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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Francis Gentleman"/1) | (@(roleclean,performerclean) "Francis Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3583 results for: Keyword - Francis Gentleman
We found 1641 matches on Performance Comments, 992 matches on Author, 942 matches on Event Comments, 255 matches on Performance Title, and 0 matches on Roles/Actors.

1076
20 April 1796 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Maid of the Oaks

Related Works
Related Work: The Maid of the Oaks Author(s): Francis Barthélémon

Dance: In 2nd piece: a New Dance-Holland, Platt, Mrs Watts

Song: In 2nd piece: As in 3rd piece, 12 Apr., but The Sea Storm-_; Old Towler-_; New Song-_

1077
24 November 1796 @ Covent Garden

Performances

Mainpiece Title: Philaster

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): Francis Beaumont
Related Work: Philaster Author(s): Francis Beaumont
Related Work: The Restoration; or, Right Will Take Place Author(s): Francis Beaumont

Afterpiece Title: Cymon

1078
22 March 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .
Cast
Role: Gentleman in Balcony Actor: A Young Gentleman

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

1079
26 November 1796 @ King's Theatre

Performances

Mainpiece Title: Zemire Et Azor

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

1080
24 August 1748 @ Bartholomew Fair

Performances

Mainpiece Title: The Consequences Of Industry And Idleness

Performance Comment: Francis Goodchild the Prentice-Peterson; the Master-Pinner; Thomasthe Idle Prentice-Costollo; Owen Gallows-Lowder; Ben Board'em-Miller; Bransby Bustle-Taswell; Solomon Slender-Singleton; 'Squire Allnight-Casey; Scrawl-Brown; Taylor-Dogget; Jailor-Peters; Miss West-Miss Jones; Mrs Idle-Mrs Graham; Dorothy Slut-Miss Hippisley; Patrick MacMurder an Irish Haymaker-Yates.
Cast
Role: Francis Goodchild the Prentice Actor: Peterson

Song: Signora Agnetta being the first Time of her Performing since her Arrival. An extraordinary Band of Musick

1081
12 February 1692 @ no theater listed

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

1082
28 March 1692 @ no theater listed

Event Comment: Gentleman's Journal, March 1691@2 (licensed 9 March 1691@2): And after Easter we are to have a New Opera; and Mr Dryden's Cleomenes very shortly

Performances

1083
13 April 1692 @ no theater listed

Event Comment: Gentleman's Journal, April 1692 (licensed 13 April): Mr Banks hath writ a Tragedy call'd the Innocent Usurper....However, there being some reasons which hinder it from appearing on the Stage, he designs to submit it to the Judgment of every Impartial Reader, and it will very speedily appear in print

Performances

1084
14 May 1692 @ no theater listed

Event Comment: Gentleman's Journal, May 1692 (licensed 14 May): We are promised Mr Crown's Regulus, before the Long Vacation; As also a Comedy by Mr Shadwell, whose Genius for that sort of Poetry, is sufficiently known to the Ingenious

Performances

1085
20 July 1692 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Gentleman's Journal, July 1692 (20 July 1692): We have had no new Play since Regulus, and 'tis very likely that we shall have none till the next Term

Performances

1086
24 August 1692 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Gentleman's Journal p. 26, August 1692 (licensed 24 Aug. 1692): The first of the three Songs which I send you is set by Mr Purcell the Italian way; had you heard it sung by Mrs Ayliff you would have owned that there is no pleasure like that which good Notes, when so divinely sung, can create. [The song, Ah me! Ah me! to many, many deaths, the words by John Crowne and the music by Henry Purcell, is in Crowne's Regulus. See Early June 1692.

Performances

1087
October 1692 @ no theater listed

Event Comment: Gentleman's Journal, October 1692: We are promised a Comedy by Mr Shadwell in a short time, and two or three new Plays after that

Performances

1088
22 November 1692 @ Stationer's Hall

Event Comment: Gentleman's Journal, November 16@2: In my first Journal I gave you a large account of the Musick Feast on St Cecilia's day; So, to avoid repetitions, I shall onely tell you that the last was no ways inferiour to the former....The following Ode was admirably set to Music by Mr Henry Purcell and perform'd twice with universal applause, particularly the second Stanza, which was sung with incredible Graces by Mr Purcell himself. [See Purcell's Works, Purcell Society, VIII, and Orpheus Britannicus, 1702, 1706, 1711. The Ode appears to have been written by Nicholas Brady.

Performances

Mainpiece Title: Concert

1089
January 1693 @ no theater listed

Event Comment: Gentleman's Journal, December 1692 (appearing not earlier than January 1693): We are like to be without new Plays this month and the next; the death of Mr Mountfort, and that of Mr Leigh soon after him being partly the cause of this delay. The first that is promised us is a Comedy by Mr Southern, whose Plays are written with too much Politeness and Wit, not to be read by you with uncommon pleasure

Performances

1090
04 November 1693 @ Whitehall or St. James's

Event Comment: Gentleman's Journal, November 1693: An Ode upon His Majesty's Birth-day, Set to Musick by Dr Staggins; and Perform'd before Their Majesties, Nov. 4. 1693. The Words by N. Tate, Servant to Their Majesties. [The Ode was published separately as a broadside in 1693. A song, Gallic force, in vain, set by Staggins and sung to the King on his birthday, is in Comes Amoris, The Fifth Book, 1694.

Performances

Mainpiece Title: Concert

1091
22 November 1693 @ Stationer's Hall

Event Comment: Gentleman's Journal, November 1693: A Song for St Cecilia's Day, By Mr Theo. Parsons. Set to Musick by Mr Finger

Performances

Mainpiece Title: Concert

1092
18 April 1749 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

1093
05 May 1757 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: Gentleman are desired to come without Swords and Ladies without Hoops

Performances

Mainpiece Title: The Messiah

1094
24 February 1775 @ Covent Garden

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

1095
24 May 1720 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Twin Rivals

Dance: Topham Jr, Pelling, Sandham's Son, Miss Bullock, Miss Francis; Scaramouch-a Gentleman for his Diversion; Drunken Man-Harper

Song: Four and Twenty Stock Jobbers-Harper

1096
19 March 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Dance: Moreau, Mrs Moreau, Mrs Bullock, Miss Schoolding, Miss Francis; A new Passacaille-Miss Francis

Song: As17181006

1097
27 April 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Twin Rivals

Dance: delaGarde, delaGarde's Two Sons, Mrs Bullock, Miss Francis; DelaGarde's new Scots Dance-Mrs Bullock, delaGarde's Two Sons; A new Passicaile-Miss Francis

Song: As17181006

1098
01 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Afterpiece Title: True Blue

Afterpiece Title: The Flitch of Bacon

Dance: End I 1st piece: a new Hibernian Dance, The Rakes of Mallow-Jackson, Miss Francis (1st appearance), others; End II: a new Dance, The Sports of the Green or The Rivals Reconcil'd-Aldridge, Langrish, Jackson, Miss Francis, Miss Besford; 2nd Piece: the original Sailor's Dance, as17810402

Song: 2nd piece to conclude: with a Grand Antigallican Procession[in Honour of St. George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus

Ballet: End IV: a Grand Pantomimical Pastoral Welch Dance St. David's Day; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters

1099
19 December 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Sir Francis Actor: Morgan

Song: Cantata of Mr Haydn's-a Gentleman that never appear'd on any Stage before; a Dialogue of Purcell's-that Gentleman, a Youth

1100
13 May 1756 @ Covent Garden

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: A Duke and no Duke

Dance: IV: Drunken Peasant (Peasant-$Miles; Clown-$Bennet)-; V: The Villagers, as17560315

Song: II: School of Anacreon-a Gentleman who never appeared on any stage; V: A Cantata-the same Gentleman