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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frederick George Byron"/1) | (@(roleclean,performerclean) "Frederick George Byron")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6294 results for: Keyword - Frederick George Byron
We found 4736 matches on Author, 1205 matches on Performance Comments, 665 matches on Event Comments, 178 matches on Performance Title, and 0 matches on Roles/Actors.

51
14 August 1800 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon

52
04 November 1778 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years acted 6 Nov. 1775. Prologue by Nicholas Rowe. Afterpiece [ 1st time; f 2, by Frederick Pilon. Prologue by the author (Public Advertiser, 5 Nov.). In speaking a line in the Prologue that won applause Whitfield waved his hat so vehemently tha he "dislocated a Bone in his Arm. He went to the side of the stage, and one of the Scene-men taking him by the Wrist, and giving four or five pretty severe jerks, the Bone recovered its place" (ibid). In all subsequent performances the Prologue was spoken by Lee Lewes.]. Public Advertiser, 18 Nov. 1778: This Day at Noon is published The Invasion (1s.)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Invasion; or, A Trip to Brighthelmstone

Related Works
Related Work: The Invasion; or, A Trip to Brighthelmstone Author(s): Frederick Pilon

Song: In: To thee O gentle sleep!-Mrs Farrell

53
12 April 1779 @ Covent Garden

Event Comment: Benefit for Lee Lewes. 1st piece [1st time; PREL I, by Frederick Pilon. Author of Epilogue unknown. This Prelude had reference to the illuminations held on 11 Feb. 1779 in honor of the acquittal, on a charge of misconduct in the naval operations off Brest, of Admiral Augustus Keppel. In 1780 it was acted at this theatre, with alterations, as A Gazette Extraordinary]. Tickets delivered for The Distress'd Mother will be received. Public Advertiser, 30 Mar.: Tickets to be had of Lee Lewes at his house in Bow-street, Covent Garden. Ibid, 4 May 1779: This Day is published Illumination (1s.)

Performances

Mainpiece Title: Illumination; Or, The Glaziers Conspiracy

Related Works
Related Work: Illumination; or, The Glaziers Conspiracy Author(s): Frederick Pilon
Related Work: A Gazette Extraordinary; or The Illumination Author(s): Frederick Pilon
Related Work: Illumination Author(s): Frederick Pilon

Afterpiece Title: Elfrida

Cast
Role: George Belford Actor: Whitfield
Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: The Touchstone

54
27 September 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, based in part on Le Poulet, by Louis Carrogis, dit Carmontelle. Incidental music by William Shield. Larpent MS 491; not published. Author of Prologue unknown. This farce was altered, and produced on 2 Feb. 1780 as The Deaf Lover]. Paid Music the 24th Inst. #7 4s. 4d. Receipts: #190 4s. 6d. (18.5.0; 0.19.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Device; or, The Deaf Doctor

Related Works
Related Work: The Device; or, The Deaf Doctor Author(s): Frederick Pilon
Related Work: The Device Author(s): Frederick Pilon
Related Work: The Deaf Lover Author(s): Frederick Pilon

Dance: End III: The Dockyard, as17790924

Song: II: The Cottage on the lawn (set by Michael Arne)-Mrs Kennedy

55
02 February 1780 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, altered from his The Device (see 27 Sept. 1779); incidental music by William Shield; Prologue by the author (see text)]. Account-Book, 16 June: Paid Pilon for the Deaf Lover #100. Receipts: #192 3s. (190.0.6; 2.2.6)

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon

56
25 April 1780 @ Covent Garden

Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Related Works
Related Work: The Siege of Gibraltar Author(s): Frederick Pilon

57
28 December 1780 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Suspicious Husband; afterpiece of Harlequin Free-Mason, both announced on playbill of 27 Dec. Afterpiece: Prologue by Frederick Pilon.] Receipts: #253 3s. 6d. (251.2.0; 2.1.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon

Dance: As17801018

58
18 May 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by Frederick Pilon; probably a rewriting of an opera with the same title, 1st acted at Crow Street Theatre, Dublin, 20 May 1771, at which time Pilon was acting in Dublin]: With new Dresses, and entirely new Music and an Overture by Carter. [In mainpiece the playbill lists Dodd, but "Suett, who undertook at a few minutes' notice the part assigned to Dodd, went through the reading as though he had studied the character" (Morning Herald, 21 May).] [On this night, Whitsun Eve, the theatre was customarily closed.] Receipts: #152 4s. 6d. (134/15/0; 17/6/0; 0/3/6)

Performances

Mainpiece Title: The Fair American

Related Works
Related Work: The Fair American Author(s): Frederick Pilon

Afterpiece Title: The Apprentice

59
08 February 1783 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece: Frederick Pilon]. The 9th Night [i.e., the 1st 7 nights had occurred in the preceding season]. Receipts: #147 3s. 6d. (121/4/0; 25/19/6; 0/0/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair American

Related Works
Related Work: The Fair American Author(s): Frederick Pilon

Afterpiece Title: All the World's a Stage

60
26 July 1785 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 22 July: Tickets to be had of Bannister Jun., No. 29, Bow Street, Covent Garden. 1st piece: In 3 acts, altered from Shakespeare [by Frederick Pilon. Prologue by the alterer (European Magazine, Aug. 1785, p. 150)]. 2nd piece: Acted but once [on 27 Aug. 1783]; with Alterations

Performances

Mainpiece Title: All's Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): Frederick Pilon

Afterpiece Title: The Green Room; or, Cut and Come Again

Afterpiece Title: Gretna Green

Cast
Role: Miss Plumb Actor: Miss George

61
18 November 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Pilon. Prologue and Epilogue by the author (see text). In 1794 reduced to an afterpiece of 3 acts]. Public Advertiser, 30 Nov. 1786: This Day is published He Wou'd be a Soldier (1s. 6d.). Receipts: #246 6s. (243.5; 3.1)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Related Works
Related Work: He Wou'd be a Soldier Author(s): Frederick Pilon

Afterpiece Title: Richard Coeur de Lion

62
20 December 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Frederick Reynolds. Larpent MS 750; not published; synopsis of plot in Universal Magazine, Dec. 1786, pp. 333-34. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Miles Peter Andrews (World, 4 Jan. 1787); and see Epilogue to Such Things Are, 10 Feb. 1787]. Receipts: #165 14s. (156.1; 9.13)

Performances

Mainpiece Title: Eloisa

Related Works
Related Work: Eloisa Author(s): Frederick Reynolds

Afterpiece Title: Hob in the Well

Dance: As17861212

63
15 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Related Works
Related Work: The Dramatist; or, Stop Him Who Can Author(s): Frederick Reynolds
Related Work: The Female Dramatist Author(s): George Colman, the younger

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

64
06 May 1790 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Related Works
Related Work: The Crusade Author(s): Frederick Reynolds

Afterpiece Title: The Miser

Cast
Role: Frederick Actor: Farren

65
17 November 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Related Works
Related Work: Better Late than Never Author(s): Frederick Reynolds

Afterpiece Title: Don Juan

Dance: As17901026

66
05 November 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds, based partly on Monsieur Thomas, by John Fletcher. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (see text)]: With new Scenery, Dresses, &c. Public Advertiser, 24 Apr. 1793: This Day is published Notoriety (1s. 6d.). Receipts: #228 8s. (224.0; 4.8)

Performances

Mainpiece Title: Notoriety

Related Works
Related Work: Notoriety Author(s): Frederick Reynolds

Afterpiece Title: Love in a Camp

67
18 April 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Related Works
Related Work: How to Grow Rich Author(s): Frederick Reynolds

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

68
31 January 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Performances

Mainpiece Title: The Mysteries Of The Castle

Related Works
Related Work: The Mysteries of the Castle Author(s): Frederick Reynolds

Afterpiece Title: Two Strings to Your Bow

69
29 October 1796 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortune's Fool

Related Works
Related Work: Fortune's Fool Author(s): Frederick Reynolds

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

70
19 April 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Purse

Ballet: The Scotch Ghost. As17961221

71
08 December 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Related Works
Related Work: Laugh when You Can Author(s): Frederick Reynolds

Afterpiece Title: The Spoil'd Child

72
09 January 1749 @ Southwark

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Bates; Worthy-Yeates Jun.; Ballance-Malone; Kite-George; Brazen-Murry; Bullock-Sturgess; Recruits-Monk, Smithson; Melinda-Mrs Williamson; Rose-Mrs Morgan; Lucy-Mrs George; Sylvia-Mrs Yeates.
Cast
Role: Kite Actor: George
Role: Lucy Actor: Mrs George
Related Works
Related Work: The Recruiting Officer Author(s): George Farquhar

Afterpiece Title: The Devil to Pay

73
17 May 1769 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17690410 but Maria-Mrs Mattocks; George-Wroughton, 1st time.
Cast
Role: George Actor: Wroughton, 1st time.
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Miss in Her Teens

Dance: II: A Minuet-Dumay, Miss Madden; End: A Pantomime Dance-Fishar, Miss Capon

74
10 May 1770 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17690925, but George-Perry, first time; Truman-Lewes; Uncle-Gardner.
Cast
Role: George Actor: Perry, first time
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Miss in Her Teens

Entertainment: End: Hippisley's Drunken Man with additions and Alterations-Shuter

Dance: TThe Tambourine, as17700501

75
26 December 1770 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17701001, but George-Wroughton.
Cast
Role: George Actor: Wroughton.
Role: George Barnwell Actor: Bensley, first time
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder