SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "French and Italian Fashion"/1) | (@(roleclean,performerclean) "French and Italian Fashion")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1221 matches on Performance Title, 652 matches on Event Comments, 646 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Dutch Skipper-Master Settree; Singing-Miss Gaudry; Concerto by Handel-; Italian Peasants-Joly, Mlle Dulisse; Dorus and Cleora , a new Cantata set to Musick by Mr Bryan,-Kear , his first time on any stage; Les Tailleurs-Master Settree, Miss Twist; The Slack Wire-Miss Isabella Wilkinson; Marines Going to Portsmouth-; Irish Landlord-Jolly, Settree, Mme Dulisse; Rule Britannia-Kear.
Cast
Role: Handel Actor:
Role: Italian Peasants Actor: Joly, Mlle Dulisse
Role: Irish Landlord Actor: Jolly, Settree, Mme Dulisse

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: A Medley Concert

Performance Comment: See17571017, but The Guittard, a song by Mr Arne,-Mrs Hooper; a new dance, Le Matelotte-Joly; Italian Peasants-_; School of Anacreon-Kear; Chaste Diana-Mrs Hooper; Phoebus sinketh in the West-Kear.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Queen Mab

Performance Comment: As17581005, but In Italian Grotesque Characters; Mab-Mrs Vernon.
Event Comment: Afterpiece: In Italian Grotesque Characters. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Song: III: A Cantata-Miss Young

Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Cast
Role: Osman Actor: Holland 1st time

Afterpiece Title: The Tutor

Performance Comment: Actors only in bills; Pandolfo-Gaudry; Ernesto-Reinhold; Zerbina-Sga Saratina (Winston MS 8); Larpent MS 165 lists also Mosca, a mute servant to Pandolfo. Larpent MS 165 lists also Mosca, a mute servant to Pandolfo.
Cast
Role: Pandolfo Actor: Gaudry
Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George Barnwell-Holland; Thorowgood-Davies; Truman-Austin; Maria-Mrs Davies; Millwood-Miss Haughton.
Cast
Role: George Barnwell Actor: Holland

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

Performance Comment: Harlequin-King1st time; others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Scrase, Vaughan, Ackman, Fox, Mrs Bennet, Miss Pope; The Vocal Parts-Champness, Reinhold, Mrs Vernon, Miss Young, Miss Spencer; The Dances-Grimaldi, Giorgi, Sga Giorgi, Miss Baker; And a new Occasional Prologue-.
Event Comment: Benefit for Rice. Afterpiece: For the only time this season will be introduc'd a Mock Italian Burletta. Boxes 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock. As it was originally performed in 1754

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Afterpiece Title: Britannia's Triumph; or, The Contest of Love and Glory

Dance: HHornpipe-

Music: The Band all mask'd in the Venetian Taste

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Performance Comment: Parts-Signora Passerini, Miss Frederick, Signora Eberardi, Quilici, Tedeschino, and a variety of Chorusses by the best voices.

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: To celebrate his Majesty's Birthday. N.B. As a great number of performers, both vocal and instrumental, will be placed in the servant's gallery, Sga Mattei humbly hopes that the Nobility, Gentry, &c. will dispense with their servants being admitted this night

Performances

Mainpiece Title: A Serenata

Performance Comment: Besides the Italian Opera singers, and the usual orchestra, there will be a second band (disposed after a new manner) with a very great number of additional voices; together with a new dance, and a piece of scenery suitable to the solernity.

Afterpiece Title: Arianne E Teseo (First and Last Acts)

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: By Authority. [The Stratagem] An English Tragi-Comical Burletta, translated from the Italian. Music by Hasse. All Scenes, Cloaths, and Decorations entirely new. Prices: Box 5s.; Pit 3s.; Gallery 2s. To begin exactly at Seven. Places to be taken at the Theatre. Vivat Rex. 'Tis hoped no Gentlemen will take it amiss that they cannot be admitted behind the scenes, or into the orchestra. Those who have already taken places, will be so good to send in time (Public Advertiser). [This full notice repeated in subsequent bills, will not be recorded further.

Performances

Mainpiece Title: The Stratagem

Dance: Several new Dances composed by Gherardi, to be executed by his scholars who are all English.End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others

Performance Comment: End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others.
Event Comment: By Authority [repeated in each bill]. Music by Pergolesi. An English comicBurletta [translated] from the Italian (Public Advertiser)

Performances

Mainpiece Title: La Serva Padrona

Dance: As17610627

Event Comment: A new English Comic Burletta from the Italian. Music by John Adolf? Hasse. To begin at half after seven

Performances

Mainpiece Title: The Ridiculous Guardian

Dance: As17610716

Event Comment: A new English Comic Burletta from the Italian. Music by Galuppi

Performances

Mainpiece Title: The Coquette

Dance: As17610803

Event Comment: Benefit for Mrs Clive. Farce written by Mrs Clive not acted in 9 years. [See 19 April 1755.] Now with Alterations and Additional Scenes in which will be introduc'd Part of an Italian Burletta. Part of Pit laid into Boxes. Send servants by 3 o'clock

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: %New Dutch Comic Dance, as17610925

Performances

Mainpiece Title: Barbarossa

Cast
Role: Achmet Actor: Holland

Afterpiece Title: The Magician of the Mountain

Performance Comment: A New Pantomimic Entertainment of Italian Grotesque Characters. Magician-Settree; Pantaloon-Grimaldi; Pierrot-Guerini, his first appearance on the English Stage; Harlequin-Lochery; Colombine-Miss Baker; Mathews, Mortimer, West, Walker, Watkins, Leppie; The Dances-Del'Agata, Aldrige, Vincent, Sga Fiorentini, Sga Giorgi. With New Music, Scenes, Decorations, and Dresses.

Performances

Mainpiece Title: Tunbridge Walks

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but with a Comic Mimic Italian Song-Mrs Clive in character.

Song: II: Vernon; accompanied by the Guitar-

Dance: TThe Provancalle, as17631014

Event Comment: The following Italian Singers have arrived in Dublin: Giuseppi Giordani, Francisco Giordani, Sga Marina Giordani, Sga Nicolina Giordani, Spiletta (Daily Advertiser). [Engaged for the Dublin season.

Performances

Mainpiece Title: Ezio

Entertainment: Till the arrival of the Principal Dancers which are engaged, will be performed between the Acts: Solos, Concertos-

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Event Comment: From the Italian of Metastasio, set to Music by Nicollo Piccini. To begin at 6 p.m

Performances

Mainpiece Title: The Death Of Abel

Music: First Violin Solo-Barthelemon; Concerto on Hautboy-Simpson

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: End: The Irish Lilt, as17680930