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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G and W Nicol"/1) | (@(roleclean,performerclean) "G and W Nicol")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1459 matches on Performance Comments, 466 matches on Event Comments, 70 matches on Performance Title, 56 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: By Particular Desire. Paid salary list #305 15s. 6d.; Mrs Hobson a bill 14s. 9d.; Paid Mr Mattocks as per order #1 1s.; Paid Mr Cartony for 12 yds. silver lace #9 12s.; Bought 12 lbs. Lampwicke #1 (Treasurer's Book). Next Monday will be reviv'd a Comedy (not acted these 30 years) call'd Friendship in Fashion, written by Otway. Receipts: #160 (Cross); #162 6s. (Treasurer's Book). Daily Advertiser: To Mr W-d, Sir, After the many defeats you have already suffer'd in the Mimical War between us, to which Ireland as well as England have been laughing witnesses; I was greatly surpris'd to hear that you again intended to provoke my future vengeance, by dressing at me in the character of Malagene, which you are to perform in the reviv'd play Friendship in Fashion. Whatever you may think, Mr W-d, these public exhibitions of particular persons by no means become the dignity of the stage, & though a disorder in my Finances may occasionally have urged me to some Pleasant attacks in this way, yet give me leave to say, I never was abandoned enough to think 'em justifiable...Your intended attack on me...as the character you are to represent is...indeed not that of the most nice Morality; who knows but that...some may cry, "Tis he from head to Foot." As you are sensible this would be doing me great Injustice, & in my present circumstances might be particularly injurious to me, I expect you will alter the Design

Performances

Mainpiece Title: The Orphan

Afterpiece Title: A Duke and no Duke

Ballet: SSavoyard Travellers. As17500118

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Lethe

Event Comment: Mainpiece "Reviv'd" with proper Decorations. 'Tis hoped no Gentlemen will take it ill they cannot be admitted this night upon the stage, or in the Orchestra on account of the Scenery and Music, that are made use of in the play. [These two notes appear throughout the run of the play, and will not be mentioned further.] The Audience excus'd Mr Garrick speaking the Prologue (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Mainpiece: Reviv'd not acted in 10 years. Afterpiece: Written by Mr Dryden. The Music composed by Dr Boyce. Proper Dances, Chorusses, &c....The Word of the Masque will be deliver'd gratis at the doors (General Advertiser). Play not much lik'd and ye Masque greatly dislik'd (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Secular Masque

Dance: New Running Footman's Dance, as17501020

Event Comment: Kite by Mr Layfield from Dublin (Cross). Last night Mons Devisse perform'd (for the 1st time) at Drury Lane, and was receiv'd with general applause (General Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: A Duke and no Duke

Dance: CCountry Amusements, as17501102; Pigmalion, as17501102

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: A Duke and no Duke

Dance: II: Country Amusements-; V: Pigmalion, as17501102; III: Running Footman's Dance, as17501020

Event Comment: By Command of their Royal Highnesses the Prince & Pss of Wales (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti, Matthews, Mad Camargo, the Little Swiss

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Worthy-Palmer; Tunbelly-Taswell; Sir John-Scrase; Page-Master Cross; Tailor-W. Vaughan; Lory-Shuter; Bull-Burton; Nurse-Mrs James; Young Fashion-Mozeen; Berinthia-Mrs Pritchard; Coupler-Winstone; Amanda-Mrs Mills; Lord Varole-Blakes; Shoemaker-Ray; Syringe-Yates; Miss Hoyden-Mrs Clive; Foppington-Woodward; Loveless-Havard.
Cast
Role: Amanda Actor: Mrs Mills

Afterpiece Title: The Intruiging Chambermaid

Song: Mattocks

Event Comment: Afterpiece: By Particular Desire. Ye Audience allarm'd in the Middle of ye farce by Cap Robinson & Cap Loyde fighting behind ye Boxes; people suspected at first it was fire, but being convinc'd to ye Contrary set down again. Cap Rob was wounded (Cross). Was a terrible alarm at Drury Lane theatre by a noise from behind the boxes, occasion'd by two gentlemen quarrelling and drawing their swords, which produc'd a rumor of fire through the house, and so great a confusion that many were hurt in attempting to force their way out. A woman was with difficulty saved from throwing herself over the gallery into the pit (Gentleman's Magazine, p. 425). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Song: III: Mattocks

Dance: IV: Will be introduced a Comic Dance-Harvey, Mrs Addison

Event Comment: This play was reviv'd instead of ye London Cuckolds by way of Compliment to the City--not lik'd at all--Mr Ross being ill Mr Mattocks did his part at 2 Day's Notice, wch at the end of the 4 Act Mr Woodward told the Audience, & tho Mr Mattocks was hiss'd before, when he next appear'd they gave him great Applause. Mattocks never play'd a principal part before in London (Cross). Mainpiece: Never Acted there. [Inspector No 206 reports a letter on the lack of wisdom of giving the London Cuckolds on Lord Mayor's Day, as the morals of the trading youth have been corrupted by it the writer rejoices to see the substitution of Eastward Hoe for it (Daily Advertiser and Literary Gazette).] Receipts: #130 (Cross)

Performances

Mainpiece Title: Eastward Hoe; Or, Ye Prentices

Afterpiece Title: The Anatomist

Dance: HHornpipe-Mathews; The Little Swiss

Event Comment: No alterations were made in the farce, but cutting out a little, & it was play'd with great Applause, & given out again with great Clapping. Benefit for Mr Worsdale (Cross). Tickets to be had at the Bedford Coffee House. Part of Pit laid into boxes. We hear that Miss Bellamy, belonging to Drury Lane Theatre, was taken ill on Sunday last, and continues very much indispos'd. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Taste

Dance: End IV: a Comic Dance-Sg Piettro, Sga Piettro

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Taste

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist

Dance: III: A Punch Dance-Morris; IV: A Comic Dance-Harvey, Mrs Addision

Event Comment: MMons Devisse and Mons Ferrere, a Comic Dancer, lately arrived from Paris, will perform in a few days at Drury Lane. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Double Disappointment

Music: II: Concerto on Bassoons-Monsieur Karmazin first time in England

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chaplet

Dance: LLes Tonneliers de Strasburgh, as17521017

Event Comment: Benefit for Pritchard (treasurer). Farce went well Jane Shore was to have been Play, but chang'd on Sunday--Bellamy ill (Cross). Tickets of Pritchard, in Great Queen St. Lincoln's Inn-Fields, and at the Stage Door. Tickets deliver'd for Jane Shore will be taken. Afterpiece: Alter'd from Otway, with several additions never perform'd before. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: An Alteration of Scapin

Dance: II: A Dutch Dance, as17521125; IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: Benefit for Tomlinson, Walker, Baker, Robinson, Dawson, and Bride. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Miranda Actor: Mrs Clive

Afterpiece Title: Lethe

Dance: II: A Comic Dance, as17530514; III: A Hornpipe-Walker; V: A Minuet-Morris, Miss Shawford

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Chaplet

Dance: II: Hornpipe-a child five years old; V: Scots Dance-Harvey, Mrs Preston; Rural Dance-Harvey, Mrs Preston

Song: III: Lass of the Mill-Vernon

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Scapin

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Sylvia-Mrs Cowper[, her 1st appearance there she went to Ireland the next season-(Genest, IV, 380)]; Justice Balance-Burton; Worthy-Havard; Kite-Berry; Bullock-Taswell; Welch Collier-Blakes; Brazen-Woodward; Recruits-Vaughan, W. Vaughan; Melinda-Mrs Mills; Rose-Miss Minors; Lucy-Mrs Bennet.

Afterpiece Title: Harlequin Ranger