SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "General Patrick Gordon"/1) | (@(roleclean,performerclean) "General Patrick Gordon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 622 matches on Event Comments, 386 matches on Performance Comments, 99 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Event Comment: Benefit the Daughter of General Nugent, who was kill'd in the Defence of Gibraltar. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick

Event Comment: By the Company of Comedians from Goodman's Fields. Written by Mr Dryden. With new Scenes, Machines, and other Decorations, particularly an exact Representation of Merlin's Cave, as in the Royal Gardens, Richmond. Boxes 5s. Pit 3s, Middle Gallery 2s. Upper Gallery 1s. At 6 p.m.[The Prologue was printed in London Daily Post and General Advertiser, 1 Oct.

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Event Comment: Mainpiece: Written by the late Mr Congreve, London Daily Post and General Advertiser, 2 Oct.: Last Night in the Entertainment of Dr Faustus...when the Machine wherein were Harlequin, the Miller's Wife, the Miller and his the Miller's Man, was got up to the full Extent of its flying, one of the Wires which held up the hind part of the Car broke first, and then the other broke, and the Machine, and all the People in it fell down Upon the Stage; by which unhappy Accident the young Woman who personated the Miller's Wife had her Thigh broke, and her Kneepan shatter'd, and was otherways very much bruised, the Harlequin had his Head bruised, and his Wrist strained; the Miller broke his Arm; and the Miller's Man had his Scull so fractured that his Life in despaired of. Thomas Gray to Horace Walpole, 6 Oct.: Covent Garden has given me a sort of surfeit of Mr Rich and his cleverness, for I was at [cg] when the machine broke t'other night; the house was in amaze for above a minute, and I dare say a great many in the galleries thought it very desterously performed, and that they screamed as naturally as heart could wish, till they found it was no jest, by their calling for surgeons, of whom several luckily happened to be in the pit. I stayed to see the poor creatures brought out of the house, and pity poor Mrs Buchanan not a little, whom I saw put into a chair in such a fright that as she is big with child, I question whether it may not kill her.-Horace Walpole's Correspondence with Thomas Gray, I, 113-14

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Necromancer

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: Mainpiece: Taken from the French of Mons Voltaire. London Daily Post and General Advertiser, 13 Oct.: We are assured Mr Giffard will very shortly open the Theatre in Goodman's-Fields, notwithstanding the many false and invidious Reports o his having intirely left that part of the Town

Performances

Mainpiece Title: Alzira

Afterpiece Title: The Worm Doctor

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Pit and Boxes put together at half a guinea each. First Gallery 5s. Upper Gallery 2s. 6d. London Daily Post and General Advertiser, 8 Nov.: The Box in which their Royal Highnesses sat, was of white Sattin, beautifully Ornamented With Festons of flowers, in their proper Colours, and in Front was a flaming Heart, between two Hymeneal Torches, whose different Flames terminated in one Point, and were surmounted with a Label, on which were wrote, in Letters of Gold, these Words, Mutuus Ardor

Performances

Mainpiece Title: Alcina

Event Comment: By Desire. At Common Prices. N.B. There being an Entertainment, the After-Money will be taken. [In London Daily Post and General Advertiser, 8 Nov., The Inconstant had been advertised for this day.

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Harlequin Shipwreck'd

Dance: IV: Delagarde, Delamayne, the first time of his appearing on this stage

Event Comment: For essays on the rivalry of actors, see Daily Journal, 13 Nov., and London Daily Post and General Advertiser, 13 Nov

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

Event Comment: For Giffard's Proposals for carrying on at lif by Subscription, see London Daily Post and General Advertiser, 13 Nov

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Shipwreck'd

Dance: II: Pierrots-Vallois, Delagarde

Event Comment: Mainpiece: Alter'd from Shakespear. [For a letter by Catherine Clive on th role of Polly in The Beggar's Opera, see London Daily Post and General Advertiser, 19 Nov.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Fall of Phaeton

Dance: In II: Muilment

Music: Select Pieces-

Event Comment: Mainpiece: Written by the late Mr Gay. London Daily Post and General Advertiser, 20 Nov.: We hear that Mr Giffard...last Night, upon the happy Occasion of her Royal Highness' s Birth-Day, entertained his Company with an elegant Supper and a Concert of Musick, where the Healths of their Majesties, the Prince and Princess of Wales, and the rest of the Royal Family were drank with universal Demonstrations of Joy

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Shipwreck'd

Event Comment: For revisions of Giffard's proposals for a subscription, see London Daily Post and General Advertiser, 22 Nov

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: Harlequin Shipwreck'd

Dance: II: Harlequin-Delamayne

Event Comment: By Desire. Mainpiece: Written by Shakespear. Afterpiece: Not perform'd these Eight Years. [For a letter on theatrical affairs, see London Daily Post and General Advertiser, 4 Dec.

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: Poor Pierot Married; or, Harlequin Happy

Event Comment: LLondon Evening Post, 1 Jan. 1737: Last Night the Beggar's Opera (about the Playing of which, as much Noise has been made, as about several of our Modern Treaties) was perform'd...to a crowded Audience; the House being full by Four. There was a prodigious uproar, with Clappin, Hissing, Catcalls, &c. Mrs Clive, who play'd the Part of Polly, when she came forward, address'd herself to the House, saying, Gentlemen, I am very sorry it should be thought I have in any Manner been the Occasion of the least Disturbance; and then cry'd in so moving a Manner, that even Butchers wept. The she told them, She was almost ready with the Part of Lucy, and at all Times shou'd be willing to play such Parts as the Town should direct, and desir's to know if they were willing she should go on with the Part of Polly; she behaving in so humble a Manner, the House approv'd of her Behavious by a general Clap. [For Occasional Prompter XI, see Daily Journal, 31 Dec.

Performances

Mainpiece Title: The Beggar's Opera

Dance: With proper Dances-

Performances

Mainpiece Title: King Richard The Third

Performance Comment: (London Daily Post and General Advertiser missing), but See17361201.

Afterpiece Title: Harlequin Restor'd

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: (London Daily Post and General Advertiser missing).

Afterpiece Title: The Fall of Phaeton

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: (London Daily Post and General Advertiser missing).

Afterpiece Title: The Fall of Phaeton

Event Comment: [P$Prince and Princess of Wales present.] London Daily Post and General Advertiser, 1 Feb. A great Disturbance made on Saturday last at Covent Garden

Performances

Mainpiece Title: Parthenope

Event Comment: Mainpiece: Not Acted these Thirty Years. All the Characters New Dress'd. Afterpiece: A New Dramatick Pantomime Entertainment. With New Cloaths, Scenes, Machines, and other Decorations. An Exact Representation of the Hermitage, as in the Royal Garden at Richmond. And Entire New Musick, compos'd by Mr Jones. [Author not known. Apparently not published.] Daily Advertiser, 2 Feb.: When one of the Changes [on 1 Feb.] by Chance miscarried, a second Attempt was generally desir'd, which, when executed, was so pleasing, a general Clap continu'd for more than the Space of a Minute

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: The Double Dealer

Performance Comment: (London Daily Post and General Advertiser missing), but Latreille says As17361106.

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Miser

Performance Comment: (London Daily Post and General Advertiser missing), but see17361218.

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Tempest

Performance Comment: (London Daily Post and General Advertiser missing), but see17370210.

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Tempest

Performance Comment: (London Daily Post and General Advertiser missing), but see17370210.

Afterpiece Title: The King and the Miller of Mansfield