SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentleman"/1) | (@(roleclean,performerclean) "Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2257 matches on Roles/Actors, 977 matches on Performance Comments, 861 matches on Event Comments, 390 matches on Author, and 196 matches on Performance Title.
Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Event Comment: Benefit for Aickin. The Tragedy of All for Love, which was to have been performed this evening, is oblig'd to be changed, on account of the indisposition of Mrs Barry and Miss Younge; therefore Mr Aickin humbly hopes that his friends will accept of the Tempest in its stead. Tickets deliver'd for All for Love will be taken. Paid extra flute and hautboy 10s. (Treasurer's Book). Aickin did not act (Winston MS 10). [This month published The Sentimental Spouter; or, Young Actor's Companion. The whole comprising the essence of theatrical delivery, and the beauties of dramatic poetry. Price 1s. 6d. Printed for Wheble (Gentleman's Magazine Register).] Receipts: #123 14s. 6d. Charges: #74 14s. Profit to F. Aickin: #49 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Ladies Frolick

Dance: V: The Irish Fair, as17730918

Event Comment: Afterpiece: By desire. Last time of the company's performing this season. [The Epilogue recites the mock burial of this King of Brentford reviewing certain high points of his management. A mock heroic written by Colman and printed in the Gentleman's Magazine for June 1774 (p. 280). He sold his share for #20,000, which was #5,000 more than he paid for it. (See Page, George Colman, The Elder.) Rec'd half value of ticket returns from 13 servants amounting to #98 3s. 6d. Receipts: #124 8s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Midas

Entertainment: After Opera: the Last New Occasional Epilogue, on the Departure of the Manager,-Miss Barsanti

Event Comment: By Permission. For this Night only. Benefit for Jacobs and Owenson. To begin at 7:00 p.m. [The Public Advertiser, 20 Sept., omits Hamilton] and Walker but adds Jacobs, Everard, and a Young Gentleman 1st time on that Stage.

Performances

Mainpiece Title: The Duellist

Afterpiece Title: The Apprentice

Event Comment: Mainpiece: A New Comedy [by R. B. Sheridan] never perform'd. New Scenes and Dresses. [Gentleman's Magazine for Jan. states: "Tuesday 17, Was performed for the first time at Covent Garden a comedy call'd The Rivals, said to be written by Mr Sheridan. Some objections being made both to language and character, the author has thought proper to withdraw his piece for correction, and it has since been played with applause." See 18 and 28 Jan. The Westminster Magazine, Jan., remarked: "This comedy was acted so imperfectly, either from the timidity of the actors on a first night's performance, or from an improper distribution of parts, that it was generally disapproved....The author promised some alterations, which implied that he would be glad the Town would suspend judgment till a farther hearing" See 28 Jan. John Hampden quotes from Lloyd's Evening Post, 18 Jan., the Morning Chronicle and Morning Post of the same date, and the London Chronicle of 19 Jan. articles damning the casting and the imperfectness of the actors, the impudence of Shuter in particular, and the fatigue of the audience.

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Jubilee

Dance: II: The Jealous Harlequin, as17760117

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Imposters; or, A Cure for Credulity

Dance: I: A New Hornpipe-Miss Besford; End Comedy: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce Is in Him

Dance: End: The Grand Garland Dance, as17760410

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Performance Comment: Parts by: Bannister, Dibdin, Jackson, Griffith, Lloyd, A Gentleman first appearance, Mrs Love, Mrs Jewell. Don Pedro-Wilson; Lysander-Bret; Fabio-Bannister; Perez-Weston (?); Marcella-Mrs Jewell; Juletta-Mrs Weston (Edition of 1776).

Dance: The Venetian Regatta-

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Metamorphoses

Performance Comment: Actors only; As17760826, but Brett for a Gentleman.

Entertainment: End: Imitations-Hutton

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: A ChristmasTale

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Hotel

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Two Misers

Dance: As17770125

Song: I: song-Mrs Farrell

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Peile (the Gentleman who appeared in the character of Dorilas[on 17 Jan.]); Roderigo-Lee Lewes; Cassio-Lewis; Brabantio-Hull; Lodovico-Whitefield; Montano-Davis; Duke-L'Estrange; Gratiano-Fearon; Iago-Macklin; Emilia-Mrs Mattocks; Desdemona-Mrs Lessingham.

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Performances

Mainpiece Title: A Bundle Of Prologues

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for a Gentleman, who, through unavoidable misfortunes, is reduced to take this method of soliciting the patronage of his Friends and a Generous Public. Tickets delivered for the 26th of April will be admitted. The Doors to be opened at 6:30. To begin exactly at 7:00

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: Telemaco

Dance: As17770419

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Event Comment: [Author of Prologue unknown. In afterpiece the playbill assigns Leander to Mahon, but "after the play Hull made a genteel apology for the non-attendance of Mahon...who, by some unaccountable accident, was not arrived in town, at the same time begging their acceptance of a young Gentleman' (Morning Post, 23 Sept.). For Bowles as Leander see 10 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Sarjant (only) at the Stage-Door. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Oct.]. Receipts: #187 13s. (186.4; 1.9)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Rehearsal

Dance: As17780129