SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English Scotch and Irish Ballads"/1) | (@(roleclean,performerclean) "English Scotch and Irish Ballads")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1509 matches on Performance Title, 553 matches on Event Comments, 480 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [2nd piece in place of The Battle of Hexham, advertised on playbill of 26 June.] The Publick is respectfully informed that alterations are now making in The Irish Legacy: it will be in a few days represented for the second time. [But it was not acted again.

Performances

Mainpiece Title: The Mock Doctor

Cast
Role: Leander Actor: Caulfield

Afterpiece Title: The London Hermit

Cast
Role: Florella Actor: Miss Andrews.

Afterpiece Title: The Agreeable Surprise

Cast
Role: Laura Actor: Miss Andrews

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Fernando-Johnstone; Spado-Munden; Pedrillo-Fawcett; Don Caesar (1st time)-Townsend; Philippo (1st time)-Mrs Clendining; Don Scipio-Powel; Rapino-Abbot; Calvette-Ledger; Don Juan-Davenport; Sanguino-Thompson; Vasquez-Farley; Alphonso-Incledon; with Oft on a plat of rising Ground, composed by Handel-Incledon; Victoria-Mrs Mountain; Catalina (1st time)-Mrs Litchfield; Isabel-Mrs Platt; Lorenza-Mrs Martyr.
Cast
Role: Fernando Actor: Johnstone
Role: Handel Actor: Incledon

Afterpiece Title: The Honest Thieves

Performance Comment: Teague (with The Tight Irish Boy)-Johnstone; Colonel Careless-Knight; Captain Manly-Toms; Justice Day-Powel; Mr Story-Claremont; Abel-Simmons; Servant-Abbot; Bailiffs-Wilde, Hawtin; Obadiah-Munden; Ruth-Mrs Knight; Arabella-Miss Mansel; Mrs Day-Mrs Davenport.
Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Murray; King Henry-Hull; Buckingham-Clarke; Stanley-Thompson; Tressel-Wheatley (2nd appearance [see17970925]); Prince Edward-Miss Standen; Duke of York-Master Standen; Lieutenant-Waddy; Catesby-Claremont; Ratcliffe-Abbot; Lord Mayor-Powel; Oxford-Farley; Norfolk-Davenport; Richmond-Pope; Lady Anne-Mrs Litchfield; Duchess of York-Mrs Platt; Queen-Miss Chapman.

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Powel, Simmons, Gray, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 7 Oct. 1795: Capt. Frederick-Johnstone; +Thicket-Incledon; +Clueline-Townsend; +Sir Fidget Fearful-Powel; +Gregory-Simmons; +Flambeau-Gray; +Peggy-Mrs Martyr; +Sophia-Mrs Clendining; +Whim-Mr Rees.] With Dialogue-; [to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by $Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; [The Greenwich Pensioner 'Twas in the good ship Rover-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to Lubbers, [and The Portrait, Come Painter with thy happiest flight-Incledon; Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the world a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Performance Comment: Amand.
Event Comment: [2nd piece in place of The Orphan; 3rd piece of Blunders at Brighton [i.e. The Irish Mimic], both advertised on playbill of 9 Oct.] "Where [Lewis] absolutely exceeded all expectation, even from spirits like his own, was in the first scene of the fifth act, where he meets with Cacafogo, who has been Cozened, too, and by a woman also (indeed the same woman); the convulsive joy of his laugh, frequently renewed, and invariably compelling the whole audience to a really painful sympathy, was one of the most brilliant exploits of the comedian...[Lewis] had one peculiarity, which was the richest in effect that could be imagined, and was always an addition to the character springing from himself. It might be called an attempt to take advantage of the lingering sparks of gallantry in the aunt, or the mother of sixty, or the ancient maiden whom he had to win, to carry the purposes of those for whom he was interested. He seemed to throw the lady by degrees off her guard, until at length his whole artillery of assault was applied to storm the struggling resistance; and the Mattockses and the Davenports of his attentions sometimes complained of the perpetual motion of his chair, which compelled them to a ludicrous retreat, and kept the spectator in a roar of laughter. In short, whether sitting or standing, he was never for a moment at rest--his figure continued to exhibit a series of undulating lines, which indicated a self-complacency that never tired, and the sparkling humour of his countenance was a signal hung out for enjoyment" (Boaden, Siddons, II, 364-66). Receipts: #365 4s. 6d. (357.6.6; 7.18.0)

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Nobles and Officers Actor: Dyke, Lee, Curties
Role: French and English Officers and Choristers Actor: Linton, Street, Gray
Role: Grand Historical Pageant Actor: .

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

Performance Comment: 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus.
Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Edwards, Wooldridge, Panchaud, Dangerfield, Irish, Cole, Hough, W. Nix, S. Nix [box-keepers]. Receipts: #526 10s. 6d. (18.1.0; 22.2.6; 0.4.0; tickets: 486.3.0) (charge: #217 14s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Cast
Role: Baron of Oakland Actor: Hollingsworth
Role: Baron de Courcy Actor: Holland
Role: Cicely Actor: Mrs Bland

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: The Honest Thieves

Performance Comment: Teague (with a Planxty in character, The Tight Irish Boy)-Johnstone; Colonel Careless-Knight; Captain Manly-Whitfield; Justice Day-Davenport; Mr Story-Claremont; Abel-Simmons; Obadiah-Munden; Ruth-Mrs Gibbs; Arabella-Miss Mansel; Mrs Day-Mrs Davenport.
Event Comment: Benefit for Lewis. 1st piece [1st time; C 3, by Thomas John Dibdin. Prologue and Epilogue by the author (London Chronicle, 18 Mar.)]. Morning Chronicle, 12 Apr. 1799: This Day is published Five Thousand a Year (price not listed). Ibid, 8 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #542 0s. 6d. (383.9.0; 2.19.0; tickets: 155.12.6)

Performances

Mainpiece Title: Five Thousand A Year

Performance Comment: [Principal Characters by Lewis, Pope, Munden, H. Johnston, Murray, Farley, Waddy, Simmons, Rees, Abbot, Miss Betterton, Mrs Pope, Miss Murray (1st appearance this season]), Mrs Mattocks. [Cast from text (G. G. and J. Robinson [1799]: George Fervid-Lewis; Frederick Fervid-Pope; Sir Matthew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Rees; Servants to Sir Matthew-Abbot, Wilde; Servant to Frederick-Curties; Boy-Master Webb; Maria-Miss Betterton; Lady Julia-Mrs Pope; Aurelia-Miss Murray [in text: Mrs H. Johnston (see17990325; Lady Maxim-Mrs Mattocks; Prologue (partly Musical)-Munden; Epilogue-Mrs Mattocks.

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Emery, Simmons, Gray, Rees, Mrs Martyr, Mrs Mills; [Cast adjusted from playbill of 2 Oct. 1797: Capt. Frederick-Johnstone; Thicket-Incledon; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Gray; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills.] With Dialogue to introduce the following favorite Songs: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the ancients its speaking-Johnstone; [Song, I went to Sea-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; The moment Aurora-Incledon; Dear Mary adieu-Incledon; The Midnight Watch-Incledon; [To conclude with a Rural Masquerade-; [in which a new song, by Mazzinghi; Poor Orra come from distant shore-Miss Waters; [Sea Song, A sailor's life's a life of woe-Mrs Mills; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Event Comment: [As afterpiece the playbill announces The Irish Widow, but on the Kemble playbill this is deleted, and a MS annotation substitutes The Purse.] Receipts: #416 (380.7; 35.1; 0.12)

Performances

Mainpiece Title: Pizarro

Cast
Role: Centinel Actor: Holland
Related Works
Related Work: Pizarro Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Purse

Song: As17990529

Performances

Mainpiece Title: The Way To Get Married

Performance Comment: Tangent-Lewis; Toby Allspice-Emery; Capt. Faulkner-Pope; Caustic-Munden; Dick Dashall-Fawcett; M'Query-Waddy; Landlord-Rees; Bailiff-Thompson; John-Claremont; Postillion-Platt; Jailor-Gardner; Clementina Allspice-Mrs Mattocks; Lady Sorrel-Mrs Davenport; Fanny-Miss Leserve; Julia Faulkner-Miss Betterton.
Cast
Role: Landlord Actor: Rees

Afterpiece Title: The Honest Thieves

Performance Comment: Teague (with a Planxty in character, The Tight Irish Boy)-Johnstone; Colonel Careless-Knight; Capt. Manly-Mansel; Justice Day-Davenport; Mr Story-Claremont; Abel-Simmons; Servant-Abbot; Bailiffs-Wilde, Hawtin; Obadiah-Munden; Ruth-Mrs Litchfield; Arabella-Miss Sims; Mrs Day-Mrs Davenport.
Event Comment: In I a Grand Masquerade. The Doors to be opened at 5:15. To begin at 6:15 [see 29 Apr. 1800]. Receipts: #180 11s. 6d. (175.8.0; 5.3.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17991007, but Romeo-C. J. Macartney (from the Theatre Royal, Edinburgh and Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Incledon, Waddy, Townsend, Emery, Simmons, Claremont, Rees, Mrs Martyr, Mrs Mills. Cast adjusted from playbill of 16 Mar. 1799: Thicket-Incledon; Capt. Frederick-Waddy; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Claremont; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills; Dialogue to introduce following favorite Songs: Peggy Perkins, Let Bards elate-Simmons; Irish Drinking Song, Of the Ancients its speaking-Waddy; Song, I went to Sea-Townsend; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; Duetto, As Hodge got drubb'd-Emery, Rees; Hunting Song, The moment Aurora-Incledon; Song, Young William was a seaman true-Incledon; Song, Come Painter with thy happiest flight-Incledon; Rural Masquerade. Song, Dear Yanco say and true he say-Miss Wheatley; Sea Song, A sailor's life's a life of woe-Mrs Mills; Masquerade Song, Sure an't the World a Masquerade-Waddy, Chorus.

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Event Comment: "[In Pizarro] the effeminacy of Alonzo's dress, better adopted for a ball-room than for scenes of warfare; the magnificence of the Spanish dungeon, in a country where the Spanish invaders were fain to put up with tents for their own accomodation; the vile manner in which the scene is bungled together, where Cora leaves her infant child to the fury of the pitiless storm, whilst a hut stands most invitingly in sight; the absurd introduction of Cora's song to the accompaniment of thunder and lightning--but, above all, the disgraceful additions made by Mr Sheridan himself, with the farcical termination of this sublime tragedy, by an Irish howl over the dead body of Rolla;--all these glaring defects, sufficient to damn any writer of less notoriety than Sheridan, still continue to outrage good-sense, and the feelings of every spectator of taste and discernment...We are firmly of opinion that the crowded houses this play still continues to draw are principally to be attributed to the masterly acting of the elder Kemble" (Dramatic Censor, I, 23-24). Receipts: #429 9s. (388.1; 40.1; 1.7)

Performances

Mainpiece Title: Pizarro

Cast
Role: Centinel Actor: Holland
Related Works
Related Work: Pizarro Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Mock Doctor

Cast
Role: Leander Actor: Surmont

Song: Vocal Parts, as17991213, but _Willoughby, _Bardoleau, _Clark, _Mead, _Elliot, Ms _Jacobs, Ms _Butler, Ms _Saunders, Ms _Gawdry, Ms _Benson, Ms _Coates

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: How stands the glass around-Incledon; Irish Song-Johnstone; How merrily we live that Soldiers be-Incledon, Linton, Johnstone; To arms! Britons strike home-Incledon, Linton, Blurton, Lee, Rees; To conclude The Siege of Quebec and the Death of General Wolfe-; General Wolfe-Farley; Brigadier Moncton-Atkins; Brigadier Townsend-Lewiss; Brigadier Murray-Thompson; Adjutants-Lee, Curties; Serjeant Adair-Abbot; Aid@de@camp-King; Indian Chief-Bologna Jun.

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Soldier's Festival

Performance Comment: As18000423, but Irish Song-_; Adjutants-_; Serjeant Adair-_; Aid@de@camp-_.

Entertainment: Vaudeville. End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend

Performance Comment: End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend.
Cast
Role: Little Island Actor: Townsend.
Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Performance Comment: At the Magnificent Triumphs and Entertainment of His Most Sacred Majesty Charles the II...At Guildhall on Thursday the 5th day of July 1660.
Event Comment: The music was composed by Matthew Lock, and the architectural elements were created by Peter Mills, Surveyor of the City. For further details, see Robert Withington, English Pageantry (1918), I, 243

Performances

Mainpiece Title: The Relation Of His Majesties Entertainment Passing Through The City Of London, To His Coronation: With A Description Of The Triumphal Arches, And Solemnity

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Langbaine (English Dramatic Poets, p. 477): This Play has been received with Success (as I said) in our Time; and as I remember, the deceas'd Mr Lacy acted Jonny Thump, Sir Gervase Simple's Man, with general Applause

Performances

Mainpiece Title: Love In A Maze

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also W. J. Lawrence, Times Literary Supplement, 24 Oct. 1929, p. 846; and J. G. McManaway, "Philip Massinger and the Restoration Drama," ELH: A Journal of English Literary History, 1 (1934), 287-88. The manuscript is in Bod. Rawlinson poet. 20

Performances

Mainpiece Title: The Renegado

Event Comment: See Boswell, Restoration Court Theatre, pp. 56-57, for a stage which may have been used for the puppets, and also Speaight, English Puppet Theatre, p. 73. Pepys, Diary: To my Lord's again, thinking to speak with him, but he is at White Hall with the King, before whom the puppet plays I saw this summer at Covent-garden are acted this night

Performances

Mainpiece Title: Puppets

Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Performances

Mainpiece Title: An Unidentified Play

Event Comment: Nethercot (Davenant,pp. 337-78) believes that this play was brought out in the late summer of 1663. The Epilogue refers to the Long Vacation, presumably the summer of 1663, as the play is referred to in Stapylton's The Stepmother, which was licensed 26 Dec. 1663. In Act V is a farce relating to Pompey; as Langbaine (English Dramatick Poets, p. 405) states: Pompey, a Tragedy, which I have seen acted with great Applause, at the Duke's Theatre, and at the End was acted that Farce printed in the fifth Act of The Play-house to be Let. [See also June 1663.

Performances

Mainpiece Title: The Playhouse To Be Let