SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentleman"/1) | (@(roleclean,performerclean) "Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2257 matches on Roles/Actors, 977 matches on Performance Comments, 861 matches on Event Comments, 390 matches on Author, and 196 matches on Performance Title.
Event Comment: New Comedy Never Perform'd. [Attributed to Mrs Griffith. For Contemporary account see Gentleman's Magazine, January 1766, p 19.

Performances

Mainpiece Title: The Double Mistake

Dance: III: The Village Romps, as17651019

Event Comment: Letter in the Public Advertiser from one ag who signed herself a 'Constant Reader': "Sir: As your correspondents sometimes favour us with Theatrical Observations, permit me, though a woman, to throw in my mite, not that I aspire to the character of a Critic...the reason I take up my pen is merely for the sake of information. A few evenings ago I was at the New Comedy of the Clandestine Marriage, where, I assure you I was greatly entertained; but at the conclusion of the last act, must own was not a little surprised to find Miss Sterling so much neglected, as I was at that instant wondering what kind of Apology Sir John would make her, when behold he stands close by her without saying a word; which in my opinion concludes the play too abruptly. The author indeed has not placed her in the most excellent light; yet as a Lady, and of Character, shall I say of Fortune too, some Apology on the Gentleman's side seems naturally to arise from the incidents of the piece. But perhaps I am mistaken, which I am the more willing to imagine from the known abilities of the ingenious authors. If any of your critical correspondents should think it worth their while to set me right in that Particular, it will be esteemed a favour." (Frances Street, March 5.

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Receiv'd from a Gentleman who had too much change from the Boxes at latter account 2s. (Account Book). [In addition the House acquired twenty other sets of clothing amounting to #169 9s. 1d. See Wardrobe purchases for this year.] Receipts: #134 6s. (Account Book)

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Old Maid

Event Comment: Read the principal parts of Much Ado About Nothing. Dined at St Clements Chop House, entered into a political conversation with a young gentleman, which prevented me from getting into the Pit till 5 o'clock. Was so squeez'd I could scarcely use my glass. [Lists parts.] The play was concluded by Comic Dance by the characters. How well and with what Agility Garrick dances (Neville MS Diary)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Oxonian in Town

Performance Comment: Parts-Woodward, Bensley, Barrington, DuBellamy, Cushing, Mahoon, Quick, Wignell, Miss Ogilvie, Mrs Stephens, Miss Pierce, Miss Mills, Mrs Mattocks; Prologue-; Epilogue-. Careless-Woodward; Knowell-Bensley; Rook-DuBellamy; Shark-Mahoon; MacShuffle-Barrington; Postboy-Quick; Lucy-Mrs Mattocks; Waiter-Cushing; Slap-Wignell; Ladies of Pleasure-Miss Ogilvie, Miss Mills, Miss Pearce, Mrs Stephens (Genest, V, 186, and 1770 ed.); Prologue-Woodward (in character of a Gentleman-Commoner); Epilogue-Mrs Mattocks (Edition of 1770).

Dance: End: A New Comic Dance, as17671021

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Dance: I: The Lilliputian Camp, as17671202

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Deuce Is in Him

Dance: End: Hearts of Oak, as17671022

Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Absent Man

Dance: I: The Wake, as17680220

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Event Comment: HHopkins Diary: This morning a printed paper was handed about requesting the lovers of theatrical Performances to meet this evening at the theatre to insist upon the doors not being opened till five o'clock.--As soon as the curtain was up, they called for Mr Garrick, and would not suffer the play to begin. Mr King went on and told the audience, "that he was desired by the managers to tell them the doors for the future should not be opened till Five," A great Clap,--He added, "that the managers was always willing to oblige the publick in everything that was in their power; but they thought that on very full nights it would be attended with some inconvenience." They would not hear of any alteration,--he then told them, "the doors should always for the future be opened at five, unless the public applyed to have it altered." All then was quiet and the play began. Mr Weston, whose name was in the Bills for Jerry, was taken suddenly ill, and Mr W. Palmer went on for it without an apology.--called out, "Mr Holland, what is the reason we have not Mr Weston according to your publication in the Bills?" They then were told he was taken suddenly ill--"then pray make an apology for him" they said.--Another gentleman called out "Don't answer him, Mr Holland, you do him too much honor by deigning to answer him."--then all was quiet, and the play went on

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

Event Comment: Letter from Impartial to the editor of the Public Advertiser: The managers of the Opera most certainly think themselves peculiarly unfortunate in having incurred the disapprobation of your correspondent Timotheus....If...it has been found...that this Demi-critic has given his opinion to the public too precipitately, little regard will be paid to his animadversions, and the managers who, perhaps, will be found to have spared neither trouble or expense, will meet with the support they solicit....The splenetic gentleman, perhaps, resides chiefly in the country, and only came to town to see some Raree Shew, consequently he might never have heard of our justly celebrated Lovattini, Guadagni, Moriggi, and so forth, with whose performances we have been so highly entertained, to whom the Nightengale, as he is pleased to call Giaccomazzi, and Luciani, for the demi-characters in the Comic will make no inconsiderable additions; from hence I conclude, that our Opera entertainments this season will exceed any we have ever had in this country

Performances

Mainpiece Title: Gli Amanti Ridicoli

Performances

Mainpiece Title: Orestes

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Devil to Pay

Dance: I: A New Pantomime Dance, call'd The Florist-Mas. Blurton, Miss Besford, Miss Ford (scholars to Fishar), Arnauld, Miss Capon (Apprentice to Fishar); II: A Minuet-Fishar, Sga Manesiere; III: [By Particular Desire, The Garland[, with an Allemand, as17681028; End: The Wapping Landlady (not performed this season) [see17670427] [but Sga Manesiere impersonates an Orange@Woman instead of a Milk@woman, [with a Double Hornpipe-Fishar, Sga Manesiere; End I Afterpiece: A New Tripple Hornpipe-Mas. Blurton, Miss Besford, Miss Ford

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Lovers Of Their Country; Or, Themistocles And Aristides

Afterpiece Title: The Country Farmer Deceiv'd; or, Harlequin Statue

Dance: After the Play: Louvre, Minuet-Lalauze, Miss Lalauze

Entertainment: new Interlude:% The Old Women Weather Wise

Performances

Mainpiece Title: Concert Of Catches And Glees

Afterpiece Title: Capochio and Dorinna

Music: After Interlude: Concerto on Violin-Barthelemon. *u¶Ãhay Between the acts: an Interlude. Parts-Mas. Brown, Miss Weller