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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "GS C y"/1) | (@(roleclean,performerclean) "GS C y")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2172 results for: Keyword - G.S. C y

We found 1360 matches on Event Comments, 814 matches on Performance Comments, 114 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.

351
03 September 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE APPARITION

Monologue: 1794 09 03 End of mainpiece, as 30 Aug

352
28 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

353
01 November 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

354
12 December 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

355
07 February 1795 @ King's Theatre

Performances

Mainpiece Title: Semiramide; Or, La Vendetta Di Nino

Dance: As17950124

356
21 March 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Edwy And Elgiva

Afterpiece Title: Alexander the Great

357
21 August 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Auld Robin Gray

Song: End: Mock Italian Song from The Irish Mimic; or, Blunders at Brighton-Fawcett

Entertainment: MonologueIn evening: Monsieur Tonson-Fawcett

358
31 August 1795 @ Haymarket Theatre

Performances

Mainpiece Title: Zorinski

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Prisoner at Large

359
20 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wedding Day

Afterpiece Title: The Child of Nature

Afterpiece Title: The Shepherdess of Cheapside

360
02 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

361
02 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Julia; Or, Such Things Were

Afterpiece Title: The Devil to Pay

362
23 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

363
29 August 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Iron Chest

364
01 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Wedding Day

Afterpiece Title: The Deuce is in Him

Entertainment: Monologue. To conclude with: a Short Notice of Farewells, including her own Farewell for the Present Season-Mrs Siddons

365
22 May 1797 @ Covent Garden

Performances

Mainpiece Title: The Village Fete

Afterpiece Title: The School for Wives

Afterpiece Title: Oscar and Malvina

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

366
26 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Cast

Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

367
16 October 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Outlaws

368
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

369
29 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Children in the Wood

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

370
23 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: Blue-Beard

371
21 August 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Afterpiece Title: The Purse

372
11 March 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Liar

373
15 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Afterpiece Title: The Flitch of Bacon

374
09 February 1663 @ Whitehall or St. James's

Performances

Mainpiece Title: An Unidentified Play

375
20 December 1666 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Humorous Lieutenant