SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "F W von Hassell"/1) | (@(roleclean,performerclean) "F W von Hassell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1392 matches on Performance Comments, 572 matches on Author, 446 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: "Mrs Siddons's timid approach [in Act V] to the home of a friend whom she had robbed of a lover: 'She staggers up to the door, timidly lifts the knocker, releases it as if she had committed a mortal sin, seizes it a second time and--knocks. It is impossible to describe how she knocked, but I shall never forget her in this situation, never forget the tone of her voice in answer to the servant, never the timidity, the anguish of her expression and movements.'" (F. W. von Hassell quoted in J. A. Kelly, 144-45). Receipts: #337 7s. 6d. (321.16.0; 14.6.6; 1.5.0, being the largest amount taken at this theatre, on a night not devoted to a benefit, between 1776 and 4 June of this season, q. v.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fairy Favour

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Performance Comment: Principal Characters by Pope, Munden, Murray, Hull, Clarke, Davenport, Thompson, Claremont, Abbot, Miss Chapman, Mrs Davenport, Mrs Pope. [Cast from Larpent MS: Henry-Pope; Chevalier Walter von Blonay-Munden; Brother Peter-Murray; Chevalier Cuno von Hallwyl-Hull; Count Hugo von Werdenberg-Clarke [in MS: Whitfield]; Bruno-Davenport; Benedict-Thompson; Guido-Claremont [in MS: Gilbert]; Nicholas-Abbot; Matilda-Miss Chapman; Gertrude-Mrs Davenport; Elizabeth-Mrs Pope.
Related Works
Related Work: The Count of Burgundy Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

Performances

Mainpiece Title: Honorius

Performances

Mainpiece Title: Meraspe O L'olimpiade

Performances

Mainpiece Title: The Birth Day

Related Works
Related Work: The Birth Day Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Horse and the Widow

Related Works
Related Work: The Horse and the Widow Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: Albert and Adelaide

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mock Doctor

Dance: II: The Dutch Milkmaid, as17700924

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Commissary

Music: II: A Favourite Concerto on the Harpsichord-Hook

Ballet: End Opera: The Wapping Landlady and Double Hornpipe. As17710422

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Commissary

Dance: II: The Old ground Young, as17711030

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Commissary

Dance: II: The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Mas. Blurton, Miss Besford. [See17110930.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Deuce Is in Him

Dance: End of play: A Dance call'dThe Provencale-Master Holland, Miss Armstrong, Miss Ross. [See17720529.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Stranger Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Related Works
Related Work: The Birth Day Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Magic Oak

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Related Works
Related Work: Pizarro Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Purse

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Music: Select Pieces

Dance: Punches by Janno and F. Tench. The Whim by F. Tench and Miss Mann. Watteau by Miss Robinson

Performances

Mainpiece Title: Volpone

Music: Select Pieces

Dance: I: Let Polichinelles by Janno and F. Tench. II: Clown by Nivelon. III: Whim by F. Tench and Miss Mann. IV: Scaramouch by Janno. V: Mock Minuet, as17331027

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Covent Garden Tragedy

Music: A Piece of Musick upon the Common Flute by a Gentleman, composed by Sig Valesciene

Dance: Two Pierrots by F. Tench and Davenport. Scotch Dance by Mr and Mrs Davenport. The Whim by F. Tench and Miss Mann

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Coxcombs

Dance: I: Statue Dance-; End Opera: Dance-the Characters; End Dance: Hornpipe-Lepper

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Girl in Style

Dance: As17861117

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character