SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "F W Gent"/1) | (@(roleclean,performerclean) "F W Gent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1405 matches on Performance Comments, 440 matches on Event Comments, 404 matches on Author, 60 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: High Life below Stairs

Dance: End: A Double Hornpipe-Walker, Miss Ward

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Minor

Dance: III: As17700428

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Elopement

Dance: III: A New Dance call'd The Shepherds Frolic-Atkins, Mrs King

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: Midas

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Fairy Prince

Cast
Role: Nymphs Actor: Mrs Baker, a Gentlewoman

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Lethe

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Commissary

Dance: End: A Comic Dance, as17711031

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: Man and Wife

Dance: After the Epilogue: A Minuet-Aldridge, Mrs Bulkley; End II of Comedy: A New Dance-Mas. Langrish as17730426 being his third appearance

Ballet: The Wapping Landlady, with Sixfold Hornpipe. As17730424

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: The Prince Of Agra

Afterpiece Title: The Dragon of Wantly

Dance: End: The Irish Lilt, as17731005

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Dance: III: The Humours of Blackwall, as17750429

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: St Patrick's Day

Dance: End: Mirth and Jollity, as17760102

Monologue: Before: The Occasional Prelude. Manager-Wroughton; Young Actress-Miss Barsanti. [See 10 May 1773.