SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "French and Italian Fashion"/1) | (@(roleclean,performerclean) "French and Italian Fashion")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1221 matches on Performance Title, 652 matches on Event Comments, 646 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Entertainments

Dance: Dancing on the Ropes , after the French and Italian Fashion-a Company of the finest Performers that ever yet have been seen in the whole World; For in the same Booth will be seen the two Famous French Maidens , so much admir'd in all Places and Countries where ever they come, (especially in May-Fair last) where they gain'd the highest Applause from all the Nobility and Gentry, for their wonderful Performance on the Rope, both with and without a Pole....To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-

Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.
Cast
Role: Sir Novelty Fashion Actor: Cibber
Role: Amanda Actor: Mrs Rogers
Role: Woman to Amanda Actor: Mrs Lucas.
Event Comment: Benefit Mechel, Mlle Mechel (the French Boy and Girl). Afterpiece: a new Pantomime Entertainment. [Tickets at Mechel's in Newport Street.] Receipts: money #70 8s. 6d.; seals #71 14s. (Account Book); #150 (Rylands MS.). [The two dancers were charged #60 for their benefit. This is the last entry in the incomplete Account Book.

Performances

Mainpiece Title: The Double Gallant

Cast
Role: Rhubarb Actor: Anderson

Afterpiece Title: Harlequin Barber

Performance Comment: Harlequin-Master Ferg; Colombine-Mlle Mechel; Petit Maitre-Miss Woffington; Drawer-Little French Boy; Servant to Colombine-Miss Bellamy, who never appeared on any stage before; Pierot-Mechel Jr.
Cast
Role: Drawer Actor: Little French Boy

Dance: I: Concerto-Mlle Mechel; II: Minuet, French Rigadoon-Mechel the Father, who never appeared in any theatre in England, Mlle Mechel the Daughter; Minuet-Mechel the Son, Miss Polly Woffington, the first time of her appearing on the stage; IV: The Metamorphoses of the Windmills-Mechel, Mlle Mechel, Miss Woffington, Master Ferg, a little French Boy; lately come from France. End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy

Performance Comment: End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy.
Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Cast
Role: Lord Norland Actor: Farren

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Performance Comment: English Characters : Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mme Rossi; French Characters : General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters : Indian Chief-Follett; Female Savage-Mr Rock.
Cast
Role: Monsieur L'Ingrate Actor: Holland

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: Benefit Salle. By Command of his Royal Highness. Receipts: money #122 18s,; tickets #42 11s

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Italian Jealousy; or, French Gallantry; With the Tavern Bilkers

Performance Comment: Harlequin-Lun; Scaramouch-Grimaesse [Daily Journal or Pelling: Daily Courant]; Punch-Newhouse [Daily Journal or Pelling: Diary Courtant]; Noble Venetian-Legare; Lady-Mrs Legare; French Marquis-Salle; Masqueraders-DuPre, Moreau, Newhouse, Pelling, DuPre Jr, DelaGarde, Mrs Bullock, Miss LaTour, Mrs Ogden.
Cast
Role: French Marquis Actor: Salle

Dance: HHighlander and Mistress-Salle, Mrs Legare; French Sailor-Salle, Mrs Legare

Event Comment: Benefit Layfield and Mrs Cox. At the Desire of several Persons of Quality. With all the Risings and Flyings that were Originally in the Play

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O Devilly

Dance: Harlequin Man and Woman-Layfield, Miss Santlow; Quarter Staff Dance by 4 Foresters-; A new French Peasant-; Italian Scaramouch-Layfield

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Performance Comment: ; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile .

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

Performances

Mainpiece Title: Concert

Music: The Vocal consisting of several Favourite Italian Songs-; Four English Ballads-a Gentlewoman who never appear'd on any Stage before; accompanied-; with Instruments Concerto-wise, after an entire New Manner. The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-

Performance Comment: The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-.
Event Comment: Admission as 10 March. N.B. The Noble and Honorable Subscribers to the French Comedians, are humbly intreated to pardon the Omission of sending them Tickets on Thursday last, it having proceeded merely from a Mistake, which shall be prevented for the future, and each one shall have a perpetual Ticket sent to him on Tuesday next

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

Event Comment: Mainpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chrononhotonthologos

Performance Comment: Cast not listed, but see17340222 Prologue and Epilogue, proper to the Tragedy .

Music: A new Overture, and an entire new Sett of Act Tunes, by Seedo. A new Overture for the Afterpiece

Dance: Irish Trot by a Youth but Nine Years old. Hussar by Nivelon and Miss Robinson. Revellers, as17340220

Performance Comment: Hussar by Nivelon and Miss Robinson. Revellers, as17340220.

Song: Afterpiece: Songs (in the Italian Stile) by Charke

Performances

Mainpiece Title: The Relapse

Performance Comment: Loveless-Giffard; Worthy-Delane; Foppington-Bowman Jr; Young Fashion-Hardin; Sir Tunbelly-Hulett; Lory-Penkethman; Sir John-Jenkins; Syringe-Rosco; Coupler-Lyon; Shoemaker-Ray; Amanda-Mrs Giffard; Berinthia-Mrs Roberts; Hoyden-Mrs Hamilton; Nurse-Mrs Wetherilt .
Cast
Role: Young Fashion Actor: Hardin
Role: Amanda Actor: Mrs Giffard

Afterpiece Title: The Contrivances

Dance: I: Pierrots by Vallois and Delagarde. III: A new Moors' Dance by Haughton, Vallois, Tench, Mrs Bullock, Mrs Woodward. V: Last new Scot's Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Miss Norman

Song: II: Song with French Horns by Mrs Jones. IV: Singing in Italian by Mrs Chambers

Performance Comment: IV: Singing in Italian by Mrs Chambers .
Event Comment: Benefit Mrs Haughton and the Widow of Joseph Giffard, Apothecary. At the particular Desire of several Persons of Distinction. Any Gentleman, or Lady, who design to serve the Widow of Mr Joseph Giffard, Apothecary, who is left with Five Children are desired to take their Tickets at Pidgeon's Coffee-House

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Mock Doctor

Dance: III: La Follette c'est Ravize by Tench and Mrs Woodward. V: Scotch Dance by Mrs Bullock

Song: II: A Song with French Horns by Miss Jones. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Loveless-Maclelan; Sir Novelty Fashion-Macklin; Sir William Wisewou'd-Morgan; Elder Worthy-Havard; Younger Worthy-Mills; Snap-Yates; Sly-Neale; Narcissa-Mrs Clive; Amanda-Mrs Pritchard; Hillaria-Mrs Mills; Flareit-Mrs Bennet; Ann-Mrs Horsington.
Cast
Role: Sir Novelty Fashion Actor: Macklin
Role: Amanda Actor: Mrs Pritchard

Music: I: Concerto-Veracini

Song: III: Let me Wander-Lowe

Entertainment: IV: Concerto on German Flute, as17420916

Dance: II: Tyrolean Dance, as17420921; V: Peasant Dance, as17420921

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Sir Novelty Fashion-Foote; Loveless-Giffard; Sir William Wisewood-Taswell; Elder Worthy-Havard; Young Worthy-Mills; Flareit-Mrs Bennet; Mrs Ann-Miss Cole; Narcissa-Mrs Woffington; Snap-Yates; Sly-Neale; Lawyer-Woodburn; Porter-Gray; Amanda-Miss Furnival.
Cast
Role: Sir Novelty Fashion Actor: Foote
Role: Amanda Actor: Miss Furnival.

Afterpiece Title: The Virgin Unmasked

Dance: II: Mechel, Mlle Mechel

Song: IV: Lowe

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Sir Novelty Fashion-Woodward; Loveless-Havard; Sir William Wisewoud-Taswell; Elder Worthy-Bridges; Younger Worthy-Mills; Narcissa-Mrs Clive; Amanda-Mrs Ward; Flareit-Mrs Green; Snap-Yates; Sly-Shuter; Lawyer-Simpson; Hillaria-Mrs Mills.
Cast
Role: Sir Novelty Fashion Actor: Woodward
Role: Amanda Actor: Mrs Ward

Dance: II: A New Comic Dance call'd The German Jew; or, the Pedlars-

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Loveless-Ross, 1st time; Sir Novelty Fashion-Woodward; Elder Worthy-Clarke; Young Worthy-Dyer; Sly-Cushing; Lawyer-Wignel; Sir William Wisewou'd-Dunstall; Snap-Shuter; Narcissa-Miss Hallam; Hillaria-Mrs Dyer; Flareit-Mrs Green; Amanda-Mrs Ward.
Cast
Role: Sir Novelty Fashion Actor: Woodward
Role: Amanda Actor: Mrs Ward.

Afterpiece Title: The Apprentice

Performance Comment: Apprentice-Woodward; Wingate-Dunstall; Gargle-Anderson; Simon-Cushing; Scotchman-Bennet; Irishman-Barrington; Catchpole-Buck; President-Perry; Members-Tindal R. Smith, Young, Davis; Charlotte-Miss Davies.
Cast
Role: Gargle Actor: Anderson

Dance: III: The Dutch Skippers, as17630101

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Loveless-Ross; Sir Novelty Fashion-Woodward; Elder Worthy-Clarke; Young Worthy-Dyer; Sly-Cushing; Lawyer-Wignel; Amanda's Woman-Mrs Ferguson; Flareit's Maid-Miss Helm; Sir William Wisewou'd-Dunstall; Snap-Shuter; Narcissa-Miss Hallam; Hillaria-Mrs Dyer; Flareit-Mrs Green; Amanda-Mrs Ward.
Cast
Role: Sir Novelty Fashion Actor: Woodward
Role: Amanda's Woman Actor: Mrs Ferguson
Role: Amanda Actor: Mrs Ward.

Afterpiece Title: Thomasand Sally

Dance: New Grand Comic Dance (Never Perform'd Before) call'd, The Amorous Knife Grinders. The Knife Grinders-Duquesney, Miss Wilford. See17600417.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Sir Novelty Fashion-Woodward; Loveless-Ross; Elder Worthy-Clarke; Young Worthy-Wroughton; Sir W. Wisewood-Dunstall; Snap-Shuter; Narcissa-Mrs Mattocks; Hillaria-Mrs Baker; Flareit-Mrs Green; Amanda-Miss Miller.
Cast
Role: Sir Novelty Fashion Actor: Woodward
Role: Amanda Actor: Miss Miller.

Afterpiece Title: The Commissary

Dance: End: A Comic Dance, as17711031

Performances

Mainpiece Title: The Pilgrim

Dance: As17051218

Song: Singing in Italian and English-Signora Louvicina[, who] being to return very speedily out of England...will (at the desire of several Ladies of Quality) perform for this one day only; accompanied-Haym, Saggion, Gasperini, others[, who will perform several Airs and Italian Sonatas never yet perform d on the English Stage

Performance Comment: ..will (at the desire of several Ladies of Quality) perform for this one day only; accompanied-Haym, Saggion, Gasperini, others[, who will perform several Airs and Italian Sonatas never yet perform d on the English Stage., who will perform several Airs and Italian Sonatas never yet perform d on the English Stage.
Event Comment: After the Italian Manner. It being the best Italian Dramatick Piece. This is the last Time of the Company's Acting during their Stay in England

Performances

Mainpiece Title: L'enfant Prodigue; Or, The Prodigal Son

Entertainment: Singing-; Dancing-; Tumbling-; Scene of the Monkey-; Italian Postures-; the Challenge by Mr Octave Leaping thro' a Cask stopp'd at both Ends-Mr Antonie

Event Comment: Rich's Company. The date of the first performance is not known. A contract between Cibber and Rich was signed on 29 Oct. 1696 (L. C. 3@73, in Nicoll, Restoration Drama, pp. 381-82), with an agreement that it was not to be printed until a month after it was acted. Since the play was advertised in the Post Man, 20-23 March 1696@7, it may have been acted as early as January 1697, certainly not later than February 1697. Possibly Leveridge set the music for a song, Tell me, Belinda, prithee do, which is in A New Book of Songs by Mr Leveridge, advertised in the London Gazette, No. 3293, 3 June 1697. A Comparison Between the Two Stages (1702), p. 18: Lady in Fashion, by a Player, Damn'd. Preface, Edition of 1697: Not to miss the Advantage of Mr Doggett's Excellent Action; I prepar'd a low Character

Performances

Mainpiece Title: Woman's Wit; Or, The Lady In Fashion

Performance Comment: Edition of 1697: Prologue-; Epilogue-Miss Cross; Lord Lovemore-Harland; Longville-Cibber; Major Rakish-Penkethman; Jack Rakish-Powel; Mas. Johnny-Dogget; Father Benedic-Smeaton; Lady Manlove-Mrs Powel; Leonora-Mrs Knight; Emilia-Mrs Rogers; Olivia-Mrs Cibber; Lettice-Mrs Kent.
Cast
Role: Lord Lovemore Actor: Harland
Event Comment: After the Italian manner, All sung, being set to Musick by Master Clayton. No Person to be admitted into the Boxes or Pit but by the Subscriber's Tickets. The Boxes on the Stage and the Galleries are for the Benefit of the Actors. [Premiere of the opera.

Performances

Mainpiece Title: Arsinoe, Queen Of Cyprus

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs duRuel, Mrs Moss

Song: Before and after Opera: Singing in Italian and English-

Event Comment: Benefit J. and Ch. Rich. Mainpiece: [Author unknown.] All in the Characters of the Italian Theatre. Receipts: #69 19s

Performances

Mainpiece Title: The Theatre

Afterpiece Title: Hob

Afterpiece Title: Amadis

Dance: As17200120; The Italian Shadows-

Performances

Mainpiece Title: The Miser

Performance Comment: Lovegold-Norris, the first time of his appearing on any stage since the Union of the Companies (Daily Advertiser, 30 May); Frederick-Wignel; Clerimont-Richardson; James-Topham; Ramilie-Miss Beckington; Mariana-Miss Mann; Harriet-Mrs Achurch; Mrs Wisely-Mrs Herle; Wheedle-Miss Hughes; Lappet-Miss H. Hughes. A new Prologue and Epilogue, both by Norris .

Dance: I: Scotch Dance by Mr and Mrs Davenport. III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann

Performance Comment: III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann .

Song: II: Italian Song by Miss Young. IV: Italian Song by Mrs Mason

Performance Comment: IV: Italian Song by Mrs Mason .