SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentleman"/1) | (@(roleclean,performerclean) "Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2257 matches on Roles/Actors, 977 matches on Performance Comments, 861 matches on Event Comments, 390 matches on Author, and 196 matches on Performance Title.
Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Event Comment: Luttrell, A Brief Relation, IV, 376, 5 May 1698: The lord Monmouth moved the house against the impudence of the actors at the playhouses, upon Powell s wounding a gentleman; and the lords with the white staves are to desire his majestie that none of the players wear swords

Performances

Event Comment: Rich's Company. Post Boy, 31 May-2 June 1698: London, June 2nd. This Day, at the Theatre in Drury-Lane, will be Acted a Play, called, The Plain-Dealer, upon a very charitable Account, the Profits of the Play being given for the Release of a distressed Gentleman from Prison: And the chief Part is acted by Capt. Griffin, formerly a famous Actor, and lately Captain of a Company of Foot in His Majesty's Service, through the Wars in Ireland

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box at Constant Couple. See Hotson, Commonwealth and Restoration Stage, p. 378. There is no certainty that this is the first performance, but the fact that the play was advertised in the Post Man, 7-9 Dec. 1699, suggests that the first production may have occurred in mid-November. The Prologue also refers to the abandonment of Dorset Garden to "That strong Dog Sampson" (see 15 and 25 Nov. 1699). A song, Thus Damon knock'd at Celia's door, set by Daniel Purcell, was published separately about this time. Preface, Edition of 1700: All will join with me in Commendation of the Actors, and allow, without detracting from the Merit of others, that the Theatre Royal affords an excellent and compleat Set of Comedians. Mr Wilks's Performance has set him so far above Competition in the Part of Wildair, that none can pretend to envy the Praise due to his Merit. Preface to The Inconstant (1702): I remember, that about two Years ago, I had a Gentleman from France [The Constant Couple] that brought the Play-house some fifty Audiences in five months. A Comparison between the Two Stages (1702), p. 32: Critick: But above all, commend me to the ingenious Author of the Trip to the Jubilee. Ramble: Oh Lord, Sir! you won't quarrel with that Play; never any thing did such wonders. Critick: Oh 'twas admirable! admirable! I wonder the Town did not just then bespeak the Bays for him. Sullen: Nay, for ought you and I know, he may live to enjoy 'em; I assure you all the run of the Town is on his side. The Owl was never more esteem'd at Athens than the Trip to the Jubilee was here. Critick: Indeed I have known a Footman have a great stroak with his Lord at begging a Favour; if all the Footmen in Town that admire him were to club for his Preferment, I don't know what might be done. Ramble: The Footmen? Ay, and the middle Gallery too, I assure you are of his side, and that's a strong Party. Critick: Why, I believe it, 'tis about the pitch of their Understanding; but if ever it diverted one Man of tolerable Sense I'll be hang'd. Sullen: I don't know who are your People of tolerable Sense, Mr Critick, but at the play I have seen the Pit, Box and Stage so crowded--and if that is not a sign

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Event Comment: Betterton's Company. Flying Post, 2-4 July 1700: At the Request, and for the Entertainment of several Persons of Quality, at the New Theatre in Lincolns-Inn-Fields, to Morrow, being Friday, the 5th of this instant July, will be acted, The Comical History of Don Quixote, both Parts being made into one by the Author. With a new Entry by the little Boy, being his last time of Dancing before he goes to France: Also Mrs Elford's new Entry, never performed but once; and Miss Evan's Jigg and Irish Dance: With several new Comical Dances, compos'd and perform'd by Monsieur L'Sac and others. Together with a new Pastoral Dialogue, by Mr George and Mrs Haynes; and variety of other Singing. It being for the Benefit of a Gentleman in great distress; and for the Relief of his Wife and Three Children. Downes, Roscius Anglicanus, p. 45: Don Quixote, both Parts made into one, by Mr Durfey, Mrs Bracegirdle Acting, and her excellent Singing in't; the Play in general being well Perform'd tis little Inferior to any of the preceding Comedies

Performances

Mainpiece Title: The Comical History Of Don Quixote

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performances

Mainpiece Title: The Perjured Husband; Or, The Adventures Of Venice

Performance Comment: Edition of 1700 lists: Count Bassino-Mills; Armando-Simpson; Alonzo-Thomas; Pizalto-Norris; Ludovico-Fairbank; Placentia-Mrs Kent; Aurelia-Mrs Oldfield; Florella-Mrs Baker; Lady Pizalto-Mrs Moore; Lucy-Mrs Lucas; Prologue (by a gentleman)-Mrs Oldfield; Epilogue [by Mr B [William Burnaby?]-Haines.
Event Comment: An excellent Comedy, (not Acted these 18 Years)...Written by the Ingenious Mrs Ann Behn. [This performance was presumably a part of a summer season at dl. The presentation of The Gentleman Cully at lif implies a similar season there.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performances

Mainpiece Title: The Funeral

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Event Comment: [By Colley Cibber. Premiere.] And it is humbly desir'd, that no Gentleman may Interrupt the Action by standing on the Stage the First day. Preface to Ximena (1719): The Kind Imposter did not pay the Charges on the Sixth Day

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Performances

Mainpiece Title: The Wonders In The Sun

Event Comment: For the Relief of an Ancient Gentleman, who has been long under Confinement for Debt. Written by the late Mr Dryden

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

Event Comment: Benefit Underhill [in Daily Courant, 11 May, that Ancient Comedian Cave Underhill." In the same issue Ventoso had been advertised as by a Gentleman for his first appearance.

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Love Makes A Man

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performances

Mainpiece Title: The Fair Quaker Of Deal

Dance: Original Sailor's Dance-Commodore Flip, Commodore Flip's/Boadly/Crew

Performances

Mainpiece Title: The Recruiting Officer

Dance: Dutch Skipper, French Peasant-LeSac, Mrs Granger

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with all the Celebrated Songs and Pieces of Musick taken out of the last New Operas-the best Masters