: #109 4s. 2ds.)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: End of Act I of mainpiece Jewish Education

Afterpiece Title: Tis an Ill Wind Blows Nobody Good or The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

12752
17 April 1788 @ King's Theatre

Event Comment: Benefit for Noverre. Tickets to be had of Noverre, No. 40, Great Marlborough-street. 2nd ballet: With new Scenery, Dresses and Decorations. Receipts not listed

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour-[See17871208]; End Opera: Adela de Ponthieu-, composed by Noverre [See17880419]

12753
22 May 1788 @ Covent Garden

Event Comment: 1st piece [1st time; MF 2]: Written by the Author of Rosina [Frances Brooke]. The Music compiled and composed by Shield. With entire New Scenes painted by Richards. Books of the Songs to be had at the Theatre. [Text 1st published by T. N. Longman and O. Rees, 1800.] Receipts: #165 9s. 6d. (162.18.0; 2.11.6)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Maid of the Oaks

Afterpiece Title: Animal Magnetism

Dance: In I 2nd piece: As17880204

12754
13 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Love and War

Performance Comment: Love: Goldsmith's poem of Edwin and Angelina. Scene, A Hermit's Cell. Edwin-A Young Gentleman (1st appearance on any stage unidentified); Angelina-Mrs Plomer; War: Scene I. A Sea-port. Officers carousing. O say Bonny Lass-; Scene II. A Village. Serjeant-Davies; Country Lasses-Mrs Gaudry; Milkmaid-Miss Collett; Admiral Benbow-Bannister; A new dance, The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin.
Cast
Role: The British Soldier Triumphant Actor: Byrn, Ratchford, Miss DeCamp, Mrs Goodwin.

Afterpiece Title: Gretna Green

12755
23 September 1788 @ Drury Lane Theatre

Event Comment: Afterpiece: With entire new Dresses and Decorations. The Music by the celebrated Gretry. The Paintings by Greenwood. Kemble Mem.: This day I undertook the Management of dl Theatre. Receipts: #232 15s. 6d. (175.18.0; 56.13.6; 0.4.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: dance-the young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

12756
01 November 1788 @ Covent Garden

Event Comment: Afterpiece: Written by the Author of Rosina [Frances Brooke]. The Music by Shield. With entire new Scenes painted by Richards. Books of the Songs to be had at the Theatre. Receipts: #207 9s. 6d. (197.9.0; 10.0.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Marian

Song: In II: a song-Mrs Kennedy

12757
25 November 1788 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

12758
20 February 1789 @ Covent Garden

Event Comment: [As afterpiece the playbill announces the 1st night of Hide and Seek (see 24 Feb.), but "On account of Johnstone's Indisposition, the new Farce is unavoidably deferr'd...Tom Thumb will therefore be performed this Evening" (printed slip on BM playbill, cg, Vol. VI).] Receipts: #220 18s. (207.2.6; 13.15.6)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Tom Thumb

12759
17 March 1789 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., "Mr Greatheed's third night," but not on the playbill; in the preceding season the play had been acted 8 times, and it was the custom for the author of a new play to have his benefits on the 3rd, 6th and 9th nights]. Receipts: #160 17s. (139.5; 19.8; 2.4; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Regent

Related Works
Related Work: The Regent Author(s): Bertie Greatheed

Afterpiece Title: The Deserter

12760
24 March 1789 @ King's Theatre

Event Comment: A new Comic Opera [1st performed at Naples, 1783]; the Music by Cimarosa, under the direction of Mazzinghi

Performances

Mainpiece Title: La Villana Riconosciuta

Dance: As17890317

12761
31 March 1789 @ Drury Lane Theatre

Event Comment: A new and accurate Edition of The Pannel to be had at the Theatre. Receipts: #219 13s. 6d. (202.1.0; 16.6.6; 0.13.6; tickets not come in: 0.12.6)

Performances

Mainpiece Title: Mary Queen Of Scots

Cast
Role: 890324but Lieutenant of the Tower Actor: Fawcett
Role: 890321but Lieutenant of the Tower Actor: Lyons
Role: Lieutenant of the Tower Actor: Lyons

Afterpiece Title: The Pannel

12762
05 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: End of Act II Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

12763
09 May 1789 @ King's Theatre

Event Comment: A new Comic Opera (never performed [in London; 1st performed at Florence, 1778]); the Music by Gazzaniga [with additions by Storace, Posi, Trachi (World, 11 May)], under the direction of Mazzinghi. At the London production of La Vendemmia, the duet (Count-Susanna) Crudel perche finora from Mozart's Le Nozze di Figaro was sung by Benucci and Anna Storace; probably the first piece of any Mozart opera which was heard on the London stage" (Loewenberg, 364). [In June 1789 it was published by Birchall and Andrews, as "A favorite duett...sung in...La Vendemmia...by Sg Benucci and Sga Storace". See Illustration

Performances

Mainpiece Title: La Vendemmia

Dance: As17890404

12764
07 October 1789 @ Covent Garden

Event Comment: Mainpiece: 4th Time [i.e in continuation of the reckoning for the previous season. Prologue by Robert Merry. Epilogue by Miles Peter Andrews]. "The Dramatist has undergone considerable alterations" (World, 8 Oct., which also states that the Epilogue was new, i.e. not the one, also by Andrews, spoken the previous season). Receipts: #206 15s. (196.7.6; 10.7.6)

Performances

Mainpiece Title: The Dramatist Or Stop Him Who Can

Performance Comment: Characters by Lewis, Quick, Edwin, Blanchard, Thompson, Macready, Holman, Mrs Wells, Mrs Webb, Miss Brangin, Miss Brunton. [Cast form text (T. N. Longman, 1793), and Genest, VI, 551-52: Vapid-Lewis; Lord Scratch-Quick; Ennui-Edwin; Floriville-Blanchard; Peter-Thompson; Willoughby-Macready; Harry Neville-Holman; Servant-Evatt; Marianne-Mrs Wells; Lady Waitfor't-Mrs Webb; Letty-Miss Brangin; Louisa Courtney-Miss Brunton; Prologue-Bernard; [This was spoken, as here assigned, at the 1st 17 performances only (see17900202).] Epilogue-Lewis. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Female Dramatist Author(s): George Colman, the younger

Afterpiece Title: Love in a Camp or Patrick in Prussia

Performance Comment: Captain Patrick-Johnstone; Quiz-Quick; Darby-Edwin; Marshal Fherbelin-Davies; Father Luke-Rock; Olmutz-Cubitt; Rupert-Lee; Adjutant-Gardner; Mabel Flourish-Mrs Webb; Norah-Miss Rowson; Flora-Mrs Martyr.
Cast
Role: Father Luke Actor: Rock

12765
13 October 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble]: By Shakespeare, with Additions from Dryden. The Music by Purcell and Dr Arne, with new Airs and Chorusses by the late Linley Jun. [Epilogue by John Burgoyne (Kemble Mem.).] Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: The First Floor

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks, Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldoir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite-Mrs Edwards

12766
07 November 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 3, by William Hayley, based on The Changeling, by Thomas Middleton. And see cg, 10 Nov.]: With new Dresses and Decorations. Afterpiece: 1st time in 3 acts [see cg, 14 Dec. 1784]. Receipts: #120 10s. 6d. (84.15.0; 29.17.6; 5.18.0)

Performances

Mainpiece Title: Marcella

Performance Comment: Characters-Kemble, Barrymore, Whitfield, Benson, Wroughton, Mrs Powell. [Cast from European Magazine, Nov. 1789, p. 378: Hernandez-Kemble; Alonzo [in text, Plays written for a Private Theatre (T. Cadell, 1784): Mendoza]-Barrymore; Lupercio-Whitfield; Lopez-Benson; Governor of Barcelona-Wroughton; Marcella-Mrs Powell. [For the change from Mendoza to Alonzo, see cg, 10 Nov.]For the change from Mendoza to Alonzo, see cg, 10 Nov.]

Afterpiece Title: The Follies of a Day

12767
07 January 1790 @ Haymarket Theatre

Event Comment: A new Comic Opera; the music by Cimarosa [with additions by Giardini]. Under the direction of Giardini. Pit 10s. 6d. Gallery 5s. The Doors to be opened at 6:30. To begin at 7:30 [see 18 May]. Subscriptions will be received at Mons Ransom, Mons Moreland and Mons Hammersley's, Pall-Mall; and of Jewell, Treasurer, No. 26, Suffolk-street, Haymarket

Performances

Mainpiece Title: Ninetta O Chi Dell Altrui Si Veste Presto Si Spoglia

Dance: End I: Divertisement-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro; End Opera: La Bergere des Alpes (composed by Blake)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro, Mlle Dorival

12768
29 January 1790 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by William Hayley. Text 1st published in his Hayley, Three Plays (Chichester: For T. Cadell and W. Davies, 1811). Prologue and Epilogue bY the author (World, 31 Jan.)]: With new Dresses and Decorations. Receipts: #205 4s. 6d. (191.17.0; 13.7.6)

Performances

Mainpiece Title: Eudora

Afterpiece Title: Harlequins Chaplet

Dance: In afterpiece: Additional Dances (1st time)-Byrne, Mrs Goodwin, the two Miss Simonets

12769
02 February 1790 @ Haymarket Theatre

Event Comment: A new Comic Opera; the music by Fabrizi. Under the direction of Giardini

Performances

Mainpiece Title: I Due Castellani Burlati

Dance: As17900107

12770
27 February 1790 @ Haymarket Theatre

Event Comment: A new Comic Opera; the music by Bianchi [with additions by Mozart [K. 479, 480 (see Loewenberg, 407)], Martin y Soler, Paisiello]. Under the direction of Federici

Performances

Mainpiece Title: La Villanella Rapita

Dance: End I: La Bergere des Alpes, as17900107; End Opera: Les Mariages Flamands, as17900213, but Mlle Dorival

12771
06 April 1790 @ Haymarket Theatre

Event Comment: A new Serious Opera [1st time; SER 2, altered anonymously from Demofoonte, by Metastasio]; the Music by Federici

Performances

Mainpiece Title: Lusurpator Innocente

Dance: End I: Les Mariages Flamands, as17900227; End Opera: Les Caprices-Labourie, Duquesney, Mlle de'Caro, Mlle Dorival, Mlle Hilligsberg

12772
22 April 1790 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Tickets sold at the Doors will not be admitted. [Prologue by John Wolcot (European Magazine, May 1790, p. 386).] Gazetteer, 15 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent-garden. Receipts: #293 7s. 6d. (136.14.0; 13.8.6; tickets: 143.5.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Padlock

Performance Comment: As17900416, but Mungo (for that night only, with a new Negro Song, composed by Reeve)-Mrs Martyr (1st appearance in that character); Leonora-Mrs Mountain.

Dance: As17900323

Song: End I afterpiece: The Knife Grinder's Song, composed and to be sung in character-Reeve

Entertainment: Monologue. After Dancing: A New Occasional Prologue-Bernard

Performance Comment: After Dancing: A New Occasional Prologue-Bernard.
Cast
Role: A New Occasional Prologue Actor: Bernard.

12773
05 May 1790 @ Covent Garden

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Man of Quality

Afterpiece Title: The Two Misers

Cast
Role: Lieutenant of the Marines Actor: Ratchford
Role: Emai Actor: Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton

12774
06 May 1790 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

12775
28 May 1790 @ Haymarket Theatre

Event Comment: Benefit for Mme Mara. A new Serious Opera. Under the direction of Federici. Tickets to be had of Mme Mara at her house, No. 8, Golden-square

Performances

Mainpiece Title: Andromache recte andromaca

Dance: End I: Divertisement, as17900513; End Opera: The Generous Slave-Blake [see17900513], Mlle Hilligsberg

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.