SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: For twentieth night the New Masque in Three Parts call'd The Institution of the Garter, or Arthur's Round Table Restor'd, Paid six day's salary list at #83 10s. 7d. per diem #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2 2s.; Paid Mr Vernon per order on note #20; Rec'd Stopages #13 5s. (Treasurer's Book). Receipts: #142 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Institution of the Garter

Event Comment: Mainpiece: A New Tragedy [by Joseph Cradock] never performed. The Music composed by Mr Fisher. Words of the Epithalamium to be had at the Theatre. Paid Palmer (wax chandler) #140; Paid Buxton & Enderby (oyl merchants) #136 3s. (Account Book). Receipts: #220 16s. (Account Book)

Performances

Mainpiece Title: Zobeide

Afterpiece Title: The Commissary

Event Comment: Afterpiece: By Desire. The New Tragedy of Zobeide deferr'd on account of Indisposition of Mrs Yates. Zobeide publish'd at 1s. 6d. (Winston MS 10). Paid Younger #2 2s. for license for Zobeide. Advanc'd Cushing as per note #37 10s., and Gardner #30 (Account Book). Receipts: #148 10s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Padlock

Event Comment: Characters in the Mainpiece New Dress'd (Public Advertiser). Paid Garter Supers 8 nights (13th inst. incl.) #39 6s. (Treasurer's Book). Receipts: #161 9s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sebastian Actor: Cautherly, 1st time

Afterpiece Title: The Padlock

Dance: V: The Sailors Revels, as17711008

Event Comment: Alterations and additions to the afterpiece in form of a Trip to Naplesv. Includes two views of the eruption of Vesuviusv [a display used afterwards in Harlequin's Invasionv 19 March]. Theatrical Review, 26 Dec.: The Witches; or a Trip to Naples,...one of those Mummeries, in which the carpenters, painters and taylors belong1ng to the theatre are the principal projectors; who torture dull brains to furnish out most contemptible pieces of entertainment...the disgrace of the English stage. This what-shall-we-call-it...now reviv'd with alterations and the addition of two new scenes, viz. two views of Mount Vesuviusv: the first of which represents a Vulcano burning at a distance, and is reflected by the water in the bay of Naplesv. The second is a nearer land view of the Mounts, and represents the manner in which the Lava is thrown out whenever an eruption happens; the torrents of the lava, like a river of liquid fire, falling into a cascade from a rock. As far as carpenters and painters are concerned, these additional scenes seem to be well executed, but whether the resemblance is exact, we cannot pretend to say; though we suppose it is. Be this as it may we cannot help thinking, the terrific ideas these scenes naturally raise in the mind, must defeat every intention of giving pleasure, and consequently afford less satisfaction to curiosity than a written account of that Vulcano, or any descriptive drawing of it. Paid Printer's Bill #9 6d. Receipts: #235 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Witches or A Trip to Naples

Performance Comment: Harlequin-Rooker; Witches-Vernon, Johnston; Miser's Servant-Messink; Old Miser-Parsons; Pantaloon-Grimaldi; Clown-Ackman; Fryars-Kear, Griffith, Lings, Mortimer; Fidler-J. Burton; Bridemaids-Mrs Scott, Mrs Dorman; Colombine-Mrs King; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: This Comedy was written by Mr Cumberland was very well receiv'd & great Applause but it will not be so Successful as the West Indian was (Hopkins Diary). New Scenes and Dresses for the Mainpiece. [See Theatrical Review, 20 Jan. See also account in Town and Country Magazine (Theatre No. XXXIII). Larpent MS 329 again includes scene description by the author: "Hall in Lord Abberville's Housev with a staircase seen through an arch in the Flat."] Receipts: #248 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Lyar

Event Comment: A Favourite Comic opera. Music by Galuppi, with new dances and decorations. N.B. Mlle Heinel will dance every night performance when the public have not previous indication to the contrary. [Probably cancelled on account of the death of the Princess Dowager of Wales.

Performances

Mainpiece Title: Felosofo Di Campagna

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton with Alterations and Two Additional Scenes

Performance Comment: As17720207, but to avoid confusion full cast listed. Harlequin-Rayner; Chasseur Royale-DuBellamy; Mercury-Baker; Doctor-Banks; Singer (with new song, 2nd time)-Dunstall; Pierrot-Morris; Colombine-Mrs Dyer.
Event Comment: [The scenes are of the Stockwell Witchcraftv, according to Theatrical Review, II, 103. See 31 Jan. and 8 Feb.] Paid Patrick (tinman) #33 4s.; Paid Tinsdale (haberdasher) #3 5s. (Account Book). Receipts: #236 15s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton with Alterations

Performance Comment: As17711226, but The Characters-_Lewes; With alterations; The Two Additional Scenes as exhibited in Harlequin Skeleton are added and the Ballad Singer with a New Song for 7th time-Dunstall.
Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: N.B. The sixth night of the New Tragedy of The Grecian Daughter is oblig'd to be deferred till Monday. Paid 2 Clarinets 3 nights (22 Feb. incl.) #4 14s. 6d.; Paid 4 Days' salary at #83 9s. 9d.; #333 19s.; Mrs Abington's cloaths acct, #1; Mr S. French 6 days, #1 10s.; Extra soldiers, #1 4s.; Rec'd Mr Condill's 2nd payment for fruit office #20 (Treasurer's Book). Receipts: #156 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Lovewell Actor: Cautherly

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Mrs Abington. Pit and Boxes Laid together. Paid Mr Burges (bricklayer) #116 1s.; Rec'd Mr Burges's Rent to Xmas last (#4 4s. tax deducted) #16 16s. (Treasurer's Book). Receipts: #276 17s. 6d.; Charges: #64 13s.; Profit to Abington: #212 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Ladies Last Stake

Performance Comment: Brilliant-King, 1st time; Lord Wronglove-Reddish; Sir Friendly Moral-Aickin; Brush-Ackman; Lady Wronglove-Mrs Hopkins; Miss Notable-Mrs Abington, 1st time; Mrs Conquest-Miss Young; 1st time; Lady Gentle-Mrs Egerton; Hartshorn-Mrs Love; New Epilogue-Mrs Abington.
Cast
Role: New Epilogue Actor: Mrs Abington.

Afterpiece Title: A Trip to Scotland

Dance: IV: The Sailors Revels, as17711008

Monologue: Linco's Travels. As 24 March

Event Comment: A solo on the Violincello as 11 March; and Cirri's New Concerto on the Violin as 20 March. Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. An Overture-Sg. Piccini; Milton's Morning Hymn-; The Music selected from the works of the following eminent composers, viz. Piccini, Jomelli, Pergolesi, Carrissime. This Hymn was set many years since by Galliard. Part II. Consisted of Miserere mei Die by the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney">Galuppi-; This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney, in his Account of the Present State of Music in France and Italy lately publish'd. The Melodies of the airs are pleasing, the chorusses Grand, and the composer has shown great taste and invention in the conduct of the whole. Part III. Dixit Dominus. The Music-Sg Pergolesi...a solemn and Grand Performance (Theatrical Review, p. 222).
Event Comment: Benefit for Mrs Egerton. Afterpiece: Not acted in 3 years. [See 3 April 1769.] [Genest in Volume of News Clippings (Harvard Library) quotes Edinburg Evening Courant of 29 April: Last night between the play and the farce at Drury Lane Theatre, a disturbance arose which continued for a full hour. Mr Weston it appeared was in debt to the managers a considerable sum of money, on which account they had impounded all the cash received on his benefit night. This the comedian did not like, and therefore yesterday evening sent word that he could not play, that he was arrested and detained in a springing house, but desired that no apology should be made of his being 'suddenly ill' (the usual stage plea) as it would be an egregious falsehood. After the play Mr Vernon came forward and inform'd the audience that Mr Weston 'was suddenly taken ill' and could not perform. Weston instantly started up in the front of the upper Gallery, and inform'd the house that he was not ill, but in the custody of an officer, and if the audience would have patience he'd inform them of the whole affair. A long altercation ensued. The Managers sent on Mr Vernon repeatedly; and after much pro and con Weston came down and played his part of Sneak." The article must have referred to the 24th of April, when Weston play'd Sneak in The Mayor of Garratt. The Managers promis'd the Town a publication of the whole affair."] Paid Mr Brathwait for men's cloaths #33s. Receipts: #200 8s. Charges: #70 12s. Profit to Mrs Egerton: #129 16s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Citizen

Entertainment: V:(By Desire,) Cupid's Remonstrance, as17720427

Event Comment: The last night of the Subscription of this Season. N.B. By particular desire many of the Nobility and Gentry who are engag'd to Drury Lane Theatre on Tuesday next for the benefit of decay'd actors, the last serious opera of Demetrio (Music entirely new, Composed by Guglielmi) is deferred till Wednesday next when Mlle Heinel is to dance for the last time of her engagement in England

Performances

Mainpiece Title: Artaserse

Dance: As17720519

Event Comment: Mainpiece: A New Comedy in three Acts written by Foote

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Bransby, F. Gentleman, Fearon, Ward, Lloyd, Castle, Groves, Lings, Baddeley, Parsons, Robson, Davis, Smith, Jacobs, Farrel, Mrs Egerton, Miss Ambrose, Mrs White, Mrs Gardner; Epilogue in character of Lady Catherine Coldstream-Mrs Fearon.

Afterpiece Title: The Virgin Unmaskd

Dance: As17720615

Event Comment: Mainpiece: By Particular Desire. Afterpiece: A new dramatic Pastoral Farce. The Music composed by Hook. Play by Francis Gentleman

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Cupids Revenge

Dance: As17720615

Event Comment: Mainpiece: by Particular Desire. Afterpiece: By Desire. Paid one year's Ground Rent for theatre due 10th Inst. #100, minus Land Tax allow'd #13 15s.; total #86 5s.; Paid ditto for New Building Adjoining theatre #30 minus Land tax #4 2s. 6d. Total: #15 17s. 6d. (Account Book). Receipts: #232 3s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: End: The Old Ground Young, as17720928

Event Comment: The Characters [of the mainpiece] New Dressed according to the habits of the times. [At foot of the bill first appears the customary notice: Places for the Boxes to be taken only of Mr Sarjant at the Stage Door. The Doors to be opened at 5 o'clock. To begin at 6 o'clock. Vivant Rex & Regina."] Paid Church & Militia tax for theatre #8 15s. and for House in Bow Passage 6s. 3d. (Account Book). Receipts: #232 14s. 6d

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: End: The Old Ground Young, as17720928

Event Comment: Afterpiece [by Bickerstaffe]: a Musical Entertainment never performed there before. The Cnaracters new dress'd. [Daphne identified by Winston MS 10 and by Kemble note on playbill.] Paid Cooper (printer) #42 1s. (Account Book). [Reviewer for Town and Country Magazine commends Miss Wewitzer for the lower register of her voice. Belives she will be a credit to her tutor, Griffiths the Organist."] Receipts: #181 4s. 6d

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Bensley; Bajazet-Smith; Axalla-Perry; Dervise-Gardner; Moneses-Wroughton; Omar-Morris; Stratocles-Fox; Hali-Davis; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Miss Miller; The Original Song-DuBellamy; The Usual Prologue-Wroughton.

Afterpiece Title: Daphne and Amintor

Performance Comment: Amintor-Mattocks; Mindora-Mrs Baker; Daphne-a Young Lady[, first appearance any stage Miss Wewitzer]; [With a Dance [incident to the piece-Mas. Harris, Mas. Blurton, Miss Twist, Miss Valois.

Dance: End: The Merry Sailors, as17721012

Event Comment: Mainpiece: With proper Scenes, Dresses and Other Decorations (playbill). Miss Venables (a pupil of Mr Michl Arne) made her first appearance on the Stage in Philadel. She is very Short, & has a mean appearance a tolerable Voice-but little applause Miss Younge Emmeline (first time) So, so (Hopkins Diary). [Macmillan's note from Kemble slightly expanded. Reviewer for Town and Country Magazine (Theatre XL) writes of Miss Venables, She displayed but very moderate talents for the stage. She will doubtless improve under so good a master and when she has gained a greater share of maturity will probably do honor to her tutor.'] Receipts: #140 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Arthur Or The British Worthy

Performance Comment: Oswald-Jefferson; Aurelius-Keen; Conon-Packer; Albanacht-Bransby; Merlin-Aickin; Grimbald-Bannister; Osmond-Palmer; Guillamar-Wheeler; King Arthur-Reddish; Philadel-Miss Venables, first appearance on any stage; Cupid-Miss Collett; Matilda-Miss Platt; Emmeline-Miss Younge; with a New Epilogue-, first time; Vocals-Vernon, Champness, Fawcett, Kear, Mrs Scott, Mrs Hunt; The Dances-Daigville, Giorgi, Atkins, Sga Vidini, Sga Giorgi, Sga Daigville.
Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: Wits Last Stake

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: The Royal Chace

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Rose

Performance Comment: Parts by Vernon, Bannister, Dodd, Dibdin, Kear, Fawcett, Wright, Ackman, Miss Weller, Mrs Davies, Mrs Love, Miss Platt, Miss Hopkins, Miss Collett, Mrs Smith. With a Dance in Act I, incidental to the piece-Atkins, Sga Giorgi; Lord Gainlove-Vernon; Jack Rattle-Dodd; Sir Humphrey Carbuncle-Bannister; Buckskin-Dibdin; Town Crier-Kear; Mr Violet-Wright; Letland-Ackman; Servant(?)-Fawcett; Billy Viodet-Miss Collett; Millclack-Miss Weller; Miss Clara Violet-Mrs Davies; Mrs Violet-Mrs Love; Lady Willmore-Miss Platt; Kitty Willmore-Miss Hopkins; Miss Serina Violet-Mrs Smith (Genest, V, 342, MacMillan, and Edition of 1773.).
Event Comment: Mainpiece: By Particular Desire. Paid Simpson for New Music for the theatre for seasons 1772 and 1773 #10 10s. Paid Whitefield for Cloaths bought #31 7s. (Account Book). Receipts: #114 6s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Royal Chace

Dance: II: The Tartars, as17721124

Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: As17721022, but with Original Prologue-Mrs Abington [By Particular Desire. [The playbill probably with greater accuracy calls this the Original Epilogue.]By Particular Desire. [The playbill probably with greater accuracy calls this the Original Epilogue.]

Afterpiece Title: The Witches