SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit Temple and Bowcher, Boxkeepers. At the particular Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: Macbeth

Performance Comment: See17330409 A new Prologue addresses to the Merchants and Citizens of London,-the Author; A new Epilogue to be spoken-Morgan, Penkethman by way of Dialogue, riding on two Asses.

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

Event Comment: A New Opera. [Text by F. Colman. Music by Handel.] Colman Opera Register: Ariadne in Crete a new Opera & very good & perform'd very often Sigr Carestino sung surprisingly well: a new Eunuch many times perform'd

Performances

Mainpiece Title: Ariadne in Creta

Performance Comment: Cast not listed, but edition of 1733 lists: Ariadne-Signora Strada; Theseus-Giovanni Carestino; Alcestes-Carlo Scalzi; Carilda-Signora Maria Catterina Negri; Minos-Waltz; Tauris-Signora Margherita Durastante .
Cast
Role: Theseus Actor: Giovanni Carestino
Event Comment: Benefit the Author of the Farce

Performances

Mainpiece Title: The Fatal Extravagance

Performance Comment: Bellmour-by author of the Farce [Robert Drury] .Robert Drury] .

Afterpiece Title: The Rival Milliners

Performance Comment: As17360119, but Molly Wheedle-Miss Burgess. With a New Prologue .

Dance: Irish Trot. Scot's Dance. Two Pierrots. Sailor's Dance

Event Comment: Mainpiece: Never Acted before, By the Author of...Hurlothrumbo [Samuel Johnson]. The Musick and Epilogue compos'd by Lord Flame [Johnson]. John Byrom, 1 Feb.: They [two Londoners] said the first night Johnson was for fighting with somebody in the pit.-Byrom, Private Journals and Literary Remains, XI, 88

Performances

Mainpiece Title: All Alive And Merry Or Men In Pursuit Of Money

Performance Comment: All@Alive@and@Merry-Lord Flame [Samuel Johnson of Chesire]; others-W. Giffard, Hewitt, Norris, Lyon, Rosco, Penkethman, Mrs Roberts, Mrs Charke, Mrs Chambers, Miss Tollett, Miss Burgess, Mrs M. Giffard; And a new Prologue-Giffard; [With a New Hierogliphical Dancing Epilogue-.

Afterpiece Title: The Beggars Pantomime

Event Comment: Towards raising a Fund for Erecting a Monument to the Memory of Shakespear. Mainpiece: Written by Shakespear. The Pit and Boxes to be put together. London Daily Post and General Advertiser, 5 June: The Season [at dl] being finish'd, and the Accounts of it settled, it is thought proper to acquaint the Publick, that the Master of that Theatre has receiv'd One Hundred and Seventy-odd Pounds, (besides some Accounts of Tickets, the Produce of which has not as yet been paid in, which is suppos'd will make near the Sum of Two Hundred Pounds,) towards erecting a Monument to Shakespear

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17380208, but Caska-Winstone; Portia-Mrs Porter; Citizens-Johnson, Miller, Harper, Griffin, Macklin; With a new Prologue-Quin; a new Epilogue-Mrs Porter.
Cast
Role: With a new Prologue Actor: Quin
Role: a new Epilogue Actor: Mrs Porter.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but two new Concertos for several Instruments-(never perform'd but once)-; Also The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but With two new Concertos for several Instruments-; Also The last New Ode of Mr Dryden's- .

Music: nd% a Concerto on the Organ-

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

Performance Comment: Xerxes-Monticello; Themistocles-Amorevoli; Aspasia-Signora Visconti; Roxana-Signora Frasi; Lisimachus-Signora Galli; Sebastes-Signora Contini [from libretto at British Museum].from libretto at British Museum].
Cast
Role: Themistocles Actor: Amorevoli
Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti Or The Fall Of The Giants

Event Comment: With new Dances and other Decorations. A new Opera [not new; composer-Terradellas; see 24 Jan. 1736]

Performances

Mainpiece Title: Mitridate

Dance:

Event Comment: Yesterday [11 Jan.] there was Practice...of a new Italian Dramatic Pastoral...As Lucius Verus consisted of celebrated Airs from Handel's Operas, the Music of the above Pastoral is chiefly extracted from the Works of the most famous Italian Composers. A new Pastoral Opera...With a new Concerto on the Violincello. Pit and Boxes Half a guinea; Gallery 5s. To begin at 6 p.m. No Person to be admitted without Tickets

Performances

Mainpiece Title: La Ingratitudine Punita

Event Comment: [For the dance, see participants (or a burlesque upon them?) 28 March.

Performances

Mainpiece Title: Aesop

Afterpiece Title: Tea

Performance Comment: As17471111, but to begin with a New Prologue-; to conclude with a new Grand Country Dance call'd Foote's Vagaries-.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Parts-Gentlemen, Ladies; A new Prologue-.
Cast
Role: A new Prologue Actor: .

Afterpiece Title: Miss in Her Teens

Performance Comment: With a new additional Scene-; in which will be introduce'd two new characters; the Part of Fribble to be perform'd by the Author of the scene; after which an Epilogue- in the Character of Fribble.

Dance: To conclude with: Country Dance called The Whim-

Event Comment: Benefit Master Arne. To begin at 6:30 p.m. Pit and Boxes will be laid together at Half a Guinea. Gallery 5s

Performances

Mainpiece Title: A Pasticcio

Performance Comment: Vocal Parts-Signora Frasi, Signora Galli, Lowe, Mrs Arne, Master Arne; To be divided into three Interludes. After the first a new Concerto on the Organ by Arne-Master Arne; The second Interlude to conclude with a new Pastoral Scene-; the Words selected from Shakespear and composed by Mr Arne. After the third Interlude a Serenata- written by Congreve and set to music by Arne.

Afterpiece Title: The Judgement of Paris

Event Comment: Benefit for Signor Bombasto and Signor Piantofugo. [Eighteenth night.] Henley's advertisements say he came to London in 1720, is not in debt and One Time with another, my Oratory is as full as ever, when I please, and my Service to Mr Smart, Mrs Warner, Mr Newberry, etc. J. Henley" (Daily Advertiser, 21 March).

Performances

Mainpiece Title: The Old Womans Oratory

Performance Comment: See17520211, but a new Cantata composed by Phillipo Ruge (organist of St. Peter's in Rome)-; likewise a Solo in a new Taste-Sig Piantofugo; introduce Jew's Harp-; Salt@Box-; between the Acts a humorous Solo on the French Horn-Mrs Midnight's Daughter (just arrived from Padua); Epilogue-Hallet (in the character of Cupid).
Event Comment: At Bence's Room, Swan Yard, West Smithfield. The Scenes Cloaths, Machinery and other Decorations entirely New. To begin each day at 12 Noon. Pit 2s. 3d. First Gallery 1s. Upper Gallery 6d. There is a back door in Hosier Lane for the Conveniency of those Gentlemen and Ladies who don't chuse to be crouded. Mainpiece: A new Dramatic Piece. [Really the subplot of Betterton's Amorous Widow, 1670.] Afterpiece: A New Pantomime Entertainment

Performances

Mainpiece Title: The Happy Gallant Or The Modern Wife

Afterpiece Title: The Fairy or Harlequin in the Shades

Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Entertainment: Singing, Dancing-

Event Comment: With new Music compos'd by Sig Nicola Conforto, and new Dances. A new Scene painted by Mr Mitermayer. [Repeated in the bills.

Performances

Mainpiece Title: Antigono

Event Comment: The doors will open at Five, and the curtain will rise at a quarter after Six

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570928, but to begin with Grand Overture with French Horns-; Kitty-Miss Gaudry; Oratory-Miss Midnight; Scots Songs-Lauder; New Comic Lectures-Cibber; Les Tailleurs a new pantomime dance-Master Settree, Miss Twist; Scots Dance-Froment, Mme Dulisse; Italian Air-La Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado (as17570902); Acrobatics-Maddox; The Drunken Peasant, Irish Landlord and Landlady-Jolly, Settree, Mme Dulisse; Brown Beer of England-Lauder; Hornpipe-Morris.

Afterpiece Title: Harlequins Frolic

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Performances

Mainpiece Title: Issipile

Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Anniversary Being a Sequel to Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, by Desire, as17571013

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: LLa Serva Padrona; or, The Servant Mistress announced but cancelled. [This entertainment was advertised as to be given by particular desire, with the addition of a new act, and a new character, as it was performed originally at the Theatre Royal in Naples. Set to music by Pergolesi. With Dancing. The Scenes and Cloaths entirely new. Boxes 5s. Pit 3s. Gallery 2s. The house to be illuminated with wax candles. The whole to be under the direction of Sg Storace and Mr Oswald. Sga Seratina being recovered from her late indisposition to perform this night. Notice, however, on the proposed day of performance appeared in the Public Advertiser: "La Serva Padrona is stopp'd by a particular order of the Lord Chamberlain, but as a great many of the Nobility and Quality are very desirous to see this entertainment, it will be soon presented at another theatre." See 29 March.

Performances

Event Comment: A new Opera, the music newly compos'd by Sig Cocchi. With New Decorations and New Dances

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: Director of Dances: Giovanni Gallini Dancers-Gallini, Signora Rosa Carlini, Giuseppe Forti, Signora Giac. Bonomi