SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentleman"/1) | (@(roleclean,performerclean) "Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2257 matches on Roles/Actors, 977 matches on Performance Comments, 861 matches on Event Comments, 390 matches on Author, and 196 matches on Performance Title.

Performances

Mainpiece Title: Hamlet

Cast
Role: Gentleman Actor: Evans

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: Hamlet

Cast
Role: Gentleman Actor: Evans

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: Hamlet

Cast
Role: Gentleman Actor: Evans

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Zemire Et Azor

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Gentleman's Journal, March 1691@2 (licensed 9 March 1691@2): And after Easter we are to have a New Opera; and Mr Dryden's Cleomenes very shortly

Performances

Event Comment: Gentleman's Journal, April 1692 (licensed 13 April): Mr Banks hath writ a Tragedy call'd the Innocent Usurper....However, there being some reasons which hinder it from appearing on the Stage, he designs to submit it to the Judgment of every Impartial Reader, and it will very speedily appear in print

Performances

Event Comment: Gentleman's Journal, May 1692 (licensed 14 May): We are promised Mr Crown's Regulus, before the Long Vacation; As also a Comedy by Mr Shadwell, whose Genius for that sort of Poetry, is sufficiently known to the Ingenious

Performances

Event Comment: Gentleman's Journal, July 1692 (20 July 1692): We have had no new Play since Regulus, and 'tis very likely that we shall have none till the next Term

Performances