SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Fraternity of the Antient and Honourable Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Fraternity of the Antient and Honourable Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 385 matches on Event Comments, 152 matches on Performance Title, 99 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At Lee, Yeates Sen & Jun and Warner's Great Tiled Booth, Bowling Green, Southwark. [Prices and description as 24 Aug. bf.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Performance Comment: Sir Adam Wealthy-Phenix; Lord Worthy-Cuthbert; Sir John Lovewell-Cunningham; First Witch-Allen; Second Witch-Adams; Third Witch-Sturgess; Fair Maid of the West-Mrs Daniel; Lady Wealthy-Mrs Ingall; Lady Worthy-Mrs Field; Lady Betty-Mrs Hickson; Trusty-Warner; Coachman-Harrison; Gardener-Thompson; Butler-Mason; Lucy-Mrs Peters; Gillion-Mrs Pile; The Scullion-Miss Jones. See17480824, bf.
Cast
Role: Sir Adam Wealthy Actor: Phenix
Role: Lord Worthy Actor: Cuthbert
Role: Sir John Lovewell Actor: Cunningham
Role: First Witch Actor: Allen
Role: Second Witch Actor: Adams
Role: Third Witch Actor: Sturgess
Role: Fair Maid of the West Actor: Mrs Daniel
Role: Lady Wealthy Actor: Mrs Ingall
Role: Lady Worthy Actor: Mrs Field
Role: Lady Betty Actor: Mrs Hickson
Role: Trusty Actor: Warner
Role: Coachman Actor: Harrison
Role: Gardener Actor: Thompson
Role: Butler Actor: Mason
Role: Lucy Actor: Mrs Peters
Role: Gillion Actor: Mrs Pile
Role: The Scullion Actor: Miss Jones. See17480824, bf.

Song: SSailor's Song-Cunningham

Dance: The Three Wild Cats of the Woods; Hornpipe-Adams; The Black Joke-Smith, Mrs Bullock

Event Comment: At Lee and Yeates's Booth on Blackheath during the Fair

Performances

Mainpiece Title: The Fair Maid Of The West

Performance Comment: Sir Adam Wealthy-Phenix; Lord Worthy-Cuthbert; Sir John Lovewell-Cunningham; First Witch-Allen; Second Witch-Adams; Third Witch-Sturgess; Fair Maid of the West-Mrs Daniel; Lady Wealthy-Mrs Ingall; Lady Worthy-Mrs Field; Lady Betty-Mrs Hickson; Trusty-Warner; Coachman-Harrison; Gardener-Thompson; Butler-Mason; Lucy-Mrs Peters; Gillion-Mrs Pile; The Scullion-Miss Jones As17480907 sf.
Cast
Role: Sir Adam Wealthy Actor: Phenix
Role: Lord Worthy Actor: Cuthbert
Role: Sir John Lovewell Actor: Cunningham
Role: First Witch Actor: Allen
Role: Second Witch Actor: Adams
Role: Third Witch Actor: Sturgess
Role: Fair Maid of the West Actor: Mrs Daniel
Role: Lady Wealthy Actor: Mrs Ingall
Role: Lady Worthy Actor: Mrs Field
Role: Lady Betty Actor: Mrs Hickson
Role: Trusty Actor: Warner
Role: Coachman Actor: Harrison
Role: Gardener Actor: Thompson
Role: Butler Actor: Mason
Role: Lucy Actor: Mrs Peters
Role: Gillion Actor: Mrs Pile
Role: The Scullion Actor: Miss Jones As17480907 sf.
Event Comment: At the New Wells, London Spaw, Clerkenwell. A concert, etc. To begin at six o'clock. Last night of performing

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Cast
Role: Barnwell Actor: Morgan
Role: Thorogood Actor: Malone
Role: Truman Actor: Sturgess
Role: Uncle Actor: Phenix
Role: Blunt Actor: Yeates Jun
Role: Maria Actor: Mrs Mason
Role: Lucy Actor: Mrs Johnson
Role: Millwood Actor: Mrs Morgan.

Afterpiece Title: The Lying Valet

Cast
Role: Gayless Actor: Yeates Jun
Role: Kitty Actor: Mrs Yeates.
Event Comment: By Desire. Benefit for Lauder. The curtain to rise punctually at half an hour after six

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570916, but Mason's Prologue-Cibber; Mason's Song, The Beer of Old England-Lauder.

Afterpiece Title: Harlequin's Frolic

Event Comment: Mainpiece: A Dramatic Poem, Never Performed [written on the model of a Greek Tragedy by William Mason]. The Overture and all the Music entirely New Composed by Dr Arne. With New Scenery, Dresses, and Decorations (playbill). Altered by Colman to Mason's distress. (Biographia Dramatica). Books of the Chorus to be had at the Theatre. Rec'd from Bensley on account of Cash advanc'd last season #100 (Account Book). Receipts: #201 12s

Performances

Mainpiece Title: Elfrida

Performance Comment: Athelwold-Smith; Edgar-Bensley; Orgar-Clarke; Edwin-Hull; Albina-Mrs Mattocks; Elfrida-Mrs Hartley; Chorus of British Virgins-Mrs Mattocks, Mrs Baker, Miss Twist, Miss Brown, Miss Valois, Miss Wewitzer, Miss Catley, others.
Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: The Mock Doctor

Cast
Role: Mock Doctor Actor: Dunstall
Role: Sir Jasper Actor: Saunders
Role: Dorcas Actor: Mrs Green.

Dance: End: The Recruits, as17721117

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Woodcock-Weston; Sir William, first time-J. Aickin; Young Meadows-DuBellamy; Eustace-Owenson; Rosetta-Mrs Smith; Hodge-King; Margery-Miss Pope; Lucinda-Mrs Scott; Deborah Woodcock-Mrs Love; [Mrs Smith and J. Aickin acted their parts for first time.] [In Act I, a Dance [incidental to the opera-.
Cast
Role: Hawthorn Actor: Bannister
Role: Woodcock Actor: Weston
Role: first time Actor: J. Aickin
Role: Young Meadows Actor: DuBellamy
Role: Eustace Actor: Owenson
Role: Rosetta Actor: Mrs Smith
Role: Hodge Actor: King
Role: Margery Actor: Miss Pope
Role: Lucinda Actor: Mrs Scott
Role: Deborah Woodcock Actor: Mrs Love
Role: incidental to the opera Actor: .

Afterpiece Title: The Register Office

Performance Comment: As17740503, but LeBrush-King; Gulwell-Fearon; Scotchman-Moody; Frenchman-Burton; Frankly-Courtney. [Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]
Cast
Role: LeBrush Actor: King
Role: Gulwell Actor: Fearon
Role: Scotchman Actor: Moody
Role: Frenchman Actor: Burton
Role: Frankly Actor: Courtney.
Role: Le Brush Actor: Palmer
Role: Song in Love Actor: a-la-Mode-Moody
Role: a Actor: la-Mode-Moody
Role: la Actor: Mode-Moody
Role: Mode Actor: Moody
Role: to conclude with the Description of a Man of Wa Actor: Moody.
Role: Harwood Actor: J. Aickin
Role: Lord Brilliant Actor: Fawcett
Role: Williams Actor: Ackman
Role: Mrs Doggerel Actor: Miss Pope
Role: Margery Moorpout Actor: Mrs Love
Role: Irishman Actor: Moody

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Author's Friends (though unusual for a new piece) the Dramatis Personae is inserted. Mainpiece [1st time; C 4, author unknown]. Afterpiece [1st time; MF 2, author unknown. Authors of Prologues and Epilogue unknown. Not in Larpent MSS; neither piece published]

Performances

Mainpiece Title: The Detection; Or, A Sketch Of The Times

Performance Comment: Alderman Increase-Beesley (from the Theatre Royal, Norwich); George Increase-Williams; Sprightly-Mason (1st appearance); Landlord Blacklegs, Carmine-Welldon; Brass-Johnstone; Dr M'Drugg, Powell-Swords; Rushlight-Stannard; Marrowbone-Whittaker; Sam. Baldpate-Parker; Putty-Hedges; Snip-Phillips; Flint-Freeman; Tom Blunt-Robinson; Boy-Master Charles; M'Intosh-Brown (from the Theatre Royal, Edinburgh); Sir Petulant Poundage-Barrett; Clara-Miss Frederick (1st time); Gauze-Miss Watkins; Mrs Tripe-Miss Jackson; Mrs Increase-Mrs Baker (from the Theatre Royal, York); With a new Prologue-; Epilogue-.
Cast
Role: Alderman Increase Actor: Beesley
Role: George Increase Actor: Williams
Role: Sprightly Actor: Mason
Role: Carmine Actor: Welldon
Role: Brass Actor: Johnstone
Role: Powell Actor: Swords
Role: Rushlight Actor: Stannard
Role: Marrowbone Actor: Whittaker
Role: Baldpate Actor: Parker
Role: Putty Actor: Hedges
Role: Snip Actor: Phillips
Role: Flint Actor: Freeman
Role: Tom Blunt Actor: Robinson
Role: Boy Actor: Master Charles
Role: M'Intosh Actor: Brown
Role: Sir Petulant Poundage Actor: Barrett
Role: Clara Actor: Miss Frederick
Role: Gauze Actor: Miss Watkins
Role: Mrs Tripe Actor: Miss Jackson
Role: Mrs Increase Actor: Mrs Baker
Role: With a new Prologue Actor:
Role: Epilogue Actor: .

Afterpiece Title: The City Association; or, The National Spirit Rous'd

Performance Comment: Captain Constant-Beesley; Serjeant Standfast-Parker; James-Welldon; Paddy O'Flail-Whittaker; Dunk Donald-Brown; Gregory Last-Swords; Dick Hatchet-Robinson; Sam. Slender-Thomas; Nat. Forge-Freeman; Timothy Remnant-Sutton; Mrs Magnum-Mrs Baker; Jenny Magnum-A Young Lady (1st appearance [unidentified]); Miss Fanny Lovewell-Miss Hemet (6th appearance); A new Prologue-Corbett [in the character of one of the City Associators.in the character of one of the City Associators.
Cast
Role: Captain Constant Actor: Beesley
Role: Serjeant Standfast Actor: Parker
Role: James Actor: Welldon
Role: Paddy O'Flail Actor: Whittaker
Role: Dunk Donald Actor: Brown
Role: Gregory Last Actor: Swords
Role: Dick Hatchet Actor: Robinson
Role: Slender Actor: Thomas
Role: Forge Actor: Freeman
Role: Timothy Remnant Actor: Sutton
Role: Mrs Magnum Actor: Mrs Baker
Role: Jenny Magnum Actor: A Young Lady
Role: Miss Fanny Lovewell Actor: Miss Hemet
Role: A new Prologue Actor: Corbett

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Performance Comment: End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh).
Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .
Cast
Role: Sir Andrew Ague Actor: cheek-Dodd
Role: cheek Actor: Dodd
Role: Sir Toby Belch Actor: Palmer
Role: Orsino Actor: Brereton
Role: Sebastian Actor: Bannister Jun.
Role: Fabian Actor: R. Palmer
Role: Antonio Actor: Wrighten
Role: Clown Actor: Parsons
Role: Malvolio Actor: Bensley
Role: Viola Actor: Mrs Bulkley
Role: Maria Actor: Mrs Brereton
Role: Olivia Actor: Miss Phillips

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .
Cast
Role: : Sir Richard Evergreen Actor: Parsons
Role: Lord Hartwell Actor: Barrymore
Role: Sam Actor: Burton
Role: Tinsel Actor: Dodd
Role: Rose Actor: Mrs Wrighten
Role: Miss Dorothy Evergreen Actor: Mrs Hopkins
Role: Emily Actor: Miss Phillips.

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Cast
Role: Trappolin Actor: Palmer
Role: Brunetto Actor: R. Palmer
Role: Barbarino and Alberto Actor: Wilson and Phillimore
Role: Officer Actor: Spencer
Role: Captain of the Guards Actor: Alfred
Role: Count Gulcardi Actor: Wrighten
Role: Puritan Actor: Suett
Role: Mason Actor: Fawcett
Role: Whip Actor: Chaplin
Role: Jailer Actor: Kenny
Role: Eo Actor: Master Whitty
Role: Meo Actor: Master Purser
Role: and Little Fred Actor: Master J. Whitty
Role: Lavinio Actor: Staunton
Role: Officer's Widow Actor: Mrs Love
Role: Old Woman Actor: Mrs Booth
Role: Flametta Actor: Miss Barnes
Role: Prudentia Actor: Miss Tidswell
Role: Isabella Actor: Mrs Hedges

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Cast
Role: Dr Arne Actor:

Afterpiece Title: Grand Concerto Spirituale 1

Performance Comment: As pants the Hart-[Chandos Anthems]; Overture-; Quartetto and Chorus-Miss Hagley, Miss Lockhart, Dignum, Reinhold; Tears are my daily Food-Mrs Ambrose; Now when I think thee upon-Kelly; For I went with the Multitude-Chorus; My God my soul is vexed-Reinhold; Put thy Trust in God-Chorus; Why so full of grief-Mrs Crouch, Miss Hagley; Hallelujah Chorus [The Messiah]-.

Afterpiece Title: Grand Concerto Spirituale 2

Performance Comment: Honor and Arms-Reinhold (Samson); New concerto hautboy-W. Parke; On the Charmer fondly gazing-Miss Hagley (Dr Arnold); Concerto bassoon-Parkinson; Let me wander not unseen-Mrs Ambrose (L'Allegro); Concerto violoncello (1st time)-Mason; Why does the God of Israel sleep?-Kelly (Samson); Farewell ye limpid springs-Mrs Crouch (Jephtha); Quest' alma sventurata-Mrs Ambrose (Sacchini); Coronation Anthem, God save the King-.

Afterpiece Title: Grand Concerto Spirituale 3

Performance Comment: Dixit Dominus, the Music by Pergolesi-; The Lord said unto the Lord-Chorus; The Lord shall send-Kelly; Be Thou Ruler-Chorus; In the Day of Thy Power-Mrs Crouch; The Day of Thy Birth-Miss Hagley; The Lord swear and will not repent-Chorus; The Lord upon Thy Right Hand-Miss Hagley, Miss Lockhart, Reinhold, Dignum, Semi-Chorus; Glory be to the Father-Kelly, Reinhold; As it was in the Beginning-Chorus; To conclude with God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Performance Comment: [That were Performed at the Pantheon and Westminster-Abbey [on 26 and 27 May 1784. As17900219, but Principal Vocal Parts-_Kelly, Cizo (1st appearance), Miss _Hagley, Miss +Romanzini (1st time [in the oratorios]).in the oratorios]).

Afterpiece Title: Grand Selection 1

Performance Comment: PART I. Overture (Samson)-; Awake the trumpet's lofty sound-Chorus [Samson]; Nasce al Bosco-Reinhold [Ezio]; Ye men of Gaza-Mrs Crouch [Samson]; He chose a mournful muse-; He sung Darius great and good-Sga Storace [Alexander's Feast]; With down@cast looks-; Behold! Darius great and good-Chorus [Alexander's Feast]; Concerto hautboy-W. Parke; Verdi Prati-Sga Storace [Alcina]; He gave them hail@stones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Ye sons of Israel-Chorus [Joshua]; The Prince unable-Sga Storace [Alexander's Feast]; Concerto violin-Master Bridgtower[, Son of the African Prince; Pleasure my former ways resigning-Cizo [Time and Truth]; For unto us a Child is born-Chorus [The Messiah]; O! had I Jubal's lyre-Miss Romanzini [Joshua]; Softly sweet in Lydian measure-Mrs Crouch; accompanied on the violoncello-Mason; The many rend the skies-Chorus [Alexander's Feast].Alexander's Feast].

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Overture and Dead March (Saul)-; Blest be the man-Chorus [Joseph]; Gentle airs-Cizo [Athalia]; Concerto bassoon-Parkinson; How excellent thy name-Chorus [Saul]; Cease ah! cease thou gentle youth-Miss Romanzini; The flocks shall leave the mountains-Reinhold, Dignum, Miss Romanzini [Acis and Galatea]; Now heaven in all her glory shone-; Lord what is man?-Mrs Crouch [Semele]; Hallelujah! For the Lord God omnipotent reigneth-Grand Chorus [The Messiah].The Messiah].

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].

Afterpiece Title: Grand Selection 2

Performance Comment: The Prince unable to conceal his pain-Sga Storace [Alexander's Feast]; Welcome welcome mighty King-Chorus [Saul]; See the conquering Hero comes-Chorus; See the godlike youth advance-Sga Storace, Miss Romanzini, Chorus; March (Judas Maccabaeus)-; Concerto on the violin-Weichsel; Shall I in Mamre's fertile plain-Reinhold; For all his mercies we will sing-Chorus [Joshua]; O! Liberty-Cizo; accompanied on the violoncello-Mason; 'Tis liberty-Miss Romanzini [Judas Maccabaeus]; Arise O God with glory crowned-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Grand Concerto-; He shall feed his flock-Miss Romanzini; Come unto Him all ye that labour-Mrs Crouch (The Messiah); The list'ning crowd-Chorus [Alexander's Feast]; 'Tis mighty wine inspires us-Reinhold [Otho]; I'll proclaim the wondrous story-Miss Romanzini, Cizo [Esther]; How vain is man-Dignum [Judas Maccabaeus]; With plaintive notes-Mrs Crouch [Samson]; Gloria Patri-Chorus [Jubilate].Jubilate].
Event Comment: No Money to be returned. Books of the Performance to be had at the Theatre. Places for the Boxes to be taken of Fosbrook, at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened a 5:30. To begin at 6:30 [same throughout oratorio season]. [Master Clement was from the Imperial Opera House, Vienna.

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Performance Comment: Principal Vocal Parts-Spence (1st appearance in public), Dignum, Bellamy Jun. (1st appearance), Miss Broadhurst (1st appearance in Oratorios), Miss Hagley, Miss Cecilia Davies, detta Inglesina (1st appearance in Oratorios); Conductor-Linley; 1st Violin-Shaw; Part I Overture-(Ariadne); He smote all the First@born of Egypt-Chorus (Israel in Egypt); Honour and Arms-Bellamy (Samson); No more shall Edom's Sons-Miss Hagley (Israel in Babylon); Hear us O Lord-Chorus (Judas Maccabeaus); O magnify the Lord-Miss Broadhurst (Chandos Anthems); Total Eclipse-Spence; O first created Beam-Chorus; Let the bright Seraphim-Miss Cecilia Davies (Samson); Zadok the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the pleasures of the plains!-Chorus; For us the zephyr blows-Mrs Bland; Ye verdant plains, Hush ye pretty warbling choir-Mrs Crouch; Where shall I seek?-Incledon; Stay shepherd stay, Shepherd what art thou pursuing?-Miss Barclay; Lo! here my love, Love in her eyes-Incledon; Didst thou know the pains, As when the dove-Mrs Crouch; Happy we-Miss Hagley, Dignum, Chorus.

Afterpiece Title: Acis and Galatea 2

Performance Comment: Wretched lovers-Chorus; I rage I melt I burn, O! ruddier than the cherry-Reinhold; Whither fairest?-Reinhold, Mrs Crouch; Cease to beauty to be suing-Reinhold; Would you gain the tender creature-Master Welsh; His hideous love, Love sounds the alarm-Incledon; Consider fond shepherd-Master Welsh; Cease O cease-Mrs Bland; The Flocks shall-Reinhold, Dignum, Mrs Bland; Help Galatea!-Dignum; Mourn all ye Muses-Chorus; Must I my Acis-Mrs Bland; Cease Galatea-Chorus; 'Tis done thus I exert, Heart the seat-Mrs Crouch; Galatea dry thy tears-Chorus.

Afterpiece Title: A Miscellaneous Act

Performance Comment: Sono imbrogliato gia-Morelli (Paisiello); Fallen is the foe-Chorus (Judas Maccabaeus); Let the bright Seraphim-Miss Barclay (Samson); Concerto violin-Master Bridgetower; Awake! Awake! Aeolian lyre-Reinhold (Alexander's Feast, by Dr Arnold); O Liberty-Miss Hagley; accompanied on the violoncello-Mason (Judas Maccabaeus); Gird on thy sword-Chorus (Saul); Shall I in Mamre's fertile plain-Morelli, Chorus (Joshua); Sin not O King-Mrs Bland (Saul); The many rend the skies-Chorus (Alexander's Feast, by Handel); What tho' I trace-Mrs Crouch (Solomon); Coronation Anthem-Chorus.

Music: End I: concerto on the hautboy-[J.] Parke

Performances

Mainpiece Title: A Grand Selection 0 Principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Performance Comment: As17920314but He gave them hailstones-Chorus (Israel in Egypt); For unto us a child is born-_.

Afterpiece Title: Grand Selection 3

Performance Comment: As17920314but Concerto violoncello-Mason; Concerto bassoon-_; Non era ancora sorta l'Aurora-Morelli (Paisiello); Con un moro orrendore strano-_; The horse and his rider-Chorus (Israel in Egypt); Worthy is the lamb-_; Sing ye to the Lord-Mrs Crouch (Israel in Egypt).
Event Comment: Double Drums by Ashbridge. Trombones by Flack, Dressler, Zwingham, Schubert. The Chorusses, which will be far more numerous than on any former occasion, will be supported by the Young Gentlemen of His Majesty's Chapel Royal, and the Choristers of St. Paul's. A Subscription of Two Guineas and a Half will receive Eleven Tickets for the Boxes, transferable either to a Lady or a Gentleman; any number of Tickets may be used nightly at the pleasure of the Subscriber. Books of the performance to be had at the Theatre, price #6d. Boxes 6s. Pit 3s. 6d. Gallery 2s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Harrison, Master Welsh, Master Hummell, Dignum, Sedgwick, Morelli, Miss Poole, Miss Leak (1st public performance), Mrs Harrison; Conductor-Linley? Sen., Arnold; Leader of the Band-Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Samson); Arm ye brave-Sedgwick; We come in bright array-Chorus; O Lovely peace-Master Welsh, Master Hummell (Judas Maccabaeus); Guarda nel mio taddio-Morelli (Paisiello); What passion cannot musick raise-Miss Poole; accompanied on the violoncello-Mason [Dryden's Ode]; Total Eclipse-Harrison; O first created beam-Chorus (Samson); Pious orgies-Mrs Harrison (Judas Maccabaeus); God save Great George our King-Chorus; [with new accompaniments [by Dr Arnold-.

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto on the Piano Forte-Dussek; Primroses deck the bank's green side-Dignum (Linley); Come unto these yellow sands-Miss Leak; Hark! the watch dogs bark-Chorus; Full fathom five-Miss Leak; Sea Nymphs hourly ring his knell-Chorus (The Tempest, by Purcell); Fair Rosale-Master Welsh (Linley); Vo sol cando-Miss Poole [Artaserse, by Vinci]; O come let us worship-Harrison [Coronation Anthems]; Thou didst blow-Mrs Harrison (Israel in Egypt); To arms your ensigns-Dignum, Sedgwick; Britons Strike Home-Chorus (Bonduca, by Purcell).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Mansion of Peace-Harrison [Webbe]; My faith and truth-Miss Leak, Master Hummell [Samson]; Non piu andrai-Morelli [Le Nozze di Figaro, by Mozart]; Concerto on the violin-Janiewicz (1st public performance in this Kingdom); Let the bright seraphim-Mrs Harrison [Samson]; Angels ever bright and fair-Master Welsh [Theodora]; The prince unable-Miss Poole [Alexander's Feast]; When Britons first at Heaven's command-(Alternate Solos); Rule Britannia Rule the Waves-Full Chorus (Dr Arne).

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Performance Comment: As17930227, but Conductor-Linley? Sen., Arnold; Preceded by Overture-(Esther).
Cast
Role: Conductor Actor: Linley? Sen., Arnold
Role: Preceded by Overture Actor:
Role: Principal Vocal Parts Actor: Leete

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Event Comment: The Lord Mayor's Show. Pepys, Diary: Creed and I went away, and took coach and through Cheapside, and there saw the pageants, which were very silly

Performances

Mainpiece Title: Londinium Triumphans

Performance Comment: [London's Celebration in Honour of the truely Deserving Sir Anthony Bateman, Knight, Lord Mayor of the Honourable City of London. And Done at the Costs and Charges of the Right Worshipful the Company of Skinners. The 29th of October, 1663. By John Tatham.].
Event Comment: The Duke's Company. Pepys, Diary: To White Hall, and got my Lord Bellasses to get me into the playhouse; and there, after all staying above an hour for the players, the King and all waiting, which was absurd, saw Henry the Fifth well done by the Duke's people, and in most excellent habits, all new vests, being put on but this night. But I sat so nigh and far off, that I missed most of the words, and sat with a wind coming into my back and neck, which did much trouble me. The play continued till twelve at night. A Prologue for this play is in A Letter from a Gentleman to the Honourable Ed. Howard (London, 1668)

Performances

Mainpiece Title: Henry V

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Performance Comment: Edition of 1673: Epilogue-; The Preface implies: Haunce-Angel?.
Cast
Role: Epilogue Actor:
Role: Haunce Actor: Angel?.
Event Comment: The Lord Mayor's Pageant. For an account of the dinner, see Spectator, No. 462, 30 Aug. 1712

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Friday, Octob. 29. 1675 for the Entertainment of the Right Honourable and truly Noble Pattern of Prudence and Loyalty, Sir Joseph Sheldon Kt, Lord Mayor of the City of London. Containing a true description of the several Pageants with the Speeches spoken on each Pageant. Together with the several Songs sung at this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. Design'd and Composed by Tho. Jordan, Gent.
Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Tuesday, October XXIX. 1678. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir James Edwards Knight, Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. Together with the Songs sung in this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Designed and Composed by Tho. Jordan, Gent.
Event Comment: The Lord Mayor's Show. For brief accounts, see Luttrell, A Brief Relation, I, 25, and Domestick Intelligence, No. 34, 31 Oct. 1679

Performances

Mainpiece Title: London In Luster

Performance Comment: [Projecting Many bright beams of Triumph: Disposed with Several Representations of Scenes and Pageants. Performed with great Splendor on Wednesday, October XXIX. 1679] At the Initiation and Instalment of the Right Honourable Sir Robert Clayton, Knight, Lord Mayor of the City of London. Dignified with divers delightfull Varieties of Presentors, with Speeches, Songs, and Actions, properly and punctually described. All set forth at the proper Cost and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.