SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George Alexander Steevens"/1) | (@(roleclean,performerclean) "George Alexander Steevens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5324 matches on Author, 852 matches on Performance Comments, 673 matches on Event Comments, 575 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: We hear that Mr Handel will play a Concerto on the organ in Alexander's Feast, Wednesday next at Covent Garden Theatre

Performances

Mainpiece Title: The Earl Of Essex

Dance: IIl Pastore, as17521219

Event Comment: Paid 3 Day's salaries to Wed. 28 Dec. 1757. Rec'd for Mr Dall's painting in Alexander #1 1s. (Account Book)

Performances

Event Comment: The Tragedy of Alexander is oblig'd to be deferr'd till further notice. Boxes #42 12s. 6d. (Account Book). Receipts: #175 17s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: La Disfatta Di Dario

Performance Comment: At the end of Act III: Chorus by Handel in Alexander-.
Event Comment: In the Gazetteer 25 Feb. appeared a long editorial by "Rectus": "Though the performing oratorios in the time of Lent,is highly censured by many, yet I must own that I think the far greater part of them become enemies to those solemn performances, rather because their ears are more unfit for music than their minds are for the pretended immorality that attends such exhibitions." [The writer wishes not to cry down every entertainment he cannot relish himself and adds], "I have long endeavoured to find out the reason why plays should not be performed on Wednesdays and Fridays in Lent as well as on those days all through the rest of the season. I have never yet been able to find out that Lent makes the least difference in people's way of living." [He wonders, however, why the non-sacred oratorios such as Acis and Galatea and Alexander's Feast have been allowed performance. He then registers a mild complaint about the management of the Oratorios because they do not include sufficient solo instrumental entertainment between the parts.] "This custom was wholly dropped last year, and I complained greatly of it in a letter which you did me the favour to insert. I was greatly surprised to find Mr Pinto, who then led the band, was either not permitted or not paid to play a solo, as well as Mr Hay, who played one every night the preceding season. Mr Stanley's illness not permitting him then to play, that omission was overlooked, though it might have been supplied by a performer on some other instrument. This season the managers have thought proper to treat their audience with one solo or concerto every night, but why not have two?" [He liked Barthelemon's solos, but lamented that Stanley sat idle, and he offered final advice that the managers should alternate the solo instruments for "pleasing variety." The admission price demands it.

Performances

Mainpiece Title: Samson

Music: As17660214

Event Comment: Benefit for Miss Young and Mr Rooker. House charges #65 1s. Paid for two practices for Alexander #1 16s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

Event Comment: N.B. On Saturday Next, 11 March, for the Benefit of Woodward will be presented Cymbeline...and a New Tragedy in Two Acts, call'd The Rival Favourites; or, The Death of Bucephalus the Great: Alexander-$Woodward; Philip-$Shuter; Statira-$Mrs Green. With a Triumphal Entry. The Funeral Procession of Bucephalus to the Monument of the Houyhnhnms and a Solemn Dirge [See Comment 7, 9, 11 March.] Receipts: #208 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Barry. Mainpiece: A Tragedy never acted there, Taken from Southern's Oroonoko [by Francis Gentleman]. Tickets deliver'd for Alexander will be admitted. Ladies send servants by 4 o'clock

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: A Peep behind the Curtain

Dance: V: New Comic Dance, as17681210

Event Comment: Benefit for Woodward. Ladies send servants by 4 o'clock. Charges #66 19s. Balance to Woodward #87 16s. 6d. plus #65 15s. from 263 Box tickets (Account Book). [The proposed afterpiece, Dr Schomberg's burlesque tragedy, The Rival Favourites; or, Death of Bucephalus the Great (Public Advertiser, 4 March), had been sent to the Licenser 27 Feb., had been cast, and put in rehearsal, but was dropped and never played there. It had been done in Edinburgh in 1765. Larpent MS 293 is the Edinburg edn. The rivals are Statira and the Horse, Statira bribes Alexander's physician to kill Bucephalus.] Receipts: #154 16s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17680930

Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: Benefit for Hartry and Fawcett. Paid 1 extra Trumpet in Rehearsal & 5 in Alexander #2 5s. Receipts: #199 5s. 6d. Charges: #65 5s. Profits to the beneficiaries: #134 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Irish Widow

Entertainment: End Act V: Judge Tycho's Sentence-Weston. [See17740505.

Dance: End I: The Irish Fair, as17730918

Event Comment: Paid tallow chandler's 2nd bill #34 7s. 4d.; 5 extra trumpets in Alexander 2 nights (11th inst. incl.) #3 15s. Receipts: #113 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Election

Related Works
Related Work: The Election of Managers Author(s): George Colman, the elder

Afterpiece Title: The Genii

Event Comment: [A humorous parody on Alexander's Feast. Music composed by Dr Arne.] Complete Books with the parody on one side and Dryden's Ode on the other, that the allusions may be traced throughout, and the words of the Catches and Glees are to be had at the Theatre. 1s. Dr Arne's last night this season

Performances

Mainpiece Title: Whittingtons Feast

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

Event Comment: Benefit for Mr and Mrs Ward. The Country Mad-Cap [announced on playbill of 5 May] is obliged to be set aside on account of Mrs Pitt's indisposition. Tickets delivered for Alexander the Great, for Saturday, May 3, will be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Mr and Mrs Ward at Stacy's, No. 76, the Corner of Long-acre, Drury-lane. Receipts: #197 18s. (82.10; tickets: 115.8) (charge: #66 1s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505

Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Event Comment: Benefit for Bannister. The great Overflow from Covent-Garden Theatre, on Tuesday last, has induced many of Mr Bannister's Friends to desire he would again perform the Part of Polly. In Compliance with the Wish of those to whom he is under so many Obligations, he will, this Evening, make his Appearance in that Character, for the last Time of his appearing in Petticoats [but see 3, 13 May]. Tickets delivered for Alexander and Acis and Galatea will be admitted. Receipts: #276 10s. 6d. (167/11/6; tickets: 108/19/0) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March-(Scipio); Tyrants would in impious throngs-Chorus (Athalia); Oft on a plat of rising ground-Harrison (L'Allegro); The many rend the skies-Chorus (Alexander's Feast); Tune your harps-Miss Mahon (Esther); From Harmony-Harrison, Chorus (Dryden's Ode); Ye Sacred Priests, Farewell ye limpid Springs-Sga Storace (Jephtha); From the censer-Chorus (Solomon).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration In westminster abbey And At The pantheon On 26 And 27 May 1784 0 Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: As17900219

Performances

Mainpiece Title: Acis And Galatea Messiah

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: End II oratorio: concerto on the violoncello-Mason

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: The Prince unable to conceal his pain-Sga Storace [Alexander's Feast]; Welcome welcome mighty King-Chorus [Saul]; See the conquering Hero comes-Chorus; See the godlike youth advance-Sga Storace, Miss Romanzini, Chorus; March (Judas Maccabaeus)-; Concerto on the violin-Weichsel; Shall I in Mamre's fertile plain-Reinhold; For all his mercies we will sing-Chorus [Joshua]; O! Liberty-Cizo; accompanied on the violoncello-Mason; 'Tis liberty-Miss Romanzini [Judas Maccabaeus]; Arise O God with glory crowned-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Grand Concerto-; He shall feed his flock-Miss Romanzini; Come unto Him all ye that labour-Mrs Crouch (The Messiah); The list'ning crowd-Chorus [Alexander's Feast]; 'Tis mighty wine inspires us-Reinhold [Otho]; I'll proclaim the wondrous story-Miss Romanzini, Cizo [Esther]; How vain is man-Dignum [Judas Maccabaeus]; With plaintive notes-Mrs Crouch [Samson]; Gloria Patri-Chorus [Jubilate].Jubilate].

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: As17900226, but The Prince unable-Miss Poole (Alexander's Feast); For joys so vast-_; Happy they-_.

Music: End II: As17900224; End Part I: Miserere Mei Deus, as17900317

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: First Grand Concerto-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; With ravish'd ears-Miss Mahon; Bacchus ever young and fair-Griffiths; Baccahus' blessings are a treasure-Chorus (Alexander's Feast); Consider fond shepherd-Miss Dall (Acis and Galatea); Disdainful of danger-Saville, Harrison, Sale; Pious Orgies-Miss Cantelo (Judas Maccabaeus); No more to Ammon's God-Chorus as17900317 The Prince unable-Miss Poole as17900319 The Horse and his Rider-Double Chorus as17900224.

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

Performances

Mainpiece Title: Redemption Selected From The Great And Favourite Works Of handel That Were Performed In westminster abbey And At The pantheon on 26 And 27 May 1784 0 Messiah Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower