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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Thorn Drury"/1) | (@(roleclean,performerclean) "G Thorn Drury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1134 results for: Keyword - G. Thorn-Drury
We found 776 matches on Event Comments, 263 matches on Performance Comments, 73 matches on Author, 64 matches on Performance Title, and 0 matches on Roles/Actors.

676
15 March 1729 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: With a new Grotesque Part. See Fog's, 15 March, for an essay on Drury Lane and Cibber

Performances

Mainpiece Title: All For Love

Afterpiece Title: Perseus and Andromeda: With The Devil Upon Two Sticks

677
07 July 1730 @ Drury Lane Theatre

Event Comment: WWeekly Journal or British Gazetteer, 11 July: On Tuesday Night last, some Rogues broke into the Wardrobe...in Drury-Lane, and stript Gold and Silver Lace off the Cloaths, to the Value of between 20 and 30 Pounds

Performances

678
16 October 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17300923, but Jenny-Miss Smith, from Drury Lane, being the first Time of her Appearing on this Stage.

Song:

Dance:

679
19 October 1730 @ Goodman's Fields

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Giffard; Iago-Rosco, from Drury Lane, being the first Time of his appearing on this Stage; Cassio-W. Williams; Duke-Barden; Brabantio-Smith; Lodovico-Woodward; Montano-Barret; Gratiano-Machen; Roderigo-Penkethman; Desdemona-Mrs Giffard; Emilia-Mrs Haughton.

680
23 October 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17300930, but Angelica-Mrs Fitzgerald, from Drury Lane, being the first Time of her appearing on this Stage.

Dance: new %Highland Dance-Eaton, Miss Sandham

681
03 November 1730 @ Drury Lane Theatre

Event Comment: DDaily Journal, 3 Nov.: We are assured that a Patent for the Theatre-Royal in Drury-Lane, is order'd to pass the Seals in Favour of Mr Wilks, Mr Booth, and Mr Cibber, The Patent for the said Theatre was granted to Mrs Oldfield, deceas'd, upon the Death of the late Sir Richard Steele

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cephalus and Procris

682
09 November 1730 @ Haymarket Theatre

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Roberts, from Drury Lane; Cholerick-Morgan, from Lincoln's Inn Fields; Clodio-Woodward, from Goodman's Fields; Angelina-Mrs Morgan, her first on this Stage; Louisa-Mrs Woodward, her first on this Stage; Antonio-Jones; Charino-Ayres; Governor-Mullart; Duart-Lacy; Manuel-Haverd; Sancho-Reynolds; Elvira-Mrs Mullart; Honoria-Mrs Lacy; With a new Prologue on the Occasion-Roberts.

683
18 October 1731 @ Hampton Court

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: The Drury Lane Company.

684
14 July 1732 @ Drury Lane Theatre

Event Comment: As 11 July. Daily Courant, 13 July: Mr Booth of Drury Lane Playhouse hath sold his Share and Interest in the Stock and Management to John Highmore of Hampton Court

Performances

Mainpiece Title: The Beggar's Opera

685
17 August 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Farcical Ballad Opera of one Act. [By Robert Drury.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil of a Duke; or, Trapolin's Vagaries

Related Works
Related Work: The Devil of a Duke: or, Trapolin's Vagaries Author(s): Robert Drury

Dance: HHighland Dance-Native of Scotland; A new Scotch Dance-Holt, Mrs Walter; Je ne scai quoy-Vallois, Mrs Walter

686
24 November 1732 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. [The Royal Family present.] Daily Post, 23 Nov.: We hear the King and all the Royal Family remove from Richmond...and are to be at ...Drury Lane [Friday] Evening; a List of Plays, &c. having been sent to Richmond by his Majesty's Command

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: The Country Revels

687
14 March 1733 @ Academy in Drury Lane

Event Comment: DDaily Journal, 16 March: Terence's Eunuch was acted by young Gentlemen educated at the Academy in Drury Lane, now under the Direction of Mr Pearce

Performances

Mainpiece Title: Eunuch

688
05 April 1733 @ Drury Lane Theatre

Event Comment: On proposals for the future of Drury Lane, see a letter from Hill to Victor in Victor, History of the Theatres, II, 188-91

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress

689
28 May 1733 @ Haymarket Theatre

Event Comment: Benefit Vallois and Mrs Vallois (late Widow to Monsieur Roger, the Pierrot in Drury Lane, Deceas'd). Acted by the Comedians form the Theatre in Goodman's Fields. At the particular Desire of several Persons of Quality. 6:30 p.m. Boxes 5s. Pit 3s. Gallery 1s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

690
02 June 1733 @ King's Theatre

Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

691
04 June 1733 @ Chelsea

Event Comment: DDaily Journal, 26 May: We hear from Chelsea, that on Monday the 4th of June next, a Company of Comedians from the Theatre in Drury-Lane will open with the Recruiting Officer, and continue playing during the Summer Season

Performances

Mainpiece Title: The Recruiting Officer

692
05 July 1733 @ Drury Lane Theatre

Event Comment: For a discussion of the Drury Lane problem, see a letter from Hill to Highmore, 5 July 1733, in Hill, Works, I, 188-92. For Hill's intention of bringing on a play in the summer of 1733, see the preface to his Filial Pity, 1760

Performances

693
02 February 1734 @ Inner Temple

Event Comment: Daily Courant, 2 Feb.: We are credibly informed, that Charles Fleetwood, Esq; of Bromley-Hall, in the county of Stefford . . . hath purchased all the shares of the Patentees of the Theatre in Drury-Lane

Performances

Mainpiece Title: Love For Love

694
08 March 1734 @ Hickford's Room

Event Comment: Benefit John Richter. 7 P.M. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

695
08 March 1734 @ Drury Lane Theatre

Event Comment: Comment. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

696
19 April 1734 @ Goodman's Fields

Event Comment: Benefit Vallois and Mrs Vallois. At the particular Desire of several Persons of Distinction. Afterpiece: Compos'd by Mons Roger, the late famous Pierrot of Drury-Lane. Taken from Ovid's Metamorphosis. With a new Scene

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Diana and Acteon

Dance: II: Minuet and a new Rigadoon by Vallois and Mrs Vallois. III: Scots Dance by Vallois and Mrs Bullock

697
04 May 1734 @ Drury Lane Theatre

Event Comment: For the Benefit of the Editor of Shakespear. For the Entertainment of the Grand Master, and the Antient and Honourable Society of the Free and Accepted Masons. N.B. By Appointment of the Grand Master, the Brethren are desir'd to meet at the Castle Tavern, Drury-Lane, cloath'd; thence to go in Procession, as usual, to the Play

Performances

Mainpiece Title: Henry Iv, Part Ii

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

698
16 May 1735 @ Drury Lane Theatre

Event Comment: London Daily Post and General Advertiser, 16 May: We hear that Mr Mechlin has sent a Letter to a principal Persons belonging to Drury-Lane Theatre, signifying his great Sorrow, and his Intention to surrender himself next Sessions at the Old Bailey

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

699
04 July 1735 @ Drury Lane Theatre

Event Comment: London Daily Post and General Advertiser, 4 July: The Patentee of Drury-Lane Theatre has countermanded the Summer Playing; and the Company has received Orders not to proceed, on account of the several New Preparations for the ensuing Winter

Performances

Mainpiece Title: The London Merchant

700
05 March 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. Daily Journal, 8 March: On Friday Night last died Mrs Mary Heron, a celebrated Actress belonging to Drury-lane Playhouse

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Fall of Phaeton