SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English High German Dutch and Morocco Companies"/1) | (@(roleclean,performerclean) "English High German Dutch and Morocco Companies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2260 matches on Event Comments, 1398 matches on Performance Title, 534 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box att Allexander. See Hotson, Commonwealth and Restoration Stage, p. 777. This play was also reprinted in 1699

Performances

Mainpiece Title: Alexander

Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon
Related Work: Telemachus Author(s): Alexander Scarlatti
Related Work: Sethona Author(s): Alexander Dow
Related Work: Zingis Author(s): Alexander Dow
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box at Oedipus. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: Oedipus, King Of Thebes

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box att Little Theife. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: The Little Thief

Event Comment: Rich's Company. The date of the first performance is not known, but it cannot be later than December 1698, for the play was advertised in the Post Man, 27-29 Dec. 1698. The play may have been produced earlier in the season, but it apparently followed the two operatic works (The Island Princess and Rinaldo and Armida), as the Epilogue alludes to the "late Singers." It also refers to Sigismondo Fideli, as being lately arrived, and he is known to have given a concert on 22 Dec. 1698

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Edition of 1699: Prologue By J. H. (Joseph Haines)-Mr Powell (a Servant attending with a Bottle of Wine); Epilogue by and-Jo. Haynes (in Mourning); Roebuck-Williams; Lovewell-Mills; Mockmode-Bullock; Lyrick-Johnson; Pamphlet-Haynes; Rigadoon-Haynes; Nimblewrist-Ashton; Club-Pinkethman; Brush-Fairbank; Lucinda-Mrs Rogers; Leanthe-Mrs Maria Alison; Trudge-Mrs Mills; Bulfinch-Mrs Powel; Pindress-Mrs Moor.
Cast
Role: Epilogue by and Actor: Jo. Haynes

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and nne in the Box att Bonduca. 8s. See Hotson, Commonwealth and Restoration Stage, p. 377. When this play was revived at Drury Lane on 12 Feb. 1705, the bill bore the heading: Not Acted these Six Years

Performances

Mainpiece Title: Bonduca

Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication is dated 20 April 1699, and the play was advertised in the Post Boy, 25-27 April 1699; hence, it is likely that the play was first given between mid-February and mid-March, certainly before Easter, which fell on 9 April 1699

Performances

Mainpiece Title: Xerxes

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box at Spanish Wives. 8s. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: The Spanish Wives

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box att King Lear. 12s. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: King Lear

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box att the Island Princess. 10s. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: The Island Princess

Event Comment: Rich's Company. The date of the premiere is not known, but as the play was advertised in the Post Man, 25-27 May 1699, it may have been acted before Easter (9 April 1699), certainly by the end of April. Dedication, to the Countess of Burlington: I...beg your Ladyship's Protection for a Play which stands rank'd amongst the Unfortunate....[A song, Loving and beloved again, with music by Samuel Ackroyde, is in Mercurius Musicus, 1699.

Performances

Mainpiece Title: Love's A Lottery, And A Woman The Prize : With A New Masque, Call'd Love And Riches Reconcil'd

Event Comment: Betterton's Company. John Dryden to Mrs Steward, 4 March 1698@9: This Day is playd a reviv'd Comedy of Mr Congreve's called the Double Dealer, which was never very takeing; in the play bill was printed, Written by Mr Congreve; with Severall Expressions omitted: What kind of Expressions those were you may easily ghess; if you have seen the Monday's Gazette, wherein is the King s Order, for the reformation of the Stage: but the printing an Authours name, in a Play bill, is a new manner of proceeding, at least in England (Letters of John Dryden, 112-13)

Performances

Mainpiece Title: The Double Dealer

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box att the Island Princesse. 15s

Performances

Mainpiece Title: The Island Princess

Performances

Mainpiece Title: Love Without Interest; Or, The Man Too Hard For The Master

Performances

Mainpiece Title: The Princess Of Parma

Performances

Mainpiece Title: Play Not Known

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Performances

Mainpiece Title: The Island Princess

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performance Comment: In Two Parts. Edition of 1700: Prologue-Mr Pinkethman [holding a Paper with Prick'd Notes, in his Hand; Epilogue-Mrs Rogers; Part II [1699 edition]: Prologue to the Second Part-; Epilogue for Miss Campian-.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was entered in the Term Catalogues, June 1699, and advertised in the Post Man, 13-15 June 1699, suggests that it was first given not later than May 1699. In addition, references in the Epilogue to the vogue of Balon and Clementine (see 8, 10, and 15 April 1699) suggest a first production not earlier than April 1699

Performances

Mainpiece Title: Feign'd Friendship; Or, The Mad Reformer

Performances

Mainpiece Title: The False Friend; Or, The Fate Of Disobedience

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box att the Joviall Crew. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: The Jovial Crew

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances