SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4212 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Account-Book, 29 Mar.: Received from Ashley Oratorio Rent #52 10s. [this amount paid for each of the 11 nights of the oratorio season, being a total of #577 10s.)

Performances

Mainpiece Title: A Grand Selection Of Sacred

Music: Principal Vocal Performers, Leader, Organ as17940307ART I. As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live

Performance Comment: As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live .
Event Comment: Benefit for Sga Banti. 2nd piece: A Comic After-piece; the music by Paisiello. Tickets to be had of Sga Banti, No. 3, Hay-market. "The Banti's Benefit produced (presents included) #1, 353" (World, 3 June)

Performances

Mainpiece Title: Semiramide

Afterpiece Title: LA SERVA PADRONA

Dance: End of Act I of afterpiece us Ruus dt I' A11WMr (performers not listed, but see17940401 No other ballet performed this evening.]

Event Comment: Benefit for Hull and Miss Hopkins. 2nd piece: Written by [John] Hoole, the elegant Translator of Tasso, Ariosto, &c. Receipts: #208 0s. 6d. (55/2/0; 7/10/0; tickets: 145/8/6)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: CYRUS

Performance Comment: Cyrus-Holman; Astyages-Richardson; Mithranes-Hull; Harpagus-Harley; Cambyses-Farren//Aspasia-Miss Hopkins; Mandanc-Mrs Yates (Who performed the Grecian Daughter, at Mr Colman's Theatre [31 Mar.], with distinguished Applause; 2nd appearance on any stage) .31 Mar.], with distinguished Applause; 2nd appearance on any stage) .

Afterpiece Title: THE SPRIGS OF LAUREL

Cast
Role: George Streamer Actor: Mrs Martyr
Event Comment: By Permission of the Lord Chamberlain. Benefit for the Gentleman who performs the Part of Zanga [in THE REVENGE], and Mr and Mrs Simpson. Mainpiece: Written by the celebrated Dr Young, Author of the Night Thoughts, &c. Afterpiece: As an After-piece [i.e. reduced from 5 to 3 (?) acts]. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Longman and Broderip, Cheapside and Haymarket; Pass, No. 53, High Holborn; Bland's Music Warehouse, No. 45, High Holborn; Strutt, Bookseller, No. 20, Little Queen-street, Lincoln's Inn Fields; Ellwick, Musical Instrument Maker, No. 55, Long Acre, comer of Phoenix O>urt; Padbury, Coal Merchant, No. 24, Henrietta-street, Covent Garden; Evan, Bookseller, No. 351, near the Pantheon, Oxford Road; and of Simpson, at No. 33, St. Martin's-street, Leicester-square

Performances

Mainpiece Title: The Revenge

Performance Comment: The Characters by Gentlemen and Ladies of acknowledged Dramatic talents and known respectability .
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Performance Comment: Gray and Harcourt- Two of the Gentlemen who perform in the Tragedy; Woodville-Taylor (from the Theatre-Royal, Edinburgh); Governor Harcourt-Baker (from the Theatre-Royal, Dublin); Lord Glenmore-Villars (from the Theatre-Royal, Norwich); Vane-Wilkinson; Jacob Gawkey-Simpson//Bridget-Mrs Simpson; Miss Mortimer-Miss Achmet; Mrs Warner-Mrs Heaphy; Cecilia-A Lady (1st appearance [unidentified]). Fpilogue spoken by Simpson .unidentified]). Fpilogue spoken by Simpson .

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson

Event Comment: Benefit for Follet, Sloper & Farley. By Particular Desire of His Excellency the Turkish Ambassador [see 7 May). 2nd piece: To conclude with a Representation of the Engagement and Defeat of the French Navy, by the British Fleet under the Command of Lord Howe, on the Glorious First of June (1794); with the bringing in La Juste, Sans Pareille, L'America, L'Achille, Northumberland, et L'Eupeteux; and the Sinking of Le Vengeur; with Rule Britannia. Receipts: #357 10s. (66/2/6; 3/16/6; tickets: 287/11/0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: HARLEQUIN AND FAUSTUS

Performance Comment: As17940213, but added: In the course of the Pantomime (for that night only) Harlequin will leap through a Blazing Star of Fireworks, and a Hogshead of Real Water; The Peacock-Sloper; omitted from I: all characters; from III: Harlequin, Miller, Bridemen, Miller's Wife, Bridemaids; from V: Playhouse Glee; VII entire; IX entire . omitted from I: all characters; from III: Harlequin, Miller, Bridemen, Miller's Wife, Bridemaids; from V: Playhouse Glee; VII entire; IX entire .

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Afterpiece Title: LODOISKA

Event Comment: 2nd piece: In one act. ["The following Gentlemen of the Chorus absent from this Evening Performance, viz., Messrs Boyce, Hobler, Dixon, Dorion Sen., Annereau; Dancers: Messrs G. D'Egville and Hamoir" (Powell).] Powell: Heiress rehearsed at 10; High life at 12; New Ballet [Glorious First of June] at 12. Receipts: #209 16s. 6d. (143/18/0; 63/7/6; 2/11/0)

Performances

Mainpiece Title: No Song No Supper

Afterpiece Title: HIGH LIFE BELOW STAIRS

Afterpiece Title: LODOISKA

Dance: In 2nd piece A Mock Minuet by Palmer and Miss Pope

Event Comment: Boxes 6s, Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Office in Russell-Street. Printed by C. Lowndes, next the Stage Door [and see 7 Oct.]. The Doors to be opened at 5:30. To begin at 6:30 [see 28 Oct.]. Powell, 15 Sept.: Jew rehearsed at 11; 16 Sept.: My Grandmother rehearsed at 10. Receipts: #387 16s. 6d. (307.1.0; 79.2.0; 1.13.6)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: My Grandmother

Performance Comment: Sir Matthew Medley-Maddocks; Vapour-Bannister Jun.; Woodly-Sedgwick; Gossip-Suett; Souffrance-Benson; Waiter-Bland; Servant-Lyons; Charlotte-Miss DeCamp; Florella-Miss Leak.
Cast
Role: Sir Matthew Medley Actor: Maddocks
Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: notes that the Principal parts Actor: Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: Afterpiece [1st time; F 2, by Mary Robinson. Prologue and Epilogue by the author (London Chronicle, 1 Dec.). MS: Larpent 1046; not published]: With new Dresses, &c. "The dissatisfaction to the Piece being so great [Mrs Jordan] was so much agitated as to be unable to repeat above one half of the Epilogue, which, from the Opposition of Hisses and Applauses, not scarely three lines of that could be distinctly heard" (Powell). Powell: New Ballet rehearsed at 10; Nobody at 12. Receipts: #334 2s. 6d. (222.13.6; 107.10.6; 3.18.6)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.
Event Comment: A new Comic Opera; the music entirely by Paisiello [performed at the Pantheon, 14 May 1791, as La Molinarella]. Bianchi and Martini [i.e. Martin y Soler] are both engaged as composers to this Theatre, and will each preside at the harpsichord the three first nights of every new Opera of their composition. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [see 30 Apr. 1795]. The Nobility are intreated to give directions to their servants to set down and take up at the Theatre, with horses' heads towards Pall Mall. On account of abuses practised in the names of the Subscribers it is become necessary to require the production of the Subscription Tickets both at the doors and the Boxes, At the Chair-door in Market-lane Subscribers only will be admitted. "The Pantomime is too much in the gaudy stile of Italy, and even in this respect the ballet-master is not well seconded by the machinist; the decorations were unfinished, and the scenes clumsily shifted...We were sorry to find that the new and superb room, which the proprietor was encouraged to build, and Which was opened in its unfinished state last year, is now entirely shut up, through the cabal of some few of the subscribers who refuse a miserable guinea for its illumination. The inconvenience of getting away from the Theatre will consequently be severely felt by the Beau Monde" (Morning Chronicle, 8 Dec.)

Performances

Mainpiece Title: L'amore Contrastato; Or, La Molinarella

Dance: End I: a Divertisement-Mme Hilligsberg, others; End II: [a grand Heroic Pantomime Ballet composed by Onorati Giustino I Imperatore dei Romani [; or, Il Trionfo dell' Amore e dell' Amicizia-D'Egville, Gentili, Aumer, Mme Ferlotti [Rinaldi], Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Event Comment: A Comic Opera; the music by Paisiello. With entire new Scenes, Dresses and Decorations

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Divertisement, as17941220; End II: L'Espiegle Soubrette, as17941220, but Mme Derlotti

Event Comment: Afterpiece [1st time; P 3 (except for 1st two performances, which were 2), by James Harvey D'Egville. Synopsis of action (C. Lowndes [1795])]: A Representation calculated to shew the extent and powers of the New Stage, and which has been in preparation during the whole of the Season (notice on playbill of 10 Feb.). The Musick composed by Krazinsky Miller. The Scenes, Machinery, Dresses and Decorations are entirely new. The Scenery designed and executed by Marinari, and his Assistants. The Machinery designed by Cabanel, and executed by him and Jacobs. The Dresses and Decorations by Johnston and Miss Rein. Powell: [The pantomime] was astonishingly well received, except the chorus of 'Happy Pair' at the end, which was so shamefully managed that the performers met with, what they much deserved, great disapprobation. The acting of the piece was in general well conducted, but the Processionv [The Piece will conclude with the Entry of Alexander into Babylonv, and his Marriage with Statirav (playbill)], for want of room to arrange behind, was unavoidably sent on in a very confused manner...Alexander's car could not be sent on this evening, not being yet complete. [These difficulties are somewhat surprising, in view of the fact that the pantomime had had 54 rehearsals. And see 13 Feb.] 11 Feb.: Chorusses to New Ballet rehearsed at 10; Natural Son at 11; New Ballet at 11; New Ballet (full rehearsal) at 6; 12 Feb.: New Ballet rehearsed at 12. Receipts: #504 3s. 6d. (417.2.0; 83.16.6; 3.5.0)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

Performance Comment: Macedonians: Alexander-J. D'Egville; Hephestion-Aumer; Clytus-Dubois; Perdiccas-Fairbrother; Parmenio-Phillimore; Ptolemy-Caulfield; Attalus-Benson; Eumenes-Bland; Philip-G. D'Egville; Officers-; Guards-; Attendants-; Thalestris-Mrs Fialon (1st appearance on this stage); Amazons-Miss Collins, Miss Heard, Miss D'Egville, Miss Redhead, Miss Stageldoir, Miss Stuart, Miss Tidswell, Mrs Bramwell; Persians: Darius-Fialon; Son of Darius-Master Menage; Oxathres-Boimaison; Memnon-Webb; Arsites-Maddocks; Spithridates-Banks; Raesaces-Lyons; High Priest of the Sun-Roffey; Sysigambis-Mrs Cuyler; Parisatis-Mrs Hedges; Artemisia-Mrs Butler; Statira-Miss J. Hilligsberg (1st appearance on this stage); Satraps-Kelly Jun., Evans, Brady, Caulfield Jun., Powell, Creed; Attendant Females-Miss Brooker, Miss Phillips, Miss Daniel, Mrs Harris, Mrs Haskey, Miss Chatterley, Miss Granger, Mrs Jones, Miss Menage, Miss D'Egville; Priests-; Persian Army=-.
Cast
Role: Perdiccas Actor: Fairbrother
Role: High Priest of the Sun Actor: Roffey
Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950228

Event Comment: Benefit for Lewis. Mainpiece: In Act II the admired Procession from the Grand Spectacle of Hercules and Omphale, with the entire Decorations, Music, Dance, Dresses, &c. adapted and introduced in the Triumphal Entry of Alexander into Babylon. 3rd piece: Never acted at this theatre. Morning Chronicle, 26 Mar.: Tickets to be had of Lewis, No. 6, Bow-street, Covent-Garden. Receipts: #392 6s. 6d. (273.4.0; 13.4.0 ; tickets: 105.18.6)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The British Recruit

Afterpiece Title: The Absent Man

Song: As17950316

Event Comment: Mainpiece [1st time; C 5, by Edward Jerningham. Prologue by John Taylor. Epilogue by Henry Seymour Conway (see text)]. Morning Chronicle, 22 May 1795: This Day is published The Welch Heiress (2s.). Receipts: #309 12s. 6d. (246.1.6; 51.15.6; 11.15.6)

Performances

Mainpiece Title: The Welch Heiress

Performance Comment: Characters by Palmer, Dodd, Barrymore, Hollingsworth, Bannister Jun., Suett, R. Palmer, Aickin, Webb, Evans, Miss Farren, Miss Pope, Mrs Jordan. [Cast from text (Richard White, 1795), and London Chronicle, 18 Apr.: Lord Melcourt-Palmer; Sir Pepper Plinlimmon-Dodd; Mr Fashion-Barrymore; Taffy-Hollingsworth; Mr Phrensy-Bannister Jun.; Cautious-Suett; Mr Fancy-R. Palmer; Steward-Aickin; Lady Bellair-Miss Farren; Lady Plinlimmon-Miss Pope; Miss Plinlimmon-Mrs Jordan; Webb, Evans [are unassigned; Prologue [read-Barrymore ["Barrymore could not learn the prologue" (Boaden, Jordan, I, 286)]; Epilogue-Miss Farren.

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks
Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.
Cast
Role: Father Actor: Hull

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Cast
Role: Father Actor: Hull

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: British Fortitude and Hibernian Friendship; or, An Escape from France

Afterpiece Title: Harlequin and Faustus

Performance Comment: As17940922, but The Peacock transferred from IX to VII; from I: Belial-_; Ades-_.

Song: End I 1st piece: The Storm-Incledon; End II: The Description of the Battle of La Hogue, Thursday in the Morn the Nineteenth of May-Incledon (1st time); In course: Four and Twenty Fidlers-Munden; In 2nd piece: I was called knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The turban'd Turk who scorns the world-Johnstone; When foaming waves contrary beat-Incledon; To be sure I don't love in my heart-Johnstone; Our simple tale thus ended-Incledon, Johnstone, Munden, Mrs Mountain

Event Comment: 2nd piece [1st time; MF 3, by Prince Hoare, Author of Prologue-unknown]: With new Scenes, Dresses, &c. The Overture and Musick composed by Storace. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Three and the Deuce

Performance Comment: Principal Characters-Bannister Jun.!, Bannister Jun.!!, Bannister Jun.!!!, Suett, Fawcett, Johnstone, Wathen, Caulfield, Bannister, Benson, Cooke, Waldron Jun., Lyons, Ledger, Cross, Abbot, Mrs Bland, Miss Leak, Mrs Gibbs; [Cast from Songs (no pub., 1795), and text (Barket & Son, 1806): Pertinax Single-Bannister Jun.; Peregrine Single-Bannister Jun.; Percival Single-Bannister Jun.; Justice Touchit-Suett; Humphrey Grizzle-Fawcett; MacFloggan-Johnstone; Frank-Wathen; Renard-Caulfield; Freeman-Bannister; Mr Milford-Benson; Waiters-Waldron Jun., Lyons; Tippy-Ledger; Pinch-Cross; Cramp-Abbot; Taffline-Mrs Bland; Phebe-Miss Leak; Emily Milford-Mrs Gibbs; unassigned-Cooke; Prologue-Fawcett. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Event Comment: Mainpiece: 9th Night [i.e. in continuation of the reckoning for the preceding season]. Places for the Boxes to be taken of Fosbrook, at the Office, Russel Street. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Upper Gallery 1s. 2nd Price 6d. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. An alteration in the Property taking Place in the present Season [i.e. the introduction of two new proprietors], the former Free List of the Theatre necessarily expires. Printed by C. Lowndes, next the Stage-Door. Receipts: #344 17s. 6d. (247.9.0; 95.1.0; 2.7.6)

Performances

Mainpiece Title: First Love

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Dependent

Performance Comment: Characters by King, Suett Kemble, Aickin, Bannister Jun., Wathen, Phillimore, Maddocks, Evans, Miss Pope, Miss Farren, Mrs Maddocks. Cast from Morning Chronicle, 21 Oct.: Lord Leverington-King; Sir Clement Cantefer-Suett; Edmund D'Alincourt-Kemble; Carrington-Aickin; Gabriel Wrinkle-Bannister Jun.; Isaac-Wathen; Thomas-Phillimore; Harry-Maddocks; Servant-Evans; Mrs Margaret-Miss Pope; Jane-Miss Farren; Dame Dawkins-Mrs Maddocks; Prologue-Whitfield; Epilogue-Mrs Goodall.
Cast
Role: Isaac Actor: Wathen

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks