Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
8101 results for: Keyword - George C. D. Odell</i>, <i>Annals of the <span class=
We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

8001
29 February 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-Jerrold; Lord Minikin-Jones; Lady Minikin-Mrs Jerrold; Miss Tittup-Mrs Kingham.

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

8002
19 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. [Afterpiece: Prologue by George Colman elder.] Receipts: #175 18s. (64.12; 34.2; 0.17; tickets:76.7) (charge: #65 0s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir J. Trotley (with the original Prologue)-King; Col. Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Mrs Colles; Miss Tittup-Mrs Brereton (1st appearance in that character).

Dance: End: New Dance-the Miss Stageldoirs

8003
19 April 1780 @ Covent Garden

Event Comment: Benefit for Quick. Morning Chronicle, 22 Mar.: Tickets to be had of Quick, No. 151, Drury-lane. 1st piece [1st time; M. PREL I, by George Downing]: The Music by Hook. 3rd piece: Not acted these 18 years. With a grand burlesque Procession and triumphal Entry of Alexander into London. The Nobles, Guards, Officers and Attendants will be all dressed in the Habits of the Times. Receipts: #274 14s. (173.9; tickets: 101.5) (charge: #70 7s. 6d.)

Performances

Mainpiece Title: The Volunteers; Or Taylors To Arms

Related Works
Related Work: The Volunteers; or, Taylors to Arms! Author(s): George Downing

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans; or, The Life and Death of Alexander the Little

Dance: End IV: As17791013

8004
20 October 1780 @ Drury Lane Theatre

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #90 12s. (64.16; 25.16; 0.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-King; Col. Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Kirby; Miss Tittup-Miss Farren (1st appearance in that character).

Dance: End I: Dance, as17801019; End: The Force of Love, as17801018

Song: As17801005

8005
30 October 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy; Or, Evening Exhibition

Performance Comment: [Consisting of variety of Paintings, serious and comic; Satirical, Portrait and Caricature Designs; Emblematical, Pantomimical, Farcical and Puppet-showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.]. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.
Cast
Role: Farcical and Puppet Actor: showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.

8006
06 November 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy

Performance Comment: As17801101, but added: Written by George Alexander Stevens, with considerable Alterations and Additions; the Overture, Recitatives, most of the Airs and Chorus entirely new, composed by Claggett.
Cast
Role: Farcical and Puppet Actor: showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.

8007
18 April 1781 @ Covent Garden

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Cast
Role: The Death of the Stag Actor:
Role: Give round the word Actor: Doyle
Role: They say there is an echo here Actor: Davies, Robson, J. Wilson, Doyle
Role: whom she complains of the loss of her son She t Actor:
Role: The soldier tired of war's alarms Actor: Miss Catley.

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

8008
28 April 1781 @ Covent Garden

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Performance Comment: Sir Courtly Nice-Lewis; Hothead-Quick; Testimony-Edwin; Belguard-Peile; Farewell-Davies; Surly-Fearon; Waytwell-W. Bates; Crack-Wilson; Violante-Mrs Inchbald; Aunt-Mrs Pitt; Maid-Miss Stewart; Leonora-Mrs Mattocks.
Cast
Role: Hothead Actor: Quick

Afterpiece Title: Who'd have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.

8009
06 October 1781 @ Drury Lane Theatre

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #197 9s. 6d. (141/14/0; 55/1/0; 0/14/6)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Simson; Miss Tittup-Miss Farren .

Dance: End of mainpiece, as17811004

8010
16 March 1782 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Cast
Role: Serjeant Eitherside Actor: Booth

Afterpiece Title: The Positive Man

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne

8011
05 August 1782 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; F 2, by John Dent. Prologue ascribed to George Colman, the elder (see Town and Country Magazine, Aug. 1782, p. 400)]

Performances

Mainpiece Title: The East Indian

Related Works
Related Work: The East Indian Author(s): Matthew Gregory Lewis

Afterpiece Title: The Candidate

Dance: As17820613

8012
01 October 1782 @ Drury Lane Theatre

Event Comment: "When Brabantio speaks to Iago and Roderigo from the Window, Aickin should not show to the audience that he stands upon a Ladder, which he manifestly does, by getting down first, and pulling the Window down after him ... Mrs Ward and Mrs Hopkins seemed to have forgot their Engagement on the Stage, and dressed themselves for a Card Party ... frizzed, hooped and fly-capp'd" (Public Advertiser, 4 Oct.). [Afterpiece: Prologue by George Colman, the elder.] Receipts: #152 0s. 6d. (107/7/0; 44/11/0; 0/2/6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Farren; Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Norris; Gratiano-Wrighten; Iago-Bcnsley; Emilia-Mrs Hopkins; Desdemona-Mrs Ward .
Cast
Role: Othello Actor: Farren

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Simson; Miss Tittup-Miss Farren .

8013
01 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performance Comment: Principal Characters by Wilson, Wood, Wewitzer, Blissett, Massey, Stevens, Usher, Kenny, Painter, Ledger, Pierce, Edwin; Mrs Webb, Mrs Wells, Mrs Bannister. [Cast adjusted from Songs (T. Cadell, 1781): Sir Walter Weathercock-Wilson; Edward-Wood; Degagee-Wewitzer; Plume-Blissett; Coachman-Massey; Sheers-Stevens; Dennis-Usher; Black-Kenny; Motley-Edwin; Miss Hebe Wintertop-Mrs Webb; Comfit-Mrs Wells; Caroline-Mrs Bannister. Painter, Ledger, Pierce are unassigned.] hathi. hathi.
Cast
Role: : Sir Walter Weathercock Actor: Wilson

8014
09 February 1784 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

8015
27 February 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door, for Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Il Penseroso

Performance Comment: Principal Vocal Parts by Norris, Reinhold; Miss George, Mrs Kennedy. 1st Violin by Richards .

Afterpiece Title: The Coronation Anthems

8016
05 March 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

8017
03 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Cast
Role: Captain of the Guards Actor: Alfred

8018
07 May 1784 @ Covent Garden

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Whitfield; Kitchen-Thompson; Frankly-Davies; Cross-Fearon; Charlotte-Mrs Whitfield; Sally-A Very Young Lady, the same that performed it in the Haymarket [on 18 June 1783] (1st appearance on this stage [Miss Logan]); Landlady-Mrs Davenett; Lettice-Mrs Morton; Mrs Cross-Mrs Webb .
Cast
Role: Sally Actor: A Very Young Lady, the same that performed it in the Haymarket

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

8019
12 July 1784 @ Haymarket Theatre

Event Comment: Mainpiece: Never acted here. [The playbill lists R. Palmer as Rodolpho in mainpiece, and as Young Clackit in afterpiece, but he "was prevented appearing either in the tragedy or entertainment, having had the misfortune to break his arm" Chondon Magazine, July 1784, p. 75). For Egan and Riley as his substitutes see 14 July. Miss Woollery is identified on playbill of 24 July. Prologue by George Colman, the elder (Colman, Prose, III, 254). Miss Kemble was from DL.]

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Guardian

8020
18 August 1784 @ Haymarket Theatre

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Miss Kemble; Lady Russel-Miss Woollery. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Charles the Second Actor: Aickin

Afterpiece Title: The Agreeable Surprise

8021
13 September 1784 @ Haymarket Theatre

Event Comment: [Lacy was from DL. Address by George Colman, the elder (Colman, Prose, in, 260).]

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Lacy (1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Wilson; Laertes-Davies; Player King-Usher; Marcellus-Riley; Ostrick-R. Palmer; Gravediggers-Parsons, Wewitzer; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Bates. Preceding the Play an Address spoken by Lacy .
Cast
Role: Queen Actor: Mrs Bates. Preceding the Play an Address spoken by Lacy

Afterpiece Title: Peeping Tom

8022
17 September 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

8023
26 October 1784 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.] Receipts: #129 10s. (99/2; 30/4; 0/4)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-R. Palmer; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Wrighten; William-Burton; Le Beu-Phillimore; Jaques-Palmer; Caelia (with the Cuckow song)-Mrs Wilson; Audrey-Mrs Wrighten; Phoebe-Miss Barnes; Rosalind-Miss E. Kemble .

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue')-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Burton; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Tidswell; Miss Tittup-Miss Farren .

Dance: End of Act I of mainpiece The Sportsmen's Return, as17840916

Song: In Act V of mainpiece a song by Miss Field. [This was sung, as here assigned, in all subsequent performances.]

8024
27 January 1785 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

8025
11 February 1785 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit 51. 1st Gallery 3;. 6d. 2nd Gallery is. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performance Comment: [In subsequent seasons this was performed under the title of Redemption]. Principal Vocal Parts by Norris, Reinhold; Miss George, Miss Phillips. 1st Violin-Richards .