SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Colman Esq"/1) | (@(roleclean,performerclean) "G Colman Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2187 matches on Author, 724 matches on Event Comments, 236 matches on Performance Comments, 45 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Antigona

Dance: As17960423

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Purse

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Nina

Dance: As17961220

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Irish Widow

Entertainment: Entertainment.As17971019

Performances

Mainpiece Title: Nina

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performances

Mainpiece Title: L'allegro [ed] Il Pensieroso 0; Messiah

Afterpiece Title: L'Allegro Il Pensieroso 3

Performances

Mainpiece Title: Judas Maccabaeus; Messiah

Music: End I: 1st concerto of Geminiani; Geminiani, Op. 3,-G. Ashley; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17980309

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Performances

Mainpiece Title: The Raft

Afterpiece Title: Harlequin's Return

Performances

Mainpiece Title: The Inquisitor

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: A Day at Rome

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: A Divertisement

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: Benefit for Miss Jameson. Hull is to succeed Colman in the management of Covent Garden (Winston MS 10). Colman sold his share of the patent to Harris in the spring of this year, this departure to take place in June (Page, George Colman, The Elder). Michel Dyer Died (Genest, V, 424). Miss Jameson's charges #77 13s. 6d. Profit to her #59 10s., plus #66 7s. from tickets. (Box 127; Pit 138; Gallery 139). Receipts: #137 3s. 6d. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Author

Dance: II: The Corsican Sailors, as17731013; End Opera: The Highland Reel, as17731112