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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "French and Italian Fashion"/1) | (@(roleclean,performerclean) "French and Italian Fashion")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2371 results for: Keyword - French and Italian Fashion
We found 1221 matches on Performance Title, 652 matches on Event Comments, 646 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1776
22 April 1717 @ Lincoln's Inn Fields

Event Comment: Afterpiece: An Italian Night Scene. Receipts: #39 16s. 6d

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Dance: As17170321

1777
03 January 1718 @ Lincoln's Inn Fields

Event Comment: Benefit J. and Ch. Rich. Mainpiece: Written by Shakespear. Afterpiece: A New Dramatick Entertainment of Vocal and Instrumental Musick after the Italian Manner, in Grotesque Characters. At the Desire of several Ladies of Quality. Receipts: #56 7s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The School of Folly

Dance: Dances for the afterpiece composed by DuPre-DuPre, Boval, Cook, Pelling, Cook Jr, Newhouse, Mlle Gautier, Mrs Schoolding, Mlle Corail, Miss Schoolding Jr

1778
14 March 1719 @ King's Theatre

Event Comment: Mainpiece: Perform'd after the Italian Manner. Afterpiece: Written by the famous Monsieur Regnard, the best Writer of Comedy after Moliere

Performances

Mainpiece Title: Scaramouch Pedant Scrupuleux; Ou, L'escolier

Afterpiece Title: Les Folies Amoureuses

Song:

Dance:

Entertainment: Tumbling-

1779
14 March 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: 1. Concerto with Trumpets composed, performed-Grano; 2. A new Italian Concerto by Albinoni-; 3. Singing-Mrs Barbier; 4. Concerto by Carbonelli-; Second Entertainment: Concerto with Two Hautboys and Two Flutes by Dieupart-; 2. Concerto on Bass Viol composed and performed by-Pippo; 3. Singing-Mrs Barbier; 4. Eighth Concerto of Corelli-; Third Entertainment: 1. Concerto by Carbonelli-; 2. Solo on Arch Lute composed, performed-Viebar; 3. Singing-Mrs Barbier; 4. A New Concerto on Little Flute by Woodcocke-John Baston; Solo-Carbonelli; 6. Concerto on Two Trumpets-Grano

Performance Comment: Concerto with Trumpets composed, performed-Grano; 2. A new Italian Concerto by Albinoni-; 3. Singing-Mrs Barbier; 4. Concerto by Carbonelli-; Second Entertainment: Concerto with Two Hautboys and Two Flutes by Dieupart-; 2. Concerto on Bass Viol composed and performed by-Pippo; 3. Singing-Mrs Barbier; 4. Eighth Concerto of Corelli-; Third Entertainment: 1. Concerto by Carbonelli-; 2. Solo on Arch Lute composed, performed-Viebar; 3. Singing-Mrs Barbier; 4. A New Concerto on Little Flute by Woodcocke-John Baston; Solo-Carbonelli; 6. Concerto on Two Trumpets-Grano.
Cast
Role: Concerto on Bass Viol composed and performed by Actor: Pippo

1780
02 April 1723 @ King's Theatre

Event Comment: Daily Journal, 15 April: Paris April 2. The Company belonging to the Italian Opera at London are to come and Act here during the Month of July, and to oblige the Publick with 12 several Representations at the Theatre of the Palace Royal: In Consideration of which 35000 Livres will be given to the five Principal Actors and their Charges defray's

Performances

Mainpiece Title: Erminia

1781
06 April 1723 @ King's Theatre

Event Comment: Original Weekly Journal, 6 April: We are told that the Italian Singers at our Opera, to the Number of five, of whom two are Eunuchs, have obtain Permission from the King of France...to go over thither in July next, for the Theatre, and a Gratuity of 35,000 Livres

Performances

Mainpiece Title: Erminia

1782
02 March 1724 @ Lincoln's Inn Fields

Event Comment: Benefit Nivelon Jr. Afterpiece: A new Dramatick Entertainment of Dancing after the Italian Manner. Receipts: money #51 18s.; tickets #20 12s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Robbers; or, Harlequin Trapp'd by Colombine

Related Works
Related Work: Cartuoche; or, The French Robbers Author(s): Louis Legrand

Dance: The Scating Dance-

1783
24 March 1726 @ Haymarket Theatre

Event Comment: By the Company of Italian Comedians just arriv'd. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: La Fille Allamode; Ou, La Parisien Duppe

Afterpiece Title: L'Ombre D'Arlequin

Dance: Mr Poitiers, others

1784
11 May 1726 @ Haymarket Theatre

Event Comment: Being one of the best Comedies in the Italian Theatre

Performances

Mainpiece Title: Timon Misantrope

Entertainment: The Company

1785
21 September 1726 @ King's Theatre

Event Comment: DDaily Journal, 21 Sept.: A Company of Italian Comedians recently arrived here from beyond Sea, and being patronized by the Dukes of Montague and Richmond, 'tis said, that Leave will be given them to perform in the Opera-House in the Hay-Market

Performances

1786
28 September 1726 @ King's Theatre

Event Comment: By His Majesty's Command. By the Italian Company of Comedians newly arriv'd. Pit and Boxes together by tickets only at 4s. Gallery 2s. N.B. Whereas the Number of Subscribers for this Company that are in Town, is very little, some of the first Representations will not be on thair Account. Weekly Journal or British Gazetteer, 1 Oct.: Last Wednesday Night his Majesty and their Royal Highnesses the Prince and Princess of Wales, together with great Numbers of the Nobility and Persons of Distinction...saw the Comedy...The Faithful Wife

Performances

Mainpiece Title: The Faithful Wife; Or, Arlequin Strip'd, Sentry, Brave, Coward, Terrour Of The Turks, And Judge Of His Own Cause

Dance: Monsieur Poictier, others

1787
21 October 1726 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. For the better Information of those who do not thoroughly understand the Italian Language, a Book with the Argument and Explanations in English, of what is transacted in every Scenes, may be had...at the usual Places in the Opera-House. Price 6d. [The King, Prince, and Princess present.

Performances

Mainpiece Title: The Enchanted Island Of Arcadia; Or, The Magician Doctor, With Harlequin King Of The Woods; Flights, Decorations And Transformations Of Harlequin, Cupid, Pantalon, Venus, And Brighella, Jupiter, And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

Related Works
Related Work: The Wavering Nymph; or, Mad Amyntas Author(s): Thomas Randolph
Related Work: The Faithful Shepherd Author(s): George Frederic Handel
Related Work: Amintas Author(s): Ferdinando Tenducci
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

1788
23 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. Daily Journal, 23 Nov.: The Italian Comedians, having not met with the Success they expected, we hear they design to return home soon after Christmas

Performances

Mainpiece Title: Argentina Strega Per Amore; Or, Harlequin Multiplied By Argentina's Witchcraft For Love: With Their Wonderful Flights And Apparations, And The Magick Transformation Of Silvio, Cincio, And Brighella

Dance: In divers Characters-Poitier, others

1789
26 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. The Company of Italian Comedians seeing the Nobility continue to honor their Performances with their Presence, are resolved to stay several Years in London

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Dance: Poictiers

1790
13 February 1727 @ Lincoln's Inn Fields

Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine; With The Birth and Adventures of Harlequin

1791
27 April 1727 @ Lincoln's Inn Fields

Event Comment: Benefit Glover. With Two new Italian Songs composed by the Author and sung by Rochetti. Receipts: money #23 1s.; tickets #76 4s. Probable attendance: boxes, 28 by money and 187 by tickets; stage, 7 by money; pit, 45 by money and 155 by tickets; slips, 4 by money; first gallery, 37 by money and 62 by tickets; second gallery, 47 by money

Performances

Mainpiece Title: Camilla

Dance: new Ball Dance-Glover, Mlle Salle; Pastoral-Glover, Newhouse, Dupre, Mrs Bullock, Mrs Ogden; Pierot Dance-Nivelon, Poitier; Moors-Glover, Poitier, Pelling, Newhouse, Mrs Bullock, Mrs Ogden, Miss Latour

1792
28 November 1728 @ King's Theatre

Event Comment: DDaily Journal, 28 Nov.: We hear a Subscription has been compleated among the Nobility, in order to defray the Expence of a Concert twice a Week, to entertain the Ladies this Winter, the Italian Singers having refus'd to come over

Performances

1793
18 April 1729 @ York Buildings

Event Comment: Benefit an Italian Lady. Tickets a half guinea. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

1794
30 April 1729 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: I: Overture out of Ptolomy-; Songs: Dico su questa sponda-; Svenalo traditor-; Sonata by Corelli-; Songs: Ombre piante-; Sgombra dall' Anima-; Solo for German Flute-L. Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom

Performance Comment: Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom.
Cast
Role: from an Italian Song out of Ptolomy Actor:

1795
16 March 1730 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Barbier. This is the last Benefit Mrs Barbier will have in England. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #53 9s. 6d.; tickets #74 17s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Venus and Adonis (last Interlude)

Performance Comment: Venus-Mrs Barbier; with several of the best Italian Songs; Adonis-Mrs Seedo; Mars-Leveridge; with a Comic Ballad Scene-Mrs Cantrel, Salway.

Song: Mrs Wright, Mrs Chambers

1796
10 March 1731 @ Crown Tavern

Event Comment: At the Desire of several Gentlemen and Ladies. With Comical Songs, Scots, English, and Italian. Also his inimitable Medley of Plays, and Drunken Man. At Crown Tavern in Smithfield. N.B. A private Audience on a Day's Notice

Performances

Mainpiece Title: Phiz Oratory

1797
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland

1798
21 March 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With Alterations and a new Prologue after the Italian Manner. Admission 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

Performance Comment: See17311125, but Harlequin-Baxter, the first Time of his Appearance since his Arrival from France; Inchanter-Ridout; Colombine-Mrs Walter; Mezzetin Man and Woman-Lally Jr, Miss Mears; Scaramouch Man and Woman-Houghton, Miss Williams; Punch Man and Woman-Thurmond, Miss D'Lorme; Jupiter-Essex; Perseus-Lally; Medusa-Charke; Mercury-Essex; Andromeda-Mrs Booth; Hours of Sleep-Mrs D'Lorme, Mrs Roger, Miss Williams, Miss Mears; Tritons-Essex, Thurmond, Houghton; Cupid-Miss Brett; Followers of Perseus-Thurmond, Houghton, F. Tench, Charke; Attendants on Andromeda-Mrs Walter, Mrs D'Lorme, Miss Mears, Miss Williams; Cepheus-Ridout; Cassiopea-Mrs Shireburn; Mars-Cross; Bacchus-Leigh; Pan-H. Tench; Hercules-Grey; Gorgons-Lally Jr, F. Tench; Pierrot-Cibber Jr; Doctor-Berry; Priest-Hallam Sr; Pierot's Servants-Leigh, Cross; Doctor's Servants-R. Wetherilt, Grey; Bride@Men-Lally Jr, F. Tench, Evans; Bride Maids-Miss Ambrose, Mrs Roger, Miss Oates.
Cast
Role: Mezzetin Man and Woman Actor: Lally Jr, Miss Mears
Role: Scaramouch Man and Woman Actor: Houghton, Miss Williams
Role: Punch Man and Woman Actor: Thurmond, Miss D'Lorme
Role: Andromeda Actor: Mrs Booth
Role: Attendants on Andromeda Actor: Mrs Walter, Mrs D'Lorme, Miss Mears, Miss Williams

1799
05 May 1732 @ Hickford's Room

Event Comment: Benefit Pasquale, the famous Italian Violoncello. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Consisting ofSeveral Pieces [of [Pasquale's] own Making, and the other Masters-the Best Hands

1800
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia