SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Forest June"/1) | (@(roleclean,performerclean) "Forest June")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 648 matches on Event Comments, 110 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

Event Comment: [Beginning with 2 June the new ballet was entitled L'Amour en Vendange.

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Les Bohemiens, as17771216; End II: Serious Ballet, as17780120; End Opera: new Ballet Demi-caractere (never performed), L'Amour dans la Vendange-Mons and Mlle Banti, Sg and Sga Zuchelli

Event Comment: [Miss Harper is identified in playbill of 8 June.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Miss in her Teens

Dance: End II: The Merry Lasses-, as17780518

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Performance Comment: Characters by Palmer, Baddeley, Mrs Hitchcock, Mrs Massey. Cast from London Chronicle, 11 June: Current-Palmer; Padlock-Baddeley; Finette-Mrs Hitchcock; Almadine-Mrs Massey.

Dance: As17780518

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: [Principal Characters by Palmer, Griffin (from the Theatre Royal, Bath), Gardner, Jackson, Massey, Painter, Webb (from the Theatre Royal, Edinburgh), Mrs Webb, Miss Farren, Mrs Poussin, A Young Gentlewoman (1st appearance on any stage Miss Powel]). [Cast from London Chronicle, 2 July, and adjusted from playbill of 9 June 1777: Young Marlow-Palmer; Hastings-Griffin; Sir Charles Marlow-Gardner; Tony Lumpkin-Jackson; Diggory-Massey; Landlord-Painter; Hardcastle-Webb; Mrs Hardcastle-Mrs Webb; Miss Hardcastle-Miss Farren; Betty-Mrs Poussin; Miss Neville-Miss Powel.

Afterpiece Title: Buxom Joan

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Event Comment: By Permission of the Lord Chamberlain. Benefit for Digges. Mainpiece: Never acted here. [Barry had acted King Lear at this theatre on 15 July 1767, and Ross on 18 June 1770.] Afterpiece: Altered into 3 acts

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Gentle Shepherd

Music: Afterpiece: With the Scots Musick incidental to the Piece-

Event Comment: A new Comic Opera. The music entirely new by Sacchini. With entire new Scenes, Dresses and Decorations both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [see 5 June 1779]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The door in Market Lane for Chairs only. Public Advertiser, 31 Oct.: To prevent mistakes Ladies who have not honoured the Director with the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the Office of the Theatre, in order to [permit] their Tickets being engraved. The Renters' Shares proposed to be granted on this Theatre are now made out, and particulars prepared, at Messrs Wallis and Parker's, Norfolk-street, Strand, who are impowered by the Proprietors to dispose in single Shares of those which remain unsubscribed for. The annual Subscriptions are receiving by Johnson at the Office of the Theatre in Union-court, Haymarket

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Event Comment: Benefit for Henderson. Mainpiece: Not acted these 4 years [acted 8 June 1776]. Public Advertiser, 6 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. [Henderson's 1st appearance as King Lear was at Bath, 20 Feb. 1773.] Receipts: #259 9s. (162.9.0; 16.12.6; 0.13.6; tickets: 79.14.0) (charge: #105)

Performances

Mainpiece Title: King Lear

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Mattocks. [Mrs Dawes is identified in Kentish Gazette, 19 June and 3 July 1779.] Public Advertiser, 14 Apr.: Tickets to be had of Mattocks at his house in Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: Romeo and Juliet

Afterpiece Title: The Touchstone

Dance: I: As17781026, but Minuet-Dagueville, Miss Armstrong

Song: Solemn Dirge, as17781026, but Fox, Mrs _Willems

Event Comment: Benefit for Fosbrook, box-book-keeper. Mainpiece: Not acted these 4 years [acted 1 June 1776]. Receipts: #305 5s. 6d. (53.5.0; 12.18.6: 1.5.0; tickets: 237.17.0) (charge: #105)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Who's the Dupe

Dance: to conclude with: Country Dance-; End I afterpiece: As17790417

Song: End II: Tally ho!, as17790413

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Performance Comment: Characters-Palmer, Baddeley, Miss Wood, Mrs Massey. [Cast adjusted from playbill of 10 June 1778: Current-Palmer; +Padlock-Baddeley; +Finette-Miss Wood; +Almadine-Mrs Massey.]

Dance: End: The Provencale-Master and Miss Byrn

Event Comment: The last Time of the Company's performing this Season. Account-Book, 8 June: Paid Boy counting Copper Tickets 185 nights #4 12s. 6d. Receipts: #168 14s. 6d. (134.19.0; 33.15.6; after-money not listed)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Monody

Afterpiece Title: Who's the Dupe

Dance: As17790417

Song: As17781006

Event Comment: [In mainpiece the playbill assigns Justice Woodcock to Parsons, and as afterpiece announces Tony Lumpkin in Town, but "In consequence of Parsons' illness, Edwin played the part of Justice Woodcock, with which he seems well acquainted; and he plays it with great pleasantry in his own particular style of humour....Parsons' illness also prevented the performance of Tony Lumpkin in Town, and Nature will Prevail was substituted" (Gazetteer, 8 June).

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Event Comment: Parsons not being sufficiently recovered The Spanish Barber and The Tailors [both announced on playbill of 7 June] are deferred till Friday. Afterpiece: A Modern Operatical, Sentimental, Crying Comedy

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Piety in Pattens

Dance: End II: Tambourine Dance, as17790602 End: a new dance, The Country Wake-Master and Miss Byrn

Event Comment: The Flitch of Bacon [announced on playbill of 9 June] is obliged to be deferred. [Mainpiece: Prologue by George Colman, the elder.

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Mayor of Garratt

Dance: End: The Country Wake, as17790609

Event Comment: [Opera in place of Demofoonte, announced in Public Advertiser, 21 June.

Performances

Mainpiece Title: La Governante

Dance: As17790615

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, altered from his The Device (see 27 Sept. 1779); incidental music by William Shield; Prologue by the author (see text)]. Account-Book, 16 June: Paid Pilon for the Deaf Lover #100. Receipts: #192 3s. (190.0.6; 2.2.6)

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Cross Purposes

Event Comment: The last Time of performing this Season. [This was Mrs Hartley's last appearance on the tstage.] Account-Book, 29 May: Paid Foulis for writing Music #101 17s.; 31 May: Received of Their Majesties for this Season #60, of Prince of Wales #30; 16 June: Paid Pattinson, tallow chandler, #332 8s. Paid Cooper, printer, #335 11s. Paid Harris, manager, #500. Paid Enderby, oil merchant, #1,061 17s. Paid Hull, salary as Acting Manager #150. Paid Mrs Hartley in lieu of a Benefit #105; 6 July: Received Stage Forfeits this season #42 3s. 6d. Receipts: #63 8s. (61.14.6; 1.13.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Siege of Gibraltar

Dance: As17800417

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Performance Comment: Principal Parts-Palmer, Aickin, Edwin, Hitchcock [part read by], Lamash, Gardner, Blissett, Usher, Massey, R. Palmer, Webb, Bannister, Mrs Webb, Miss Hale, Miss Farren. [Cast adjusted from playbill of 28 June 1786: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Catchpenny-read by Hitchcock; Squib-Lamash; Bounce-Gardner; Juggins-Blissett; Dr Truby-Usher; Waiters-Massey, Webb; John-R. Palmer; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy Lovel-Miss Farren.]

Afterpiece Title: Midas

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Event Comment: Summer Amusement [announced on playbill of 3 June] is obliged to be deferred on account of Edwin's Indisposition. [As 3rd piece Public Advertiser announces Polly Honeycombe.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Miss in her Teens

Dance: End I 2nd piece: As17800530; III: a Hornpipe-Master Byrne. [This was danced, as here assigned, in all subsequent performances.

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: [The playbill for 7 June announces The Beggar's Opera, but on this night the theatre was dark- perhaps because of the riots referred to above.]