SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Loves Frailties Or Precept Against Practice

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Farley, Blurton//Mrs Esten, Mrs Mattocks, Mrs Fawcett, Mrs Platt, Miss Leserve, Mrs Pope. [Cast from text (Shepperson and Reynolds, 1794): Mr Muscadel-Lewis; Sir Gregory Oldwort-Quick; Charles Seymour-Holman; Mr Craig Campbell-Munden; James-Farley; Footman [unassigned in text]-Blurton//Paulina-Mrs Esten; Nannette-Mrs Mattocks; Lady Louisa Compton-Mrs Fawcett; Mrs Wilkins-Mrs Platt; Julette-Miss Leserve; Lady Fancourt-Mrs Pope.] Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: HARTFORD BRIDGE

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Cast
Role: Father Actor: Hull

Afterpiece Title: The Death of Captain Faulknor or British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Event Comment: 2nd piece [1st time; MF 3, by Prince Hoare, Author of Prologue-unknown]: With new Scenes, Dresses, &c. The Overture and Musick composed by Storace. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Three and the Deuce

Performance Comment: Principal Characters-Bannister Jun.!, Bannister Jun.!!, Bannister Jun.!!!, Suett, Fawcett, Johnstone, Wathen, Caulfield, Bannister, Benson, Cooke, Waldron Jun., Lyons, Ledger, Cross, Abbot, Mrs Bland, Miss Leak, Mrs Gibbs; [Cast from Songs (no pub., 1795), and text (Barket & Son, 1806): Pertinax Single-Bannister Jun.; Peregrine Single-Bannister Jun.; Percival Single-Bannister Jun.; Justice Touchit-Suett; Humphrey Grizzle-Fawcett; MacFloggan-Johnstone; Frank-Wathen; Renard-Caulfield; Freeman-Bannister; Mr Milford-Benson; Waiters-Waldron Jun., Lyons; Tippy-Ledger; Pinch-Cross; Cramp-Abbot; Taffline-Mrs Bland; Phebe-Miss Leak; Emily Milford-Mrs Gibbs; unassigned-Cooke; Prologue-Fawcett. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Event Comment: Mainpiece: 9th Night [i.e. in continuation of the reckoning for the preceding season]. Places for the Boxes to be taken of Fosbrook, at the Office, Russel Street. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Upper Gallery 1s. 2nd Price 6d. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. An alteration in the Property taking Place in the present Season [i.e. the introduction of two new proprietors], the former Free List of the Theatre necessarily expires. Printed by C. Lowndes, next the Stage-Door. Receipts: #344 17s. 6d. (247.9.0; 95.1.0; 2.7.6)

Performances

Mainpiece Title: First Love

Afterpiece Title: No Song No Supper

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue and Epilogue by the author (Knapp, pp. 119, 309)]: With new Scenes and Dresses. Oracle, 30 Jan. 1796: On Tuesday next [2 Feb.] will be published The Man of Ten Thousand (2s.). Receipts: #540 7s. (538.19.6; 1.7.6)

Performances

Mainpiece Title: The Man Of Ten Thousand

Performance Comment: Principal Characters by Barrymore, Palmer, Kemble, Bannister Jun., Dodd, Suett, R. Palmer, Wewitzer, Aickin, Phillimore, Maddocks, Trueman, Banks, Webb, Fisher, Evans, Mrs Pope, Miss Farren, Mrs Gibbs, Miss Tidswell. Cast from text (G. G. J. and J. Robinson, 1796), and Oracle, 25 Jan.: Sir Pertinax Pitiful-Barrymore; Lord Laroon-Palmer; Dorington-Kemble; Hairbrain-Bannister Jun.; Curfew-Dodd; Consol-Suett; Major Rampart-R. Palmer; Herbert-Wewitzer; Hudson-Aickin; Clerk-Phillimore; Thomas-Maddocks; Robert-Trueman; John-Banks; Thomas[sic]-Webb; William-Fisher; Harry-Evans; Lady Taunton-Miss Pope; Olivia-Miss Farren; Annabel-Mrs Gibbs; Girl-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Harlequin Captive

Cast
Role: unassigned Actor: _Wathen, _Russell, _Benson
Role: Sailor Actor: Fairbrother
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud Or The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]

Afterpiece Title: All the Worlds a Stage

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: As17951202, but Miss_ Leserve. [The parts are assigned.]

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.
Cast
Role: Fat Dolly the Cook Actor: Munden
Role: To conclude with The Barber's Petition Actor: Fawcett
Role: The Banditti Actor:
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: The Kitchen Scene Actor: by Messink.
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: and the Piece concludes with a Finale Actor:

Afterpiece Title: Oscar and Malvina

Performance Comment: As17960416, but Bards-Spofforth, +Abbot, +Holland, Mrs +Castelle, Miss +Leserve, Mrs +Masters, Mrs +Norton, Mrs +Lloyd, Miss +Walcup; Farmer-Rees. [The parts are assigned.]The parts are assigned.]

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Dec. 1786]. With new Dresses, Decorations, &c. [Miss Allingham is identified in playbill of 24 Nov.] Receipts: #200 5s. 6d. (196.2.0; 4.3.6)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Wicklow Mountains

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortunes Fool

Afterpiece Title: The Irish Mimick or Blunders at Brighton

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Performance Comment: Characters by King, Wroughton, Bannister Jun., R. Palmer, Suett, Russell, Packer, Webb, Evans, Mrs Jordan, Miss Tidswell, Mrs Booth, Miss Mellon. Cast from text (G. G. and J. Robinson, 1797): Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Old Copsley-Packer; Servants-Webb, Evans; Albina Mandeville-Mrs Jordan; Deborah-Miss Tidswell; Mrs Rigid-Mrs Booth; Cicely Copsley-Miss Mellon; Prologue-R. Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]

Afterpiece Title: The Purse

Ballet: The Scotch Ghost. As17961221

Event Comment: 2nd piece: Compressed for First Time into two acts, with several new Airs, &c. [Miss Sims was from the Theatre, Sadler's Wells.] Receipts: #259 17s. (253.15; 6.2)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17971013. but Castalio-Betterton (from the Theatre Royal, Bath; 1st appearance on this stage); Acasto-Murray.

Afterpiece Title: The Maid of the Mill

Performance Comment: Lord Aimworth-Johnstone; Sir Harry Sycamore-Munden; Ralph-Knight; Farmer Giles-Townsend; Fairfield-Davenport; Mervin-Claremont; Fanny-Miss Sims (1st appearance at this theatre); Theodosia-Mrs Follett; Lady Sycamore-Mrs Davenport; Patty-Mrs Mountain.
Cast
Role: Theodosia Actor: Mrs Follett

Afterpiece Title: Englands Glory

Performance Comment: As17971018, but in Scene I: Hearts of Oak-Townsend; in Scene IV: We've bade the restless Seas adieu-Townsend, _Incledon; in Scene V: +Rule Britannia-Townsend, Gray; from Scene IV: With pride we steer'd for England's Coast-_.

Dance: As17971018

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Performances

Mainpiece Title: Secrets Worth Knowing

Performance Comment: Principal Characters by Lewis, Quick, Holman, Pope, Munden, Fawcett, Knight, Farley, Thompson, Rees, Abbot, Mrs Mattocks, Mrs Mountain, Mrs Spencer. [Cast from text (T. N. Longman, 1798): Rostrum-Lewis; Nicholas-Quick; Egerton-Holman; Greville-Pope; Undermine-Munden; April-Fawcett; Plethora-Knight; Valet-Farley; Cook-Thompson; Coachman-Rees; Butler-Abbot; Sally-Mrs Mattocks; Rose Sydney-Mrs Mountain; Mrs Greville-Mrs Spencer [in text: Mrs Pope (see17980126)]; Prologue-Whitfield; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 9 performances only (see17980123).].These were spoken, as here assigned, at the 1st 9 performances only (see17980123).].

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine
Event Comment: Mainpiece: Overture, Chorusses, and new Musick by Dr Arnold. Scenery by Rooker, Marinari, &c

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Village Lawyer

Cast
Role: Sheepface Actor: Wathen
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Performance Comment: Principal Characters by Lewis, Holman, Munden, Fawcett, Miss Gilbert, Townsend, Whitfield, Thompson, Simmons, Wilde, Abbot, Curties, Platt, Mrs Pope, Mrs Gibbs, Miss Mansel, Mrs Mattocks. [Cast from text (T. N. Longman and O. Rees, 1799), and playbill of 16 Sept. 1799: Gossamer-Lewis; Mortimer-Holman; Bonus-Munden; Sambo-Fawcett; Charles Mortimer-Miss Gilbert; Costly-Townsend; Delville-Whitfield; Farmer Blackbrook-Thompson; Waiter-Simmons; Bailiff-Wilde; Gregory-Abbot; Mrs Mortimer-Mrs Pope; Dorothy-Mrs Gibbs; Emily-Miss Mansel; Miss Gloomly-Mrs Mattocks; unassigned-Curties, Platt; Prologue-Holman; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]

Afterpiece Title: The Spoild Child

Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lovers Vows

Cast
Role: Verdun the Butler Actor: Munden

Afterpiece Title: The Magic Oak or Harlequin Woodcutter

Performance Comment: [Principal Characters by Bologna Jun., Bologna, Simpson, Simmons, Whitmore, Hawtin, Dyke, Wilde, Blurton, Claremont, Klanert, the Master Blackmores, Platt, Abbot, T. Cranfield, Powers, Lewiss, Davies, L. Bologna, Letteney, Lee, Delahoy, Wilkins, Farley, Miss Lupino, Miss Cranfield, Miss Denny, Mrs Watts, Mrs Bologna, Mrs Whitmore, Mrs Gilbert, Miss Gray, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Lloyd, Miss Burnett, Miss Walcup, Mrs Blurton, Miss Bologna, Miss Cox, Mrs Crow, Miss Davenett recte Dibdin], Mrs Ward, Miss Coombes, Miss Standen, Mrs Wybrow. Vocal Characters-Townsend, Hill, Emery, Street, Gray, Linton, Thomas, Russel, Curties, J. Linton, Oddwell, Little, Tett, Master Ramage, Master Goodwin, Mrs Chapman; [Cast from Songs (J. Barker, 1799): Harlequin Woodcutter-Bologna Jun.; Lout-Bologna; Tasner-Simpson; Phisgig-Simmons; Pantaloon-Whitmore; Landlord-Hawtin; Haymakers-Wilde, Blurton, Platt, T. Cranfield, Powers, Lewiss, L. Bologna; Dutch Lover-Klanert; Beadle-Abbot; Dutch Servant-Davies; Man Milliner-Lee; Brisk-Farley; Sailor-Townsend; Officer of Volunteers-Hill; Recruits-Street, Gray, Linton, Thomas, Russel, Curties; Haymakers-Mrs Watts, Mrs Bologna, Miss Burnett, Miss Bologna, Miss Cox, Mrs Crow; Harlequin's Mother-Mrs Whitmore; Landlady-Mrs Gilbert; Market Women-Miss Leserve, Mrs Norton, Mrs Blurton; Old Maid-Mrs Lloyd; Columbine-Mrs Wybrow; unassigned-Dyke, Claremont, the Master Blackmores, Letteney, Delahoy, Wilkins, Emery, J. Linton, Master Goodwin, Miss Lupino, Miss Cranfield, Miss Denny, Miss Gray, Mrs Masters, Miss Walcup, Miss Dibdin, Miss Standen, Mrs Chapman.

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Cast
Role: George Bevil Actor: Clarke
Event Comment: Mainpiece [1st time; MD 5, by Richard Cumberland. Author of Prologue unknown]: A Romance of the Fourteenth Century, Formed upon the Plan of an unpublished Drama [Johanna von Montfaucon], written and transmitted by Augustus von Kotzebue, The Overture, Songs, Chorusses, Marches and Finale, with appropriate Symphonies between the Acts, by Busby. The Scenery, Dresses, Machinery & Decorations entirely New. The Scenery by Richards, Phillips, Lupino, Hollogan, &c. The arrangement of the Marches, Chorusses & Military Movements incidental to the Piece, under the direction of Farley. The Dresses by Dick and Mrs Egan. The Words of the Songs to be had in the Theatre. "The appropriate beauty of the scenery, in which the rules of perspective are critically observed, the splendour of the decorations and the richness of the dresses, have been rarely equalled" (Universal Magazine, Jan. 1800, p. 75). Receipts: #318 6d. (316.2; 2.4)

Performances

Mainpiece Title: Joanna

Performance Comment: Principal Characters by Pope, Holman, Waddy, Davenport, Munden, H. Johnston, Claremont, Klanert, Murray, Emery, Thompson, Gardner, King, Abbot, Rees, Curties, Mrs H. Johnston, Mrs Whitmore, Miss Gilbert, Mrs Pope. Vocal Parts-Incledon, Townsend, Linton, Street, Hill, Miss Waters, Miss Wheatley, Miss Sims, Mrs Iliff, Mrs Castelle; [Cast from text (Lackington, Allen & Co., 1800), and Dramatic Censor, I, 102: Albert-Pope; Lazarra-Holman; Wensel-Waddy; Old Peasant-Davenport; Wolf-Munden; Philip-H. Johnston; Mountaineer-Claremont; Soldiers-Klanert, Thompson, Atkins; Hermit-Murray; Guntram-Emery; Shepherd-Gardner; Ulrick-King; Reinhard-Abbot; Romuald-Rees; Lazarra's Servant-Curties; Darbony-Incledon; Page-Miss Waters; Eloisa-Mrs H. Johnston; Old Woman Peasant-Mrs Whitemore; Joanna-Mrs Pope; Girl-Miss Cox; unassigned-Miss Gilbert; Prologue-Murray. [This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Event Comment: Mainpiece [1st time; T 5, by Joanna Baillie. "Adapted to the stage by J. P. Kemble" (note in his hand on Kemble playbill), Text in the author's A Series of Plays (T. Cadell Jun. and W. Davies, 1798). Prologue by the Hon. Francis North; Epilogue by Georgiana Cavendish, Duchess of Devonshire (Larpent MS 1287)]: The Scenery, Musick, Dresses, and Decorations entirely new. The Musick of the Third Act composed by Shaw [and sung by Sedgwick (Dramatic Censor, II, 162)] and of the Second and Fourth Acts by Kelly. The Scenes designed by Greenwood? Jun and Capon, and executed by them, Banks, &c. The Dresses and Decorations designed by Johnston, and executed under his direction by Gay and Underwood. The Female Dresses designed and executed by Miss Rein. Receipts: #308 12s. 6d. (264.3.0; 43.15.6; 0.14.0)

Performances

Mainpiece Title: De Montfort

Afterpiece Title: The Purse

Performance Comment: See17991219, but Will Steady-Wathen; Sally-Miss Leak.
Cast
Role: Will Steady Actor: Wathen

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Wentworth, Maddocks, Evans, Cook, Danby Jun., Tett, Caulfield Jun., Sawyer, Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Stephens, Ms Leak, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Jacobs, Ms Saunders, Ms Maddocks, Ms Bristow, Ms Butler, Ms Gawdry

Event Comment: 2nd piece [1st time; MF 2, by James Cobb. Text (unauthorized), Dublin: P. Byrne [1800]; synopsis of plot in Dramatic Censor, II, 135-36]: With new Scenes, Dresses and Decorations. The Overture composed by Mazzinghi, and the Music by Mazzinghi and Reeve. The Scenes painted by Phillips, Lupino, Hollogan, Hodgins, &c. Books of the Songs to be had in the Theatre. Receipts: #132 17s. (128.7.6; 4.9.6)

Performances

Mainpiece Title: The Miser

Cast
Role: Sir Hervey Sutherland Actor: Pope

Afterpiece Title: Paul and Virginia

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Event Comment: Benefit for Kelly. 1st ballet [1st time]: Composed by D'Egville. By permission of the Proprietors of the Opera House. With their [the Peruvians'] Religious Ceremonies, Processions, &c. Morning Chronicle, 2 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #596 2s. 6d. (306.0.6; 51.8.0; 4.15.0; tickets: 233.19.0) (charge: #207 6s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

Performance Comment: Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Ferdinand (with proper songs)-Vernon; Stephano-King; Trincalo-Yates; Caliban-Love; Ariel, 1st time (with additional songs, composed by Dr Arne)-Mrs Arne; Hymen-Kear; Ceres-Mrs Vincent; Miranda-Mrs Palmer; Grand Dance of Fantastic Spirits-; The other dances-Giorgi, Mrs King. (playbill), but Public Advertiser lists Miss Baker in place of Mrs King.

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley