Event Comment: Mainpiece [1st time; MD 5, by Matthew Gregory Lewis; incidental music by Michael Kelly (see 2 Feb. 1798), with one selection from Jomelli. Prologue and Epilogue by the author (Monthly Mirror, Dec. 1797, pp. 357-58)]: With new Dresses, Scenery, and Decorations. The Scenery designed by the late Mr Greenwood [who died on 1 Nov.], and executed by his Son, Pugh, and others. Times, 15 Jan. 1798: This day is published The Castle-Spectre (2s.). "There is a sufficient number of Ghosts, Hobgoblins, Cells and Trap-doors to serve for a pantomimical exhibition of the most extravagant nature, and the whole may, with no breach of propriety, be termed a Speaking Pantomime, of which Kemble is made the Harlequin and Mrs Jordan the Columbine" (Morning Herald, 16 Dec.). Receipts: #316 18s. 6d. (257.6.6; 58.17.0; 0.15.0)

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Event Comment: The King's Company. An edition, undated but possibly issued about this time, refers to its being acted at Vere Street. The edition has no cast, no prologue, no epilouge. Pepys, Diary: Sir W. Pen and his daughter and I and my wife to the Theatre, and there saw Father's own Son, a very good play, and the first time I ever saw it

Event Comment: The King's Company. Pepys, Diary: To the Theatre, and there saw Father's own son again

Event Comment: [By Lewis Theobald.] Never Acted before

Event Comment: [By Lewis Theobald.] Never Acted before. Receipts: #25 8s. 6d. Preface: I am only sorry, it did not answer so well to Mr Rich, as I hop'd it would have done....The Play was got up with indefatigable Application, in Twelve Days time from the first Reading, which is less than ever any Tragedy was known to be got ready in

Event Comment: Afterpiece: [Text by Lewis Theobald. Set to Music by John Galliard.] A new Opera of one Act. With Scenes, Machines, Habits, Dances, and all other Decorations proper to the same, entirely new

Event Comment: [Written by Lewis Theobald.] The Music by Mr Galliard. By Subscription. A new Comic-Dramatic Opera. With all new Cloaths, and the Scenes are Machines after the Venetian Manner. N.B. There are above two Thousand Ells of Cloath employ'd in the Painting. Pit and Boxes by tickets only. Stage Boxes 15s. First Gallery 3s. Box in the Gallery 5s. Upper Gallery 1s. 6d

Event Comment: [By Lewis Theobald.] With new Scenes and Habits

Event Comment: Afterp1ece: [By Lewis Theobald.] With new Scenes, Machines, Cloaths, and other Decorations. Receipts: #150 3s

Event Comment: Never Acted before [By Lewis Theobald.] Receipts: #133 0s. 6d

Event Comment: A New Tragedy. [By Lewis Theobald.] Preface, edition of 1735: But such was its Fate then, that, appearing in a Season when the Weather was warm, and the Town in a political Ferment, it was prais'd and forsaken. Receipts: #47 6s

Event Comment: [Mainpiece in place of The Recruiting Officer, announced on playbill of 12 Oct.] Afterpiece [1st time; P 2(?), by James Messink. Not in Larpent MS; synopsis of action in London Chronicle, 15 Oct.]: The Scenes partly new and partly compiled from Rich's Pantomimes [i.e. The Rape of Proserpine, Perseus and Andromeda, Apollo and Daphne, all three written by Lewis Theobald (Morning Chronicle, 15 Oct.)]. The new Music by Dibdin. The new Scenes painted by Carver

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris