SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch Characters"/1) | (@(roleclean,performerclean) "English French Dutch Characters")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3996 matches on Performance Comments, 1727 matches on Performance Title, 1431 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Fair Penitent

Dance: Mr Cook; being the 1st time of his performance since his arrival from the Opera at Paris. Also Les Demoiselles Anne and Janneton Auretti; Two French Girls, being the 1st time of their appearing on the English Stage

Performance Comment: Also Les Demoiselles Anne and Janneton Auretti; Two French Girls, being the 1st time of their appearing on the English Stage.
Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Performances

Event Comment: [The Advertisement of 17 May for the Suspicious Husband repeated for the fourth time, now, however, specifying the Grand Scotch Dance and a concluding Country Dance to round off the evening's entertainment for the benefit of M Monet. Tickets at White's Chocolate House in St James's St., and at the stage door. Being positively the last time of the Company's performing this season. The announcement accompanied by the following statement]: Mr Monett, the innocent tho' unfortunate cause of disgusting the Public by his attempting to represent French Plays, most humbly implores their assistance, by the means of this Benefit Play, to extricate him out of his present most deplorable situation. Without such relief his Misfortunes must detain him a ruined Man in England; a severity which he is persuaded never was proposed as any part of the purpose of the most disoblig'd, or determined against his Undertaking. With this relief he hopes to be able to return to France, and promises never again to risque their favours. He most submissively hopes he shall not be the only the single instance that may seem to contradict the hitherto unimpeached Good Nature and Humanity, which is universally acknowledged the Characteristic of the English Nation (General Advertiser)

Performances

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Fortunatus

Song: I: Beard

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

Event Comment: [G$Goldsmith's Bee (1759, p. 9) glances at Yates's clowning in the part of the Mock Doctor in comparison with the stage business of the French actors in the same part. The Mock Doctor in France 'pleased with his latinate bamboozling of the clients, kicks up his legs, falling over backwards in his chair." The English actor just fingers his snuff box, and keeps pulling up his breeches.] Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Ways And Means

Performance Comment: As17931008, but Palmer Jun.'s name listed in playbill; French Waiter-_; English Waiter-_.

Afterpiece Title: All the World's a Stage

Afterpiece Title: The Prize

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: King Henry-Hale; Exeter-Ridout; Achb. Canterbury-Chapman; Fluellin-Hippisley; King of France-Cashell; Dauphin-Woodward; Constable-Bridgwater; French Soldier-Destrade; Pistol-Cibber; Queen of France-Mrs Bland; Princess Katherine-Mrs Vincent; Hostess-Mrs James; Chorus (after the manner of the ancients)-Ryan; Epilogue (on Somebody in the character of Nobody)-Cibber.
Cast
Role: French Soldier Actor: Destrade

Afterpiece Title: Pyramus and Thisbe

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: 1. A new Concerto for several different Instruments-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. An Oration on the Salt Box-a Rationalist; 5. Overture by Dr Boyce-; Epilogue-Master Hallet in the Character of Cupid.
Cast
Role: A French Horn Concerto Actor:

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520414 but a solo-Hallet, in the character of Cupid instead of the one by Mrs Midnight's daughter; Bombasto, Bombaseno; Solo of Humour on French Horn-_.
Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Touchstone; or, Harlequin Traveller

Performance Comment: Principal Characters by Lee Lewes, Wilson, Leoni, Delpini, Rayner, Brundson, Baker, L'Estrange, Wewitzer, Jones, Robson, Egan, Mahon, Stevens, Ledger, Reinhold, Mrs Farrell, Miss Morris, Miss Brown. Cast from Songs (G. Kearsley, 1779); Morning Chronicle, 7 Oct. 1779; Larpent MS 464: Harlequin-Lee Lewes; Keel-Wilson; Scaramouche-Delpini; French Officer-Wewitzer; Watchman-Mahon; Pierrot-Reinhold; Feridon-Mrs Farrell; Colombine-Miss Brown; Larpent MS also lists: Pantaloon-; Mezetin-; Padmanada-; Lord-; Capt. O'Donnavan-; Oriel-; Custom@house Officer-; Centinel-; Landlord-; Gentlemen-;..
Cast
Role: French Officer Actor: Wewitzer

Dance: In afterpiece: Dagueville, Miss Valois. [The dancing, as here assigned, was included in all subsequent performances, except on 4 Feb., 7 Apr., 10 May.

Song: In I: song-Leoni

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Principal Characters-Lewis, Wroughton, Lee Lewes, Aickin, Whitfield, Robson, Edwin, L'Estrange, Thompson, Wewitzer, Fearon, Booth, Jones, W. Bates, Quick, Mrs Hartley, Mrs Mattocks, Mrs Morton, Miss Morris, Miss Stewart, Mrs Poussin, Mrs Webb, Mrs White, Miss Younge; [Cast from text (T. Cadell, 1782): Doricourt-Lewis; +Sir George Touchwood-Wroughton; +Flutter-Lee Lewes; +Saville-Aickin; +Villers-Whitfield; +Courtall-Robson; +Silvertongue-Edwin in text: $W. Bates]; Gentlemen-L'Estrange, Thompson; +French Valet-Wewitzer; +Porter-Fearon; +Dick-Stevens; +Mountebank-Booth; +Crowquill-Jones; +Hardy-Quick; +Lady Frances Touchwood-Mrs Hartley; +Mrs Racket-Mrs Mattocks; +Miss Ogle-Mrs Morton; +Kitty Willis-Miss Stewart; +Lady-Mrs Poussin; +Letitia Hardy-Miss Younge; W. Bates, Miss Morris, Mrs Webb, Mrs White are unassigned; +Prologue-Edwin; Epilogue-Miss Younge. [These were spoken as here assigned, at all subsequent performances.]These were spoken as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus (1st time)-Henry; Cloten-Dodd; Cymbeline-Hurst; Pissanio-Packer; Bellarius-Aickin; Guiderius (1st time)-R. Palmer; Arviragus-Davies; Lucius-Wrighten; French Gentleman-Chaplin; Philario-Wright; Iachimo-Smith; Queen-Miss Sherry; Imogen-Mrs Robinson (1st appearance in that character).
Cast
Role: French Gentleman Actor: Chaplin

Afterpiece Title: The Padlock

Dance: II: Masquerade scene with Dancing-Henry, Menage, Miss Armstrong; End III: Minuet-Henry, Miss Armstrong

Song: II: song-Miss Abrams; End afterpiece: song, Ellen a Roon, with the original Irish words-the Young Lady who performs Leonora

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Touchstone; or, Harlequin Traveller

Performance Comment: Principal Characters- Lee Lewes, WilsonJones, Wewitzer, Newton, L'Estrange, Baker, Robson, Egan, Doyle, Stevens, Ledger, Davis, Mrs Kennedy, Miss Langrish, Miss Wewitzer (1st appearance these 2 years); Partial cast from following sources: Harlequin-Lee Lewes (see17810420); Keel-Wilson (Songs, G. Kearsley, 1779); French Officer-Wewitzer (Morning Chronicle, 7 Oct. 1779); Ferridon-Mrs Kennedy (see17810512).

Dance: End II: The Caledonian Shepherds, as17801106

Performances

Mainpiece Title: The World As It Goes; Or, A Party At Montpelier

Performance Comment: Principal Characters-Lewis, Lee Lewes, Quick, Wilson, Edwin, Wewitzer, Peile, L'Estrange, Egan, Mrs Mattocks, Mrs Webb, Mrs Inchbald, Mrs Morton, Miss Ambrose, Miss Platt, Mrs Davenett, Miss Younge. Cast from Morning Herald, 26 Feb.: Sir Charles Danvers-Lewis; Fairfax-Lee Lewes; Grub-Quick; Col. Sparwell-Wilson; Bronze-Edwin; von Irkin-Wewitzer; Le Rouge-L'Estrange; Murtagh-Egan; Mrs Sparwell-Mrs Mattocks; Molly Grub-Mrs Webb; Sidney Grub-Mrs Inchbald; French Countess-Miss Ambrose; Lady Danvers-Miss Younge; unassigned-Peile, Mrs Morton, Miss Platt, Mrs Davenett; Larpent MS lists the parts as above, and adds: Monk-; Le Gout-; Will-; Landlord-; Jervis-; Abbess-; Nell-; Child-; Prologue-Lee Lewes; Epilogue-Miss Younge.

Afterpiece Title: The Jovial Crew

Performances

Mainpiece Title: Second Thoughts Are Best

Performance Comment: Principal Characters by Lewis, Lee Lewes, Quick, Wilson, Edwin, Wewitzer, Robson, Miss Younge, Mrs Mattocks, Miss Satchell, Mrs Wilson, Mrs Morton, Miss Platt, Mrs White, Mrs Davenett, Miss Langrish, Mrs Yates; [Cast adjusted from playbill of 24 Feb. and from London Chronicle, 26 Mar.: Sir Charles Danvers-Lewis; Fairfax-Lee Lewes; Grub-Quick; Col. Sparwell-Wilson; Bronze-Edwin; von Irkin-Wewitzer; Le Rouge-Robson; Molly Gurb-Miss Younge; Mrs Sparwell-Mrs Mattocks; Sidney Grub-Miss Satchell; French Countess-Mrs Wilson; Lady Danvers-Mrs Yates; [Mrs Morton, Miss Platt, Mrs White, Mrs Davenett, Miss Langrish are unassigned.] Prologue-Lee Lewes.
Cast
Role: French Countess Actor: Mrs Wilson

Afterpiece Title: The Upholsterer

Dance: As17801107

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes (King of Sicily)-Henderson; Polixenes (King of Bithynia)-Aickin (Their 1st appearance in those characters); Camillo-Hull; Old Shepherd-Booth; Clown-Quick; Cleomenes-Fearon; Autolicus (with songs)-Edwin; Florizel (Prince of Bithynia)-Lewis; Perdita (Daughter to Leontes and Hermione; with Come, come, my good shepherds)-Miss Satchell; Paulina-Mrs Hunter; Mopsa-Mrs Martyr; Dorcas-Mrs Morton; Hermione (Queen of Bithynia)-Mrs Yates (Their 1st appearance in any of those characters) .

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.
Cast
Role: French Marquis Actor: Wewitzer.

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Brereton; Cloten-Dodd; Bellarius-Aickin; Guiderius-Farren; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Miss E. Kemble (1st appearance in that character) .
Cast
Role: French Gentleman Actor: Fawcett

Afterpiece Title: Too Civil by Half

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Devonshire Minuet by the Miss Stageldoirs

Song: In Masquerade Scene a New Song by Miss George

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Brereton; Bcllarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Wells (1st appearance in that character) .
Cast
Role: French Gentleman Actor: Fawcett

Afterpiece Title: The Spanish Rivals

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Sportsmen's Return, as17840916

Song: In Masquerade, by Miss George

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Kemble; Bellarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Jordan (1st appearance in that character [in London]) .in London]) .
Cast
Role: French Gentleman Actor: Fawcett

Afterpiece Title: The Romp

Performance Comment: Principal Characters by Dodd, Barrymore, Fawcett, Suett; Miss Stageldoir, Miss Barnes, Mrs Jordan. [Cast from text (W. Lowndes and J. Barker, 1786): Young Cockney-Dodd; Captain Sightly-Barrymore; Old Cockney-Fawcett; Barnacle-Suctt; Penelope-Miss Stageldoir; Miss La Blond-Miss Barnes; Priscilla Tomboy-Mrs Jordan.] dancing and. dancing and.

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024