SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentleman"/1) | (@(roleclean,performerclean) "Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2257 matches on Roles/Actors, 977 matches on Performance Comments, 861 matches on Event Comments, 390 matches on Author, and 196 matches on Performance Title.

Performances

Mainpiece Title: The Alchemist

Related Works
Related Work: The Tobacconist Author(s): Francis Gentleman

Afterpiece Title: The Chaplet

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: Paid Norton 4 Chorus #1 (Treasurer's Book). This month publish'd An Impartial Statement of the case of the French Players. Printed for Spavan (Gentleman's Magazine, Register of Books). Receipts: #160 (Cross); #126 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Dance: GGrand Scotch Dance, as17491031

Event Comment: Benefit for a Citizen in Distress. Benefit for Mr Buss. Cash #47 1s. 6d. plus tickets #46 19s. Total income #94 6s. (Treasurer's Book). Tickets to be had at Pinchbeck's Toy Shop, in the Haymarket; the Mitre, Union St., Westminster; The Rummer, Charing Cross, the Gentleman and Porter, Fleet St.; Mr Dickenson, Printseller, Fleet St., Doctor's Commons Coffee House; the Dog Tavern, Garlick Hill; the Three Tuns Aldgate; and of Hobson at the stage door. Tomorrow, the Merchant of Venice, for the Benefit of a Young Gentlewoman under misfortunes, by the bankruptcy of her Guardian (General Advertiser). Receipts: #93 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lying Valet

Dance: CComic Dance-Mathews, MacNeale, Miss Baker

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Performances

Mainpiece Title: Merope

Afterpiece Title: The Chaplet

Dance: VVenetian Gardeners-Grandchamps, Mlle Auretti

Performances

Mainpiece Title: The Messiah

Performance Comment: [See Gentleman's Magazine; Deutsch, Handel, p. 708.]

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: Venetian Gardeners-Grandchamps, Mlle Auretti

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Lethe

Song: Six Brothers, cloathed

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Mainpiece: By Desire. Tickets deliver'd out by Mr Oswald will be taken (General Advertiser). Mr Oswald ye Music had some Tickets (Cross). [Queen Mab played thirty-two times consecutively at full prices.] A. Betson, Miscellaneous Dissertations: Historical, Critical, and Moral, on the Origin and Antiquity of Masquerades, Plays, Poetry, and several other heathenish customs. Printed. (Register of Books, Gentleman's Magazine, Feb. 1751, p. 95). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: MMrs Mariet our Columbine ran away with some Gentleman (Cross). Mr Havard, the Comedian, who a few days ago was so well recover'd from his illness as to come abroad, is relapsed (General Advertiser). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: Zara

Dance: As17500926

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Event Comment: To begin at 12 noon at the Foundling Hospital. There were above 500 Coaches and the tickets amounted to above 700 guineas (Gentleman's Magazine, May 1751)

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Queen Mab

Dance: II: A Comic Dance-Sg Piettero, Sga Piettero second time upon English Stage; IV: By Desire a Hornpipe-the Little Swiss

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: The Anatomist

Event Comment: mong the Addresses of the Lords and Commons to the Sovereign which appeared in the Gentleman's Magazine (Nov. 1751, pp. 513-14) one recommended that provision be made for suppressing audacious crimes of robbery and violence. A contributor called Mr Urban's attention to a "method of reformation earnestly recommended more than 40 years ago by an eminent Divine" (Dean Swift). In this treatise occured the following paragraph: "The Reformation of the Stage is entirely in the power of the Court; and in the consequence it hath upon the minds of younger people, doth very well deserve the strictest care. Surely a pension would not be ill employed on some men of wit, learning and virtue, who might have power to strike out every offensive and unbecoming passage from plays already written, as well as those that may be offered to the stage for the future, by which, and other wise regulations, the theatre might become a very innocent and useful diversion instead of being a scandal and reproach to our religion and country."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: Afterpiece: Not acted these 7 years. [See 31 Dec. 1744.] The Tragedy of the Siege of Damascus is now in rehearsal at Covent Garden, in which Mr Barry will perform the part of Phocyas , being his first appearance in that character. And a Gentleman who never performed on any stage, will soon appear in the Character of Richard III

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Necromancer; or, Harlequin Dr Faustus