SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "F W Gent"/1) | (@(roleclean,performerclean) "F W Gent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1405 matches on Performance Comments, 440 matches on Event Comments, 404 matches on Author, 60 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: La Bagatell by Essex and Miss La Tour. Whim by F. Tench and Miss Man. Les Bergeries, as17331228

Performances

Mainpiece Title: Ariadne [in Creta]

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Lottery

Dance: Dutch Skipper by Vallois and Mrs Bullock. La Follette c'est Ravizee by F. Tench and Mrs Woodward

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Contrivances

Dance: II: La Follette c'est Ravize by Tench and Mrs Woodward. V: A new Dance by Delagarde and Mrs Bullock

Song: III: A Song, called Goodman's Fields Theatre, addressed to the City, sung by Excell. IV: In Italian by Miss Jones

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: Black Joke by Mrs Charke and Miss Brett

Song: Roast Beef Song by Mullart

Performances

Mainpiece Title: Jupiter In Argos

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Pierots-Master Ferg, Miss Morrison; II: Saraband-Miss Morrison; III: Comic Dance-Miss Scott Ynger; IV: Tambourine-the Elder Miss Scott; V: Scaramouches-Master Brooks, Miss Morrison

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Tambourine-Mlle Roland; II: Flanderkins-Master Ferg, Miss Wright; III: Pieraites-Pelling, Leviez; IV: Ethiopians-Muilment

Performances

Mainpiece Title: The Queen Of Spain; Or, Fairinelli At Madrid

Music: A new Sonata, in four parts, by Lampe-

Song: New Song The Shepherd's Invitation-Sullivan; A new Song To Sylvia-Miss Young

Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances

Performances

Mainpiece Title: The Miser

Afterpiece Title: Pyramus and Thisbe

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Bellerephon

Dance:

Entertainment: End Opera: Fireworks Display-. [Repeated in all announcements of this opera.

Performances

Mainpiece Title: The Recruiting Officer

Song: New Sailor's Song-; Chorus call'd Tit for Tat-

Dance: New Ballet, call'd %The Gardner's Revels-Cooke, Mathews, Leviez, Pelling, Shawford, Royer, Mrs Addison, Miss Thompson, Mrs Shawford, Miss Cole

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Event Comment: To begin at Twelve noon. The Gentlemen are desired to come without swords and the Ladies without hoops (Deutsch, Handel, p. 688). The seating capacity of the Hospital was 1,000. There was a tremendous crush and confusion...a number of distinguished people drove up at the last moment, many without tickets, and found it impossible to gain admission (R. H. Nichols and F. A. Wray, History of the Foundling Hospital (London 1935), p. 202). Handel offered to give a repeat performance to accomodate those disappointed. [See 15 May.

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Flora; or, the Country Wake

Afterpiece Title: Flora; or, the Country Wake

Performances

Mainpiece Title: Solimano

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: Poitier Jr, Mlle Capdeville

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Entertainment: of singing and dancing.of singing and dancing

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Register Office

Dance: II: The Lilliputian Camp composed by Grimaldi, as17670227; III: Hearts of Oak, as17670212; End: The Vintage, as17661011, but-Grimaldi, Mrs King