SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King John

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17660425 but Taylor-_; With a New Occasional Epilogue address'd to the Most Noble Order of Bucks,-Master Wignel.
Cast
Role: Catherine Actor: Mrs Green.

Dance: II: Hornpipe-Miss Twist; IV: Minuet-Hussey, Miss Wilford; End: Rural Love, as17651115

Event Comment: A new serious opera composed by Barthelemon

Performances

Mainpiece Title: Pelopida

Dance: NNew Dances-

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Davis; Duke-Aickin; Frederick-Palmer; Jacques-Lee; Oliver-Johnston; Le Beu-M'George; Amiens-the Gentleman who sung in the Conscious Lovers; Charles-Keen; Corin-Castle; Adam-Hurst; Denis-Mahon; William-Hamilton; Silvius-Quick; Touchstone-Shuter; Celia-Mrs M'George; Phebe-Miss Madden; Audrey-Mrs Worley; Rosalind-Mrs Dancer.

Afterpiece Title: Lethe

Cast
Role: Frenchman Actor: M'George
Event Comment: Afterpiece: By Desire. There is a new passage from the Marquis Buildings, Russel Court, to the Pit. Proper care is taken to keep the House Cool. Paid Supernumaries 13s. 6d.; Drum 5s.; a Lampmen #1 5s.; Carpenter's Bill #5 19s. 2d.; Taylor's Bill #3 1d. (Drury Lane Treasurer's Book). [These were constant weekly bills throughout the season amounting to total sums as follows, and will not hereafter be itemized further]: @Item Nightly or Weekly Average Season Total@Supers and Drum #2 5s. Nightly Supers #382; Drum #47 10s.@Lampmen #2 6s. Weekly #84 2s.@Carpenters #2 Weekly #74@Taylors #7 Weekly #259@ Receipts. #195 6s

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Cautherley, 1st time; Ghost-Bransby; King-Love; Horatio-Packer; Osric-Dodd; Guildenstern-Fawcett; Marcellus-Ackman; Gravediggers-Castle, Yates; Rosencrans-Strange; Player Queen-Mrs Bennet; Ophelia-Mrs Baddeley; Polonius-Baddeley; Laertes-Aickin; Bernardo-Marr; Player King-Burton; Queen-Mrs Pritchard.
Cast
Role: Hamlet Actor: Cautherley, 1st time

Afterpiece Title: Daphne and Amintor

Performance Comment: Daphne-Miss Wright; Amintor-Vernon; Mindora-Miss Young; Dancing incident to the piece-Sg Giorgi, Sga Giorgi, Miss Reynolds, Tassoni, Miss Tetley, Miss Rogers.
Event Comment: Paid Housekeeper's Bills #21 9s.; Ditto his properties #1 19s. (Drury Lane Treasurer's Book). [These bills amounted to #222 and #37 respectively for the season, or an average of #6 per week for Housekeeping Bills and #1 per week for properties. No further itemization will be made. A patron wrote a letter to the Gazetteer and New Daily Advertiser on 6 Oct. 1766, suggesting that he was annoyed by the way "our noisy friends in the Upper Gallery" kept calling for the Prologue. The Uproar increased when the farce or Daphne and Amintor began. Mr Vernon was oblig'd to step forward, Cap in hand and apologize, which put him out of character." Castle was not in bill. Noted in review. See 4 Oct.] Receipts: #145 16s. 6d. (Drury Lane Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Cautherly, 1st time; Mercutio-Palmer; Paris-Fawcett; Tybalt-Aickin; Escalus-Bransby; Benvolio-Packer; Peter-Weston; Capulet-Burton; Friar Lawrence-Havard; Lady Capulet-Mrs Bennet; Nurse-Mrs Cross; Juliet-Mrs Barry[, 1st time; Apothecary-Castle; [With a Funeral Procession, Vocal parts-Vernon, Champness, Mrs Vincent, Miss Young; [In Act I,] a Masquerade Dance-Sg Giorgi, Sga Giorgi.
Cast
Role: Romeo Actor: Cautherly, 1st time
Role: Apothecary Actor: Castle

Afterpiece Title: Daphne and Amintor

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Cautherly, 1st time
Role: Apothecary Actor: Castle

Afterpiece Title: The Hermit

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Parts-Holland, Powell, Yates, Dodd, Palmer, Love, Baddeley, Hurst, Aickin, Watkins, Miss Pope, Mrs Palmer, Mrs Abington, Miss Plym, Mrs Clive; New Epilogue-.
Cast
Role: New Epilogue Actor: .

Afterpiece Title: Daphne and Amintor

Dance: I: The Vintage, as17661011

Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Event Comment: A new Serious Opera composed by several celebrated Composers. [From the London Evening Post: The Decoration of the Opera House is very splendid. The Concert Master has 50 Guineas a night, an Englishman. The First Dancer 6 Guineas a night."

Performances

Mainpiece Title: Trakebarne Grand Mogol

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King [1st time since his accident, 17 May 1766]; Sir John Melvil-Holland; Sterling-Yates; Lovewell-Powell; Canton-Baddeley; Brush-Palmer; Serj. Flower-Love; Traverse-Hurst; Trueman-Aickin; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Betty-Mrs Abington; Chambermaid-Miss Plym; Mrs Heidelbery-Mrs Clive; New Epilogue-Miss Pope. [See17661017] .See17661017] .
Cast
Role: New Epilogue Actor: Miss Pope.

Afterpiece Title: The Hermit

Cast
Role: Others Actor: _West, Moody.
Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Performance Comment: Parts by: Vernon, Champness, Mrs Arne. The Dances-Duquesney, Sga Giorgi; Cunning Man-Champness; Colin-Vernon; Phoebe-Mrs Arne (Edition of 1766).
Cast
Role: The Dances Actor: Duquesney, Sga Giorgi
Event Comment: By Command of their Majesties. Paid Printer's Bills 2 weeks #18 12s. 6d. (Treasurer's Book). Receipts: #241 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17661117, but New Epilogue-_.

Afterpiece Title: The Cunning Man

Cast
Role: The Dances Actor: Duquesney, Sga Giorgi

Dance: II: The Italian Bakers, as17661011

Event Comment: A New Comic Opera never perform'd before. Music by Niccolo Piccini. Intended to be performed only on Mondays, Wednesdays and Fridays. By Mr Toms from La Buona Figliuola (Biographia Dramatica). [N.B.: The license for this opera was obtained just the day before, yet it must have been in rehearsal for about three weeks.] Receipts: #221 18s. (Account Book)

Performances

Mainpiece Title: The Accomplishd Maid

Dance: I: The Garland, as17661023; II: Rural Love, as17661120

Event Comment: Mainpiece: By Desire. Paid chorus singers 2 nights #5 11s.; Gastrill & Co. (mercers) #149 3s. (Treasurer's Book). A new edition of Thespis published. Receipts: #104 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Cunning Man

Cast
Role: The Dances Actor: Duquesney, Sga Giorgi
Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Cunning Man

Cast
Role: The Dances Actor: Duquesney, Sga Giorgi
Event Comment: Mainpiece: Never performed. Founded [by Thomas Hull] on a Play wrote by the late Sir Samuel Tuke [Adventures of Five Hours]. The Afterpiece: A Masque (perform'd but once) [by Thomas Hull], With New Music, Dresses and Scenery. The Music by Mr Bach. Books of the Masque to be had at the Theatre. Paid for The Perplexities #2 2s. (Account Book). Receipts: #226 16s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Performance Comment: Larpent MS 257 lists parts in Fairy Favour: Oberon-; Puck-; Attendant Fairies-; Titania-; Glossmour-; Milkah-. The following 11 young persons were paid for performing 8 nights in it on 10 March 1767: Miss Potts, #4 4s.; Miss Twist #4 4s; Miss Coakayne, #4 4s.; Miss Besford, #4 4s.; Mas. Besford, #2 2s.; Mas. Wignell, #2 2s.; Mas. Langrish, #2 2s.; Miss Austen, #2 2s.; Miss Harrison, #2 2s.; Miss Flingdon, #2 2s.: Mas. Hollinsworth, #2 2s. On 26 March 1767 Mas. Lindley was paid #20 for performing (Account Book). Miss Twist #4 4s; Miss Coakayne, #4 4s.; Miss Besford, #4 4s.; Mas. Besford, #2 2s.; Mas. Wignell, #2 2s.; Mas. Langrish, #2 2s.; Miss Austen, #2 2s.; Miss Harrison, #2 2s.; Miss Flingdon, #2 2s.: Mas. Hollinsworth, #2 2s. On 26 March 1767 Mas. Lindley was paid #20 for performing (Account Book).

Dance: End: The Gallant Peasants, as17670113

Event Comment: A new Comic Opera. Composed by Piccini. By Command of their Majesties. Note: The above is the second part of the favorite opera of La Buona Figliuola

Performances

Mainpiece Title: La Buona Figliuola Maritata

Performance Comment: Parts-Savoi, Lovattini, Morigi, Sga Piatti, Mrs Barthelemon, Sga Zamperini, Sga Gibetti (Edition of 1767).
Event Comment: Paid Mr Hood for half years new river water, due at Xmas last #10 15s. 4d. (Account Book). Receipts: #131 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Perplexities

Dance: End: The Gallant Peasants, as17670113

Event Comment: Sixth Day. For the Author. Charges #85 5s. Balance due to author #41 14s. (Account Book). [This balance was paid to Thomas Hull on 9 Feb.] Receipts: #126 19s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Performance Comment: As17670205, but Prologue-; New Epilogue-_.

Dance: End: The Gallant Peasants, as17670113

Event Comment: Ladies send servants by 3 o'clock. A Comic Opera, Never Perform'd [by Isaac Bickerstaffe]. The Scenes, Dresses and Dances entirely new (playbill). [The playbill does not assign parts. Assignment from Genest and Winston who both identify the Young Gentlewoman as Miss Brickler. The Music compiled from Favourite airs of the most celebrated composers." See note for 27 May relative to dances in this opera.] Receipts: #245 14s. (Account Book)

Performances

Mainpiece Title: Love In The City

Performance Comment: Wagg-Shuter; Old Cockney-Gibson; Barnackle-Dunstall; Young Cockney-Dibdin; Sightly-DuBellamy; Spruce-Mattocks; Miss LaBlond-Miss Poitier; Miss Molly Cockney-Mrs Green; Penelope-A Young Gentlewoman [Miss Brickler]; Priscilla-Mrs Mattocks; With Dances [adapted to the opera-Fishar, LaRiviere, Arnauld, Sga Manesiere, Miss Wilford, Miss Valois. (Edition of 1767) .
Event Comment: A new serious Opera, for this night only. Benefit for Guarducci

Performances

Mainpiece Title: Sifare

Song: A Cantabile Song-; accompanied on the viola de gamba-Mr Abel

Event Comment: A new comic Opera, composed by Fischietti, a Neopolitan. Benefit for Lovatini

Performances

Mainpiece Title: Il Signor Dottore

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Holland. Part of Pit laid into Boxes. House Charges #67 1s. 6d. [Profit to Holland #201 8s. 6d.] Tragedy (never performed) written in the manner of Shakespeare [by Joseph Reed]. Rec'd stopages 16s. 6d. Paid salary list #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #268 10s. (Treasurer's Book). To see Dido, a Tragedy in Shakespere's style, performed for the first time, with Daphne and Amintor. This piece is the production of a Ropemaker of Chadwick, and being refused by the managers, was given to Holland to be played for his benefit. It went off with considerable applause and is by desire to be performed again. Powel and Yates were good in Aeneas and Dido. Holland played Narbel, Havard Bilias, and Bensley Anchises. We had a prologue spoken by King and an Epilogue spoken by Mrs Abington. Before the play began, by the light of my wax taper read No. 1564 of the London Chronicle, in which was Night' a pretty good ode (Neville MS Diary)

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).

Afterpiece Title: Daphne and Amintor

Event Comment: A new serious Opera, composed by Vento

Performances

Mainpiece Title: La Conquista Del Massico

Event Comment: Benefit for Miss Poitier. Afterpiece: Alter'd from Addison. The Music entirely new set by Mr Arnold. [Original three acts reduced to two.] To be performed for this night only. Charges #75 14s. [Profit to Mrs Thompson #59 7s. 6d. plus #48 9s. from tickets (Box 135; Pit 98) (Account Book). As indicated by the name Mrs Thompson in the Account Book, Miss Poitier was already married by this time, although she does not appear in the Bills under the name Mrs Thompson until 16 Sept. 1767. She was first married to Vernon, the singer at Drury Lane.] Receipts: #135 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Rosamond

Performance Comment: Parts-Mattocks, Dibdin, Miss Poitier, Mrs Baker, Miss Potts, Mrs Pinto. King-Mattocks; Sir Trusty-Dibdin; Queen-Miss Poitier; Gridline-Mrs Baker; Rosamond-Mrs Pinto (Genest V, 135); [The Edition of 1767 suggests Sir Trusty-$Morrice;] Page-Miss Potts.