SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Francis Manning"/1) | (@(roleclean,performerclean) "Francis Manning")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 992 matches on Author, 690 matches on Performance Comments, 95 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Sacrifice

Related Works
Related Work: The Sacrifice Author(s): Sir Francis Fane

Performances

Mainpiece Title: The Author

Afterpiece Title: The Enchanted Wood

Related Works
Related Work: The Enchanted Wood Author(s): C. Francis

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Related Works
Related Work: The Enchanted Wood Author(s): C. Francis

Afterpiece Title: The Liar

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Related Works
Related Work: The Enchanted Wood Author(s): C. Francis

Afterpiece Title: The Son-in-Law

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Related Works
Related Work: The Enchanted Wood Author(s): C. Francis

Afterpiece Title: The Agreeable Surprise

Dance: As17920725

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Enchanted Wood

Related Works
Related Work: The Enchanted Wood Author(s): C. Francis

Afterpiece Title: The Son-in-Law

Dance: As17920725

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Performance Comment: Harlequin-Moylin Francisque.
Cast
Role: Harlequin Actor: Moylin Francisque.

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performances

Mainpiece Title: The Busie Body

Performance Comment: Charles-Mills; Sir George-Wilks Jr; Marplot-Miller; Sir Francis Francis-Norris; Sir Jealous-Shepard; Miranda-Mrs Booth; Isabinda-Mrs Younger; A new Epilogue-Miss Lindar.
Cast
Role: Sir Francis Francis Actor: Norris

Song: Singing in Italian-Miss Lindar

Dance:

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; parts-Weston, Aickin, Davis, Wilson, Jacobs, Lloyd, Johnson, Follett, Pierce, Owenson, Fearon, Courtney, Jones, Palmer, Francis, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with the reinforcement of Mr Bayes's new rais'd troops-.

Afterpiece Title: The Padlock

Dance: As17740613

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; others-Aickin, Whitefield, Parsons, Davis, Fearon, Baddeley, L'Estrange, Lloyd, Edwin, Brett, Jones, Griffith, Pierce, Walters, Francis, Miss Ambrose, K. Palmer, Miss Francis, Miss Platt; With the Reinforcement of Bayes's New Rais'd Troops-.

Afterpiece Title: The Padlock

Dance: Tambourine Dance-

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: See17861122, but Sir Richard Vernon-; Francis-Sir Richard Vernon and Francis not acted, respectively, by Farren, Edwin [their substitutes not known].their substitutes not known].

Afterpiece Title: Barataria

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Young Gentleman, 1st time [Stokes (Morning Chronicle, 19 Sept.)]; Buckingham-Fearon; King Henry-Gardner; Richmond-Davis; Stanley-Lloyd; Tressel-Dancer; Lord Mayor-Francis; Catesby-Farrel; Lieutenant-Vowell; Blunt-Walters; Prince Edward-Miss Lings; Duke of York-Miss Francis; Ratcliff-Smith; Tyrrel-Adams; Lady Anne-Miss Platt; Duchess of York-Mrs White; Queen-Mrs Parsons.
Cast
Role: Lord Mayor Actor: Francis
Role: Duke of York Actor: Miss Francis

Afterpiece Title: Madrigal and Trulletta

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Trip to Portsmouth

Performance Comment: Parts by Weston, DuBellamy, Castle, Hutton, Bolton, LaMash, Follett, Hamilton, Fearon, Courtney, Bannister, Lings, Osborne, Francis, Ward, Lloyd, Mrs Fearon, Miss Platt, Mrs Palmer, Miss Atkinson, Mrs Weston, Miss Craven, a Young Gentlewoman. Prologue-Weston; To conclude with a Treble Hornpipe-Giorgi's scholars; Buck-Weston; Tom-Bannister; Sir Flimsey-Castle; Young Inkle-Lamash; Miss Flirt-Miss Craven; Lady Lochiel-Mrs Fearon; Simpson-DuBellamy; Sneer-Jacobs; Old Incle-Fearon; Hearty-Ward; Frenchman-Bolton; Laird-Hamilton; Landlord-Lloyd; Waiter-Hutton; 2nd Sailor-Follett; Groanly-Pearce; Katty-Miss Wilde; Landlady-Miss Platt; Dorothy-Mrs Weston; Nan-Mrs Palmer; Cicely-Miss Atkinson (Edition of 1773); Parts-Courtney, Lings, Osborne, Francis, a Young Gentlewoman.

Performances

Mainpiece Title: The Bankrupt

Performance Comment: As17730914, but Parts-_Courtney; Francis_. Francis_.
Cast
Role: Margin Actor: Francis.

Afterpiece Title: A Trip to Portsmouth

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: As17740430 but Vernon-Hull; Bardolph-Davis; Prince John, Douglas, Westmorland, Blunt, Bardolph, Francis restored as of 15 March. Prince John, Douglas, Westmorland, Blunt, Bardolph, Francis restored as of 15 March.
Cast
Role: Francis Actor: Cushing

Afterpiece Title: The Padlock

Dance: III: A Minuet (1st time)-Blurton, Miss Stede; End: A Hornpipe, in the character of a sailor-Miss Stede. [See17730522.

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: Francis Actor: Edwin
Role: Prince John Actor: Miss Francis

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: A Beggar on Horseback: A Dramatic Proverb

Performance Comment: Principal Characters by Edwin, Bannister Jun., Baddeley, R. Palmer, Burton, Barrett, Lyons, Painter, Parsons; Mrs Wells, Mrs Love, Miss Francis, Mrs Webb. [Cast from playbill of 12 June 1786: Corny Buttercup-Edwin; Horace-Bannister Jun.; Cosey-Baddeley; Scout-R. Palmer; James-Burton; Old Barnavag-Barrett; Tweedel-Lyons; Billy-Painter; Old Codger-Parsons; Nancy Buttercup-Mrs Wells; Mrs Neighborly-Mrs Love; Miss Barnavag-Miss Francis; Mrs Mummery-Mrs Webb.] hathi. hathi.
Cast
Role: Miss Barnavag Actor: Miss Francis
Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Performance Comment: Don Felix-Benson; Colonel Briton-Payne; Lissardo-Banister; Don Lopez-Wellman; Don Pedro-Wright; Frederick-Francis; Vasquez-Stevenson; Alguazil-Newbold; Soldier-Oldmeadow; Servant-Master Payne; Gibby-Waldron; Flora-Mrs Benson; Isabella-Mrs Wellman; Inis-Miss Cranford; Violante-Miss Francis .
Cast
Role: Frederick Actor: Francis
Role: Violante Actor: Miss Francis

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Waldron; Justice Guttle-Wright; Dick-Wellman; Trippit-Stevenson; Gayless-Benson; Kitty Pry-Mrs Wellman; Mrs Gadabout-Mrs Monk; Mrs Trippit-Miss Bird; Melissa-Miss Francis .
Cast
Role: Melissa Actor: Miss Francis

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Palmer; Manly-Bensley; Count Basset-R. Palmer; John Moody-Booth; Squire Richard-Burton; Servants-Gaudry, Lyons; Sir Francis Wronghead-Parsons; Lady Grace-Mrs Bulkley; Miss Jenny (with a song in character)-Miss George; Lady Wronghead-Mrs Webb; Myrtilla-Miss Brangin; Mrs Motherly-Mrs Poussin; Trusty-Miss Francis; Lady Townly-A Gentlewoman (1st appearance on any stage [Mrs Brooks]) .Mrs Brooks]) .
Cast
Role: Sir Francis Wronghead Actor: Parsons
Role: Trusty Actor: Miss Francis

Afterpiece Title: The Quaker

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Performance Comment: Principal Characters by Bannister Jun., Wewitzer, Burton, Barret, Lawrence, Moss, Miss Francis, Miss Brangin, Mrs Webb. [Cast from text (C. Dilly, 1787): Bob Bootekin-Bannister Jun.; Stately-Wewitzer; Spatula-Burton [in text: Johnson (see17870822)]; Dismal-Barret; Captain Wilmot-Lawrence; Bootekin-Moss; Charlotte-Miss Francis; Kitty-Miss Brangin; Mrs Poplin-Mrs Webb.
Cast
Role: Charlotte Actor: Miss Francis

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Performance Comment: [Principal Characters by Edwin, Bannister Jun., Moss, Lawrence, Parsons, Mrs Brown, Miss Francis, Mrs Webb. Cast adjusted from text (no pub. [pirated], 1795, and London Chronicle, 29 Aug.: Sheepface-Edwin; Scout-Bannister Jun.; Justice Mittimus-Moss; Charles-Lawrence; Snarl-Parsons; Kate-Mrs Brown; Mrs Scout-Mrs Webb; unassigned-Miss Francis.
Cast
Role: unassigned Actor: Miss Francis.

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin